Music Not Diving with Scuba

We now have a facility for one-off donations to the podcast... to make such a donation using either a credit or debit card, or with Paypal, head over to scubaofficial.io/support. Presave my forthcoming Digital Underground mixtape: push.fm/ps/digitalundergroundEver considered making an album using only the skeleton of a horse you managed to buy off ebay? Or perhaps a statement about the UK's departure from the European Union via the contributions of over a thousand musicians?I didn't think so, but the catalogue of this week's guest is notable for the fact that those projects are not outliers. Making a political point through music, as he might put it, isn't an option but rather a necessity. We discuss the musical landscape of today, the joy of working with highly proficient instrumentalists, the lack of crossover between that proficiency and other forms of musical accomplishment, the potential AI revolution in music, and the contributions of Timbaland and Missy Elliott. Matthew Herbert is a unique person in music, and his contributions over the past couple of decades are unlike anything else. This was a great conversation that you're going love. If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 (£3.50) a month, which features regular bonus podcasts and extra content. And "Musicality" which for a mere $10 (£8.50) a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else. Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation there in the public channels, so please do! Listen to all (most of) the music discussed on the show via the Not A Diving Podcast Spotify playlistFollow Scuba: twitter instagram bandcamp spotify apple music beatport Hosted on Acast. See acast.com/privacy for more information.

We now have a facility for one-off donations to the podcast... to make such a donation using either a credit or debit card, or with Paypal, head over to scubaofficial.io/support. We've been talking development and mentorship on the podcast in recent weeks, and the theme continues with a man whose experience covers albums on labels as diverse as Brainfeeder and Ostgut Ton, running a label for well over a decade, and chronicling the legend of Goldie's Timeless record. This is not a narrow discussion however, and as well as his mentorship programme we tackle topics including AI, the nature of art and creativity, the relative importance of concept and technical skill, the influence of football on dance music culture, and a lot more besides. Martyn is a thoughtful guy with things to say, so that's always going to to be a good episode of this show. If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features regular bonus podcasts and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else. Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation there in the public channels, so please do! Listen to all (most of) the music discussed on the show via the Not A Diving Podcast Spotify playlistFollow Scuba: twitter instagram bandcamp spotify apple music beatport Hosted on Acast. See acast.com/privacy for more information.

We now have a facility for one-off donations to the podcast... to make such a donation using either a credit or debit card, or with Paypal, head over to scubaofficial.io/support. Record labels, music journalism, artist careers, and the historical developments of the dance scene have maybe been the most enduring themes of this podcast to date. And they all get discussed on this episode. Tom Lea has been running the excellent Local Action label since 2010, and is also, since 2021, label manager for Peggy Gou's Gudu imprint. His CV also includes stints as Editor In Chief of Fact Magazine, and as manager to artists including I.Jordan. So there was plenty to talk about this week, and we got stuck into topics including the travails of the dance press, the pros and cons of Boiler Room, and the role of labels. We also discuss whether the 2010s was a bad decade for music, the AI conundrum, and what it's like to work with Peggy. This is a good one, get involved! If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features regular bonus podcasts and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else. Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation there in the public channels, so please do! Listen to all (most of) the music discussed on the show via the Not A Diving Podcast Spotify playlistFollow Scuba: twitter instagram bandcamp spotify apple music beatport Hosted on Acast. See acast.com/privacy for more information.

Berlin is the centre of the European dance scene. It's changed almost beyond recognition in the past two decades but its influence has steadily grown in that time, and while those two things mean that some people will inevitably be sniffy about it, the reality is that it's still the place to be. Paul Hanford literally wrote the book on coming to Berlin as an outsider, and even though the path is extremely well-trodden at this point, the experiences continue to develop. The stories in his book are similar to my own experiences of moving over from London in 2007, but there are points of culture and geopolitics which distinguish the narratives entirely. Paul is also the host of the Lost And Sound podcast, a musician with major label releases to his name, the former head of music at Secret Cinema, and a lecturer the BIMM Institute. So additionally to the book and Berlin, we discuss a range of topics including alternative media, cancel culture, and politics and populism in modern culture. This is a good one, you're gonna enjoy it. A reminder that the vinyl-only release of Hardcore Heaven II is imminent - grab a copy here. And here's some more info about my forthcoming mixtape 'Digital Underground'. Grab a preorder of Digital Underground here. (will be live shortly)If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features regular bonus podcasts and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else. Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation there in the public channels, so please do! Listen to all (most of) the music discussed on the show via the Not A Diving Podcast Spotify playlistFollow Scuba: twitter instagram bandcamp spotify apple music beatport Hosted on Acast. See acast.com/privacy for more information.

Topics discussed include creativity, the Bristol DnB scene, unlocking creativity, Krust's coaching and consultancy business, his creative process, his last album The Edge Of Everything, touring with Reprazent, the development of Jungle and DnB, the impact of the music industry on creativity, the need for an education system upgrade, the history and future of education, the evolution of creativity in various industries, the role of music production tuition, the pressure and influence of the Bristol jungle music era, the golden era of jungle drum and bass, taking a break and rediscovering purpose, and the role of creativity and work ethic in music production.

Guest Skream, a headline DJ, talks about his experiences in the music industry, including stage invasions, tour bus fires, and being marketed as a certain image. They also discuss the evolution of music styles, the challenges faced in the industry, and wild festival experiences. The podcast delves into the impact of their project in Colombia, gatekeeping in the drum and bass scene, and the changing environment of record shops. A fascinating and entertaining conversation.

Renowned musician, producer, and DJ Matthew Dear joins the podcast for a wide-ranging discussion. They cover AI-related issues, minimal music, Detroit, sampling, and more. The episode also touches on living in Upstate New York vs. Ann Arbor, the impact of politically charged songs, flaws in public administration, and the expression of ideas in various forms. A varied and entertaining conversation with Matthew Dear awaits!

Mat Dryhurst, engaged in important work at the intersection of music and emergent tech, discusses projects like Holly+ AI and web3 interaction, haveibeentrained.com for opting out of Large Language Model training datasets, and the Interdependence podcast. They explore the impact of emergent tech on musicians and the importance of collaboration. Topics include gatekeeping in the music industry, consent and data in generative AI, regulation of web two, copyright challenges in AI models, potential of web three and crypto, and the compelling yet terrifying aspects of AI.

In this podcast, they discuss the involvement in Afterlife, the Ibiza party and label gaining popularity. They delve into the AI revolution and musicians' reactions. They also explore the evolution of DJ sets, the challenges of touring, the rise of T-totalism in the DJ community, and the potential upside of AI in music. Additionally, they talk about artists opting out of AI training models and the use of data by big tech companies.

Bill Brewster, co-author of the most authoritative book on DJing, discusses the history of DJing, the influence of technology and commercialism, the impact of Thatcherism on UK culture, the role of the gay community in New York's dance music culture, the evolution of DJ culture in Ibiza, and the changing attitudes towards DJs as skilled artists.