In this podcast, they discuss the involvement in Afterlife, the Ibiza party and label gaining popularity. They delve into the AI revolution and musicians' reactions. They also explore the evolution of DJ sets, the challenges of touring, the rise of T-totalism in the DJ community, and the potential upside of AI in music. Additionally, they talk about artists opting out of AI training models and the use of data by big tech companies.

Bill Brewster, co-author of the most authoritative book on DJing, discusses the history of DJing, the influence of technology and commercialism, the impact of Thatcherism on UK culture, the role of the gay community in New York's dance music culture, the evolution of DJ culture in Ibiza, and the changing attitudes towards DJs as skilled artists.

Despite the appearance given by my conversation with Sam Valenti, I was on holiday last week. I've latterly decided to extend my break by another seven days, just because I realised that I really need it. So to fill the podcast gap we present my appearance on the Will Clarke podcast from a few weeks ago. We discuss many familiar issues, including the music press, social media, and the running of record labels. It was a fun conversation to have and an illuminating look into the running of one of the few other podcasts of this sort that goes out every week. Back on schedule next Tuesday with a full ep... and I'm pretty sure it's going to be a good one!If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features regular bonus podcasts and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else. Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation there in the public channels, so please do! Listen to all the music discussed on the show via the Not A Diving Podcast Spotify playlistFor more links and other info visit the official Scuba websiteFollow Scuba: twitter instagram bandcamp spotify apple music beatport Hosted on Acast. See acast.com/privacy for more information.

Any person who has run a label for knocking on a quarter of a century is someone I want to talk to.Ghostly International was launched in 1999 by Sam Valenti with a single by fledgling producer Matthew Dear which would go on to be sampled on a global hit by Fedde Le Grand. You know the one.This episode is actually almost a sequel to episode 077 with Shawn Reynaldo. Of course we discuss Ghostly, and particularly the early period of the label, but I really want to pick Sam's brain on a few of the key issues which came out of that episode from a few weeks ago.So we discuss issues including the decline of local scenes, the value of gatekeepers, the comparative lack of anthems in contemporary music, as well as his substack project Herb Sundays.This was a good one, you're gonna enjoy it!If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features regular bonus podcasts and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else. Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation there in the public channels, so please do! Listen to all the music discussed on the show via the Not A Diving Podcast Spotify playlistFor more links and other info visit the official Scuba websiteFollow Scuba: twitter instagram bandcamp spotify apple music beatport Hosted on Acast. See acast.com/privacy for more information.

Paris is rarely cited (somewhat unfairly) as one of the key cities of electronic music, but the influence of French musicians is absolutely huge. You know the names, and you definitely know the tracks. But there's a lot more to it than Daft Punk and Justice. Chloé Thévenin has been a key figure in Paris for the last two decades, as resident at the hugely important night Le Pulp, and at Rex Club, while also developing a reputation as a highly technical producer operating in different styles and in collaboration with a range of musicians.We discuss all of the above, plus delving into her journey as a musician from beginnings in the Paris club scene in the early 90s, recent developments in AI and spacial audio, and the cultural importance of clubs in the development of electronic music and culture. This is a good one, and you're going to enjoy it! If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features regular bonus podcasts and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else. Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation there in the public channels, so please do! Listen to all the music discussed on the show via the Not A Diving Podcast Spotify playlistFor more links and other info visit the official Scuba websiteFollow Scuba: twitter instagram bandcamp spotify apple music beatport Hosted on Acast. See acast.com/privacy for more information.

Is music journalism in as bad a place as people say it is? I've certainly said it... really quite a lot. Maybe to the extent that I've been a bit unfair on the overall quality of music writing today, and having a total ban on music writers on the show was also possibly taking things a bit too far. Today though, the ban is lifted. Shawn Reynaldo is a former editor of XLR8R, and contributor to many of the august music publications we all love to hate, but now operates mostly out of his First Floor platform on Substack. He's just released a book entitled First Floor Vol 1, and we spend most of this week's episode digging into some of the issues covered in it. These include... streaming platforms, musical gatekeepers, media snobbery, the commercialisation of dance music, local scenes, and a lot more meaty stuff besides. I love this sort of conversation, and you're definitely going to enjoy listening to it. If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features regular bonus podcasts and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else. Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation there in the public channels, so please do! Listen to all the music discussed on the show via the Not A Diving Podcast Spotify playlistFor more links and other info visit the official Scuba websiteFollow Scuba: twitter instagram bandcamp spotify apple music beatport Hosted on Acast. See acast.com/privacy for more information.

We haven't done a solo pod since the 'Thoughts On Releasing Music' two-parter which covered episodes 58 and 59. Those two were really popular, surprisingly so... to me at least. I enjoy doing these because it forces me to get my thoughts together in a way that I sometimes struggle to usually. And the topics we're covering today definitely require some clear thought. Obviously the episode title is a bit provocative. It could totally be happening though. Generative AI and LLMs are things we're going to be discussing a lot in the coming weeks and I thought it would be useful to get my fairly-uneducated intuitions on the subject down on record. Clearly I'm hoping to learn a lot more about this area from having long conversations on the show people who actually know what they're talking about - that usually helps.And then we get into something that I did a really bad job of addressing on my recent appearance on Beats In Space. The decline in the cultural importance of music, that is. I'm not sure if I do much of a better job here, and I think writing an article or something is going to be the best way of really describing it. But I have a go. Anyway, this is a different sort of solo pod to the last ones but I hope it'll be as enjoyable. Or at least provoke a few thoughts anyway. If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features regular bonus podcasts and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else. Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation there in the public channels, so please do! Listen to all the music discussed on the show via the Not A Diving Podcast Spotify playlistFor more links and other info visit the official Scuba websiteFollow Scuba: twitter instagram bandcamp spotify apple music beatport Hosted on Acast. See acast.com/privacy for more information.

Welcome to Episode 75 of the Not A Diving Podcast. That's quite a lot of episodes, and probably more than I thought we'd get to at the outset but it's been a highly enjoyable ride and we're not slowing down any time soon. This week on the show we welcome a former resident of one of my favourite clubs, Smartbar in Chicago. Alinka is an Ukraine-born, American expat in Berlin, a great DJ and a producer making some really interesting music.We discuss her journey in music from the early 2000s, via a hiatus and subsequent rebirth with the Twirl parties and label in collaboration with Shaun J. Wright, formerly of Hercules and Love Affair. We also cover scene attitudes towards politics, the legacy of Chicago, the rave scene, and lot more besides. This is a good one, you're going to enjoy it!If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features regular bonus podcasts and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else. Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation there in the public channels, so please do! Listen to all the music discussed on the show via the Not A Diving Podcast Spotify playlistFor more links and other info visit the official Scuba websiteFollow Scuba: twitter instagram bandcamp spotify apple music beatport Hosted on Acast. See acast.com/privacy for more information.

In the storied days of vinyl, snooty record shop staff, and white label promos, the diligent producer would cultivate many aliases, seemingly at least one for every nuance of his studio output. With DSP tagging and the endless collaborations that are a featured of today's recorded music, does that approach make sense anymore?That is a paraphrasing of my first question to Kevin McHugh, aka Ambivalent, aka LA-4A, on today's podcast. You'll have to tune in to get his answer in full, but let's just say he feels justified in his recently-released album under that second alias, entitled Folio. It's a great piece of work, and we discuss it, in addition to continuing the conversation in recent episodes on the topic of Minimal, the state of the Techno scene today, nostalgia in dance music, and much else besides. This was a great conversation in which I learnt a lot about Kevin as a producer and as a person. You're going to enjoy it! If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features regular bonus podcasts and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else. Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation there in the public channels, so please do! Listen to all the music discussed on the show via the Not A Diving Podcast Spotify playlistFor more links and other info visit the official Scuba websiteFollow Scuba: twitter instagram bandcamp spotify apple music beatport Hosted on Acast. See acast.com/privacy for more information.

The majority of DJs spent the pandemic mostly of stood in front of a camera, attempting to perform the impossible task of transplanting a rave into the bedrooms of the few people lucky enough to be watching at the other end of a fibre optic cable.We are only beginning to come to terms with the implications of what the failure of that approach have had for our culture, but DJ Bone did something completely different.'Further' was a hugely successful series of events which combined music, talking, and a bit of socially-distanced vibing out. At Radion in Amsterdam, there was a real effort made to add something extra within the constraints of some of the most draconian lockdown measures anywhere in the world.DJ Bone just released an album of the same name as those events, which he sees as jumping off point to his career even at this relatively advanced stage. We discuss that in detail, as well as those events, and what they mean in the context of what he's done in music since the 90s.We also discuss his roots as a party-goer in Detroit, the wider state of Techno and dance music generally today, and what needs to change to get back on track after a few years of real turmoil.This was a great conversation in which we dig into some really meaty areas, and get some incredible detail on the birthplace of Techno. You're going to enjoy it!If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features regular bonus podcasts and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation there in the public channels, so please do!Listen to all the music discussed on the show via the Not A Diving Podcast Spotify playlistFor more links and other info visit the official Scuba websiteFollow Scuba: twitter instagram bandcamp spotify apple music beatport Hosted on Acast. See acast.com/privacy for more information.