Psyop Cinema

In the second installment of our Surveillance Cinema series, we are joined by citizen journalist Travis Mateer for a discussion of Sneakers, a 1992 comedy heist thriller, directed by Phil Alden Robinson and starring Robert Redford and Ben Kingsley. Among the most conspiratorially significant films of all time, Sneakers is an overt vehicle for globalist views on information warfare, filled with limited hangouts, misdirection, and predictive programming. We get into the sus background of the director, writers, and much of the cast, also analyzing related films, such as Blindfold (1966), WarGames (1983), and Volunteers (1985).Travis's blog - https://zoomchron.com/If you enjoy Psyop Cinema, check out the Decoding Culture Foundation and Cultural Engineering Studies magazine - https://decoding-culture.com/print-copies/ - https://decoding-culture.com/publication/ - https://decoding-culture.com/https://twitter.com/CinemaPsyophttps://psyopcinema.com/https://linktr.ee/psyopcinemathomas-psyopcinema@protonmail.combrett-psyopcinema@protonmail.com

A couple preview clips from our recent Patreon-exclusive in-depth analysis of Ridley Scott's 1985 film Legend. The full-length discussion continues our research into 1980s MK-fantasy films, with Brett previously having offered comprehensive looks at Labyrinth and Return to Oz here on the Patreon and us having discussed the animated LOTR films and The Last Unicorn with Carrie Olaje on the main feed. In the full episode we talk about Ridley's career and the ultra-sus Scott family, the film's occult metaphysics, revelation of the method, programming tropes, and "marriage to Satan" theme. Thomas also discusses the thematic relevance of Robert Eggers' The Witch and Scott's later movies Prometheus and Alien: Covenant. https://www.patreon.com/PsyopCinemaIf you enjoy Psyop Cinema, check out the Decoding Culture Foundation and Cultural Engineering Studies magazine - https://decoding-culture.com/print-copies/ - https://decoding-culture.com/publication/ - https://decoding-culture.com/https://twitter.com/CinemaPsyophttps://psyopcinema.com/https://linktr.ee/psyopcinemathomas-psyopcinema@protonmail.combrett-psyopcinema@protonmail.com

Continuing our Oliver Stone series, we analyze the psy-ops within his 1988 film Talk Radio. Starring and co-written by Eric Bogossian, this film is strangely out of place in this era of Stone's filmography, and we discuss why Stone was led to direct such an unusually impersonal film. Based in large part on the career and assassination of liberal shock jock Alan Berg, the film gives us occasion to look at cultural engineering campaigns related to fears of right-wing extremism and anti-semitism. To that end, we also take close looks at the 1988 film Betrayed (directed by Costa-Gavras) and the 2024 film The Order (directed by Justin Kurzel), two other movies that showcase distorted depictions of the events surrounding Berg's murder. Finally, Brett also explains the relevance of Reversal of Fortune and Iron Maze, two other joint production credits for Oliver Stone and Edward Pressman (also a producer of Talk Radio, along with Wall Street and Blue Steel).If you enjoy Psyop Cinema, check out the Decoding Culture Foundation and Cultural Engineering Studies magazine - https://decoding-culture.com/magazine-home/https://twitter.com/CinemaPsyophttps://www.patreon.com/PsyopCinemahttps://psyopcinema.com/https://linktr.ee/psyopcinemathomas-psyopcinema@protonmail.combrett-psyopcinema@protonmail.com

Brett and Thomas have William Ramsey on to discuss The Manchurian Candidate, one of the most iconic cinematic depictions of mind control. We analyze the movie's abundant revelation of the method and misdirection. Other topics of discussion include the deep political context behind this film and similar movies and the strangeness surrounding the JFK assassination and other key events from that time period.NOTE: To spell out the family and social connections from one portion of our discussion, Ruth Paine (born Ruth Hyde) was married to Michael Paine, whose mother was Ruth Forbes Young. Ruth Forbes Young's first marriage was to Michael's father, Lyman Paine, before her second marriage to Arthur M. Young, an inventor and proto-New Age process philosopher. It was Ruth Forbes Young who was a close friend of Mary Bancroft. Ruth Forbes Young was a world federalist and also a great-granddaughter of Ralph Waldo Emerson. Aside from the Bancroft connection, the most interesting thing about Ruth Paine's mother-in-law and her second husband is that Ruth Forbes Young and Arthur Young participated in the Council of Nine channeling seances held by military/intelligence-connected parapsychologist Andrija Puharich.https://www.williamramseyinvestigates.com/https://decoding-culture.com/magazine-home/https://twitter.com/CinemaPsyophttps://www.patreon.com/PsyopCinemahttp://psyop-cinema.com/https://linktr.ee/psyopcinemathomas-psyopcinema@protonmail.combrett-psyopcinema@protonmail.com

With Wall Street (1987), Oliver Stone continues both his search for the figure of the "good father" and his consideration of the legacy of 1960s idealism, this time through a critique of 1980s economic greed. We discuss those themes and how the movie is largely a limited hangout, with Gordon Gekko functioning as a fall guy for the true money power. Finally, we note a surprising amount of 9/11 predictive programming in the film.If you enjoy Psyop Cinema, check out the Decoding Culture Foundation and Cultural Engineering Studies magazine - https://decoding-culture.com/magazine-home/CORRECTION: The title of Eric Kaufmann's book is The Rise and Fall of Anglo-Americahttps://twitter.com/CinemaPsyophttps://www.patreon.com/PsyopCinemahttp://psyop-cinema.com/https://linktr.ee/psyopcinemathomas-psyopcinema@protonmail.combrett-psyopcinema@protonmail.com

Thomas and Steven return to True Detective, analyzing season 3, where the series goes full psyop. Despite the positive and ambiguous qualities of the first two seasons, this one is filled with MK-culture tropes, featuring a narrative that blends mind control subtext with anti-conspiratorial misdirection and audience disorientation. They also discuss the philosophical statement concerning identity implicit within the season's depiction of non-linear temporality and memory loss.https://twitter.com/StevenDeLay4https://stevendelay.com/This Present World: Aphorisms for Knowing Godhttps://www.amazon.com/This-Present-World-Aphorisms-Knowing/dp/B0FK2YN5NG/https://twitter.com/CinemaPsyophttps://www.patreon.com/PsyopCinemahttp://psyop-cinema.com/thomas-psyopcinema@protonmail.combrett-psyopcinema@protonmail.com

A section analyzing David Bowie, from the 15th installment of Brett's Patreon-exclusive series on Monarch films. Full description of the episode below, along with our Patreon link, if you're interested in the full episode. In this 15th installment in the Monarch series, Brett delves into the Jim Henson-directed children’s film Labyrinth (1986)—a film so saturated with Monarch content that it serves as a paradigm of Monarch cinema in general. The episode opens with a close look at the career of Monarch superstar Jennifer Connelly, including two other full-on Monarch films she starred in during the 1980s: Phenomena (1985) and Ballet (1989). Additionally, Brett examines the occult career of David Bowie (who plays the Goblin King in Labyrinth); he discusses Jim Henson’s collaborations with the federal government (including the CIA-linked United States Information Agency), as well as reexamining Henson’s sudden death at age 53; and he uncovers some stunning revelations by an entertainment industry insider and professed victim of Monarch abuse that relate to the plot of the film. Fritz Springmeier and Cisco Wheeler devote an entire section of their Illuminati Formula book to this film, and Brett combs over their analysis, while drawing some wider conclusions about the function of Labyrinth and other 1980s Monarch films geared toward children.https://www.patreon.com/PsyopCinemaIf you enjoy Psyop Cinema, check out the Decoding Culture Foundation and Cultural Engineering Studies magazine - https://decoding-culture.com/magazine-home/https://twitter.com/CinemaPsyophttp://psyop-cinema.com/https://linktr.ee/psyopcinemathomas-psyopcinema@protonmail.combrett-psyopcinema@protonmail.com

Continuing our Oliver Stone series, we turn to Platoon (1986), the film that established Stone as a superstar director and inaugurated the most celebrated phase of his career, revolving around the ghosts of the 1960s. Brett discusses the reception of Platoon in terms of the cultural politics of New Hollywood and of the Reagan era, and he considers the real reasons for the emergence of the Vietnam film at this time. He also takes a closer look at Hemdale, the sus production company behind this and Stone’s previous effort, and he offers some personal reflections on the film’s legacy. Thomas discusses the neo-shamanic, countercultural spirituality invested in the Willem Dafoe character and offers an analysis of the “two fathers” theme that would come to define Stone’s work. If you enjoy Psyop Cinema, check out the Decoding Culture Foundation and Cultural Engineering Studies magazine - https://decoding-culture.com/magazine-home/https://twitter.com/CinemaPsyophttps://www.patreon.com/PsyopCinemahttp://psyop-cinema.com/https://linktr.ee/psyopcinemathomas-psyopcinema@protonmail.combrett-psyopcinema@protonmail.com   

In his latest appearance on William Ramsey Investigates, Brett discusses Part 2 of his Hollywood-NASA research report, which appeared this June in the second issue of Cultural Engineering Studies. After giving an overview of his groundbreaking research on the topic, Brett supports his conclusion that NASA’s partnership with the entertainment industry has always been a globalist cultural engineering operation. William and Brett also talk about Arthur C. Clarke’s central role in coordinating NASA support for the production of Kubrick’s 2001, and Brett reveals never-before-seen information from the Kubrick Archive in London, offering new insights into the Luciferian-transhumanist religiosity at the heart of the film. Finally, Brett touches on the disturbing trauma-based mind control subtexts of NASA-supported children’s films from the 1980s, including Flight of the Navigator, as well as NASA’s ongoing promotion of the moon hoax theory (in movies like the recent Fly Me to the Moon) as a form of psychological warfare.https://decoding-culture.com/magazine-home/https://www.williamramseyinvestigates.com/https://twitter.com/CinemaPsyophttps://www.patreon.com/PsyopCinemahttp://psyop-cinema.com/https://linktr.ee/psyopcinemathomas-psyopcinema@protonmail.combrett-psyopcinema@protonmail.com   

Steven DeLay joins Thomas for a conversation about the 2011 film Drive, directed by Nicolas Winding Refn and starring Ryan Gosling. Analyzing the subversive and psyop-heavy intentions behind the movie, they conclude that Drive retains some profoundly redemptive qualities despite those designs. Topics of discussion include Refn's outspoken allegiance to the cult of the divine feminine, the cultural significance of the film's music, and Drive's place within the history of neo-noir.https://twitter.com/StevenDeLay4https://stevendelay.com/https://decoding-culture.com/cultural-engineering-studies-issue-2/https://twitter.com/CinemaPsyophttps://www.patreon.com/PsyopCinemahttp://psyop-cinema.com/https://linktr.ee/psyopcinemathomas-psyopcinema@protonmail.combrett-psyopcinema@protonmail.com