Psyop Cinema

A Psyop Cinema Halloween special, combining three of Thomas' Patreon bonus episodes from last year. 2021's Psy-Optober bonus series analyzed The Cabin in the Woods, The Guest, and John Dies at the End. The Cabin in the Woods provides a near perfect metaphor for cultural engineering while also seeking to trap its audience inside a nefarious false binary of either total control or annihilation. The Guest functions as a cautionary tale about super-soldier experimentation. John Dies at the End contains a helpfully stark portrayal of transhumanist evil amid its scattershot stoner philosophy. Check out our Patreon if you enjoy this unlocked bonus content and stay tuned for more Joker episodes soon to come.https://twitter.com/CinemaPsyophttps://www.patreon.com/PsyopCinemahttps://linktr.ee/psyopcinemathomas-psyopcinema@protonmail.combrett-psyopcinema@protonmail.com

Our appearance on recurring Psyop Cinema guest Geoff Shullenberger's Outsider Theory podcast, discussing our overall approach to cultural engineering, the Hollywood psyop, and low-intensity MKUltra. The conversation covers the ideological history of conspiracy theory, the overlap between academic theory and cultural engineering analysis, CIA involvement in Hollywood, and much more.https://outsidertheory.com/https://twitter.com/g_shullenbergerhttps://twitter.com/CinemaPsyophttps://www.patreon.com/PsyopCinemahttps://linktr.ee/psyopcinemathomas-psyopcinema@protonmail.combrett-psyopcinema@protonmail.com

We return to William Ramsey Investigates to discuss Conspiracy Theory, the 1997 film directed by Richard Donner and starring Mel Gibson. We describe how Conspiracy Theory is filled with limited hangouts, misdirection, second matrix programming, and other disinfo tactics. It's also closely related to research we've done in our Joker series on Mark David Chapman, John Hinckley Jr., and related subjects.https://twitter.com/CinemaPsyophttps://www.patreon.com/PsyopCinemahttps://linktr.ee/psyopcinemathomas-psyopcinema@protonmail.combrett-psyopcinema@protonmail.comhttps://www.williamramseyinvestigates.com/https://twitter.com/WilliamRamseyIn

Concluding our analysis of Chapter 27, we go further into the strange case of Chapman and Lennon, discussing The Wizard of Oz Monarch triggers, how psyops erode the ability to normally socially function, and more synchronicities and deep politics connections. https://twitter.com/CinemaPsyophttps://www.patreon.com/PsyopCinemahttps://linktr.ee/psyopcinemathomas-psyopcinema@protonmail.combrett-psyopcinema@protonmail.com

We turn to Chapter 27, a 2007 film about the murder of John Lennon, in which Mark David Chapman is played by Jared Leto. We read the film as a Satanic ritual, which uses tactics including facts disorientingly blended with lies, fetishizing the traumatized mind of the brainwashing victim, and synchronicity as mind-control trigger. And all of this connects back to the figures and concepts we're tracking in our ongoing Joker series. https://twitter.com/CinemaPsyophttps://www.patreon.com/PsyopCinemahttps://linktr.ee/psyopcinemathomas-psyopcinema@protonmail.combrett-psyopcinema@protonmail.com

Geoff Shullenberger returns to Psyop Cinema, continuing his conversation with Thomas about Roland Emmerich. Having previously covered the depopulation themes of Emmerich's disaster trilogy, Geoff and Thomas first consider the unabashed elitism and glorification of the manipulative artist found in Anonymous, before looking at how Stargate, The Thirteenth Floor, and Moonfall portray gnosticism, AI, ancient astronaut theory, and the simulation hypothesis. Emmerich's filmmaking quality may be uneven, but he couldn't be more consistent about his message that humanity needs to hand over control to an overclass of artistic geniuses and technical managers whose knowledge makes them worthy to rule the rest of us. They also discuss a recent book review where Geoff describes how declining sperm counts threaten humanity and possible responses to this problem.https://outsidertheory.com/https://twitter.com/g_shullenbergerhttps://compactmag.com/https://www.marsreview.org/issue2/our-precious-bodily-fluids-by-geoff-shullenberger-~fotfeb-diblenhttps://twitter.com/CinemaPsyophttps://www.patreon.com/PsyopCinemahttps://linktr.ee/psyopcinemathomas-psyopcinema@protonmail.combrett-psyopcinema@protonmail.com

A preview for the most comprehensive episode of Brett's Monarch series yet. He provides crucial further notes on the previous installment's discussion of A Nightmare on Elm Street 3 before exposing the 2010 remake of A Nightmare on Elm Street as the moment the series truly goes full Monarch. In detailing the Freddy-psyop, Brett revisits important Psyop Cinema concepts (red pill programming, omega programming, predictive programming, the dark self, the death of the soul) and also touches on the sus background of director Samuel Bayer and producer Michael Bay, details of major cases of violent and sexual abuse of children (such as McMartin and Presidio), the scapegoating of parents and destruction of the family, how Hollywood taunts us for falling for its psyops, and how elites cover their tracks by being "too evil to fail." Full episode available at patreon.com/psyopcinema https://twitter.com/CinemaPsyophttps://www.patreon.com/PsyopCinemahttps://linktr.ee/psyopcinemathomas-psyopcinema@protonmail.combrett-psyopcinema@protonmail.com

Rachel Wilson returns to Psyop Cinema, this time explaining how the disturbing career of Britney Spears is connected to most major conspiracy theories, how feminism lays the groundwork for cultural engineering, what AOC gets wrong about patriarchy, and the destructive messaging of The Stepford Wives (1975). Brett and Thomas add some thoughts about how the unfortunate 2004 version makes the theme of matriarchal-technocracy explicit. https://rwilson.substack.com/https://twitter.com/Rach4Patriarchyhttps://twitter.com/CinemaPsyophttps://www.patreon.com/PsyopCinemahttps://linktr.ee/psyopcinemathomas-psyopcinema@protonmail.combrett-psyopcinema@protonmail.com

We offer concluding thoughts on The Batman, cross-referencing it with Joker and other cultural material to unveil its many allusions to deep politics and our cryptocratic regime. The conversation gives us the opportunity to critique the cult of the artist and discuss the gap between what is beautiful (or funny) and what is good for society. https://twitter.com/CinemaPsyophttps://www.patreon.com/PsyopCinemahttps://linktr.ee/psyopcinemathomas-psyopcinema@protonmail.combrett-psyopcinema@protonmail.com

We are joined by William Ramsey for a discussion of Under the Silver Lake, one of the most significant conspiracy-themed movies of recent years. We unpack the film's dense symbolism, separating out its genuine insights into the manufactured nature of culture from its intentional misdirection, which would keep its characters and audience forever trapped within that same culture. This dreamy labyrinthine mystery proves to be a sophisticated cinematic psyop that can neither be trusted nor easily dismissed. https://www.williamramseyinvestigates.com/https://twitter.com/WilliamRamseyInhttps://twitter.com/CinemaPsyophttps://www.patreon.com/PsyopCinemahttps://linktr.ee/psyopcinemathomas-psyopcinema@protonmail.combrett-psyopcinema@protonmail.com