Rachel Wilson returns to Psyop Cinema, this time explaining how the disturbing career of Britney Spears is connected to most major conspiracy theories, how feminism lays the groundwork for cultural engineering, what AOC gets wrong about patriarchy, and the destructive messaging of The Stepford Wives (1975). Brett and Thomas add some thoughts about how the unfortunate 2004 version makes the theme of matriarchal-technocracy explicit.

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thomas-psyopcinema@protonmail.com
brett-psyopcinema@protonmail.com