Psyop Cinema

In his latest appearance on William Ramsey Investigates, Brett discusses Part 2 of his Hollywood-NASA research report, which appeared this June in the second issue of Cultural Engineering Studies. After giving an overview of his groundbreaking research on the topic, Brett supports his conclusion that NASA’s partnership with the entertainment industry has always been a globalist cultural engineering operation. William and Brett also talk about Arthur C. Clarke’s central role in coordinating NASA support for the production of Kubrick’s 2001, and Brett reveals never-before-seen information from the Kubrick Archive in London, offering new insights into the Luciferian-transhumanist religiosity at the heart of the film. Finally, Brett touches on the disturbing trauma-based mind control subtexts of NASA-supported children’s films from the 1980s, including Flight of the Navigator, as well as NASA’s ongoing promotion of the moon hoax theory (in movies like the recent Fly Me to the Moon) as a form of psychological warfare.https://decoding-culture.com/magazine-home/https://www.williamramseyinvestigates.com/https://twitter.com/CinemaPsyophttps://www.patreon.com/PsyopCinemahttp://psyop-cinema.com/https://linktr.ee/psyopcinemathomas-psyopcinema@protonmail.combrett-psyopcinema@protonmail.com   

Steven DeLay joins Thomas for a conversation about the 2011 film Drive, directed by Nicolas Winding Refn and starring Ryan Gosling. Analyzing the subversive and psyop-heavy intentions behind the movie, they conclude that Drive retains some profoundly redemptive qualities despite those designs. Topics of discussion include Refn's outspoken allegiance to the cult of the divine feminine, the cultural significance of the film's music, and Drive's place within the history of neo-noir.https://twitter.com/StevenDeLay4https://stevendelay.com/https://decoding-culture.com/cultural-engineering-studies-issue-2/https://twitter.com/CinemaPsyophttps://www.patreon.com/PsyopCinemahttp://psyop-cinema.com/https://linktr.ee/psyopcinemathomas-psyopcinema@protonmail.combrett-psyopcinema@protonmail.com

Brett recently made an appearance on William Ramsey Investigates with top Hollywood-DC researcher and writer Matthew Alford to discuss the murder of deep state-connected Hollywood screenwriter Gary DeVore. Brett interviewed Alford about his 2016 book on the DeVore case—The Writer with No Hands—for the latest issue of Cultural Engineering Studies. The discussion on the show touches on Hollywood’s vast relationship to the federal government and the clandestine world more broadly, as well as the history and challenges of using FOIA (the Freedom of Information Act) to obtain documents from the government regarding its collaborations with the entertainment industry.Note: The livestream of this conversation experienced some audio issues, such issues have been edited out as much as possible https://drmattalford.substack.com/https://www.youtube.com/@DrMatthewAlfordhttps://www.amazon.com/Writer-No-Hands-Pocket-sized/dp/1530649870/https://www.williamramseyinvestigates.com/https://decoding-culture.com/cultural-engineering-studies-issue-2/https://decoding-culture.com/cultural-engineering-studies-issue-2/#interview-with-matthew-alfordhttps://twitter.com/CinemaPsyophttps://www.patreon.com/PsyopCinemahttp://psyop-cinema.com/https://linktr.ee/psyopcinemathomas-psyopcinema@protonmail.combrett-psyopcinema@protonmail.com   

A discussion with Carrie Olaje, a survivor of ritual abuse and trauma-based mind control. Carrie provides names, dates, and locations, as she describes how she was primed from a young age for Monarch slavery, with a former Sergeant Major of the US Army as her handler. She and Brett talk about the nature and history of the cryptocratic cult, as well as the question of possible intentional disinfo within the testimony of certain Monarch survivors. Fantasy themes and imagery featured heavily within the mind control abuse Carrie underwent, so we analyze four strange animated fantasy films that she reports were used as tools by programmers. Thomas talks to Carrie about Rankin and Bass Studio's animated films The Hobbit (1977) and Return of the King (1980), as well as Ralph Bakshi's infamous The Lord of the Rings (1978), before Brett gives a detailed analysis of the Monarch film The Last Unicorn (1982). Thomas also provides some thoughts on the spiritual pitfalls of the fantasy genre, the psy-op function of different kinds of fantasy films, and the surprising ideological agenda behind these animated movies. Carrie's YouTube channel - https://www.youtube.com/@carrieolaje CORRECTION: In the discussion of the origins of the term "Monarch," the name of the person that Brett refers to as Mark Reynolds is actually Mark PhillipsIf you enjoy Psyop Cinema, check out Cultural Engineering Studies magazine - https://decoding-culture.com/cultural-engineering-studies-issue-2/https://twitter.com/CinemaPsyophttps://www.patreon.com/PsyopCinemahttp://psyop-cinema.com/ https://linktr.ee/psyopcinemathomas-psyopcinema@protonmail.combrett-psyopcinema@protonmail.com

Steven DeLay, a keen analyst of film's conspiratorial undercurrents, joins the hosts for an engaging exploration of the 1998 film Enemy of the State. They dive into how the movie serves as a lens for understanding the rise of the surveillance state and predictive programming related to 9/11. The conversation unveils the psychological impact of Hollywood narratives on public perception of government actions, critiques the relationship between entertainment and national security, and reflects on the moral dilemmas faced by individuals within a surveillance culture.

Our long-awaited analysis of Joker: Folie à Deux, a film so sadistic that even mainstream critics noted its contempt for its audience. In one of the ultimate exercises in Hollywood hypocrisy, the movie seeks to reinforce the psy-op of the 2019 film while simultaneously morally condemning the audience for falling for that psy-op. We analyze the movie's demonological subtext and discuss how Folie à Deux is interestingly distinct from both standard Joker Cycle films and from overt Hollywood goddess worship. The Joker Cycle - https://im1776.com/prints/issue-3/the-joker-cycle/If you enjoy Psyop Cinema, check out Cultural Engineering Studies magazine - https://decoding-culture.com/product/cultural-engineering-studies-issue-1-print/  https://twitter.com/CinemaPsyophttps://www.patreon.com/PsyopCinemahttp://psyop-cinema.com/https://linktr.ee/psyopcinemathomas-psyopcinema@protonmail.combrett-psyopcinema@protonmail.com  

Brett and Thomas are joined by Sean McCann and Dr. Hans Utter for a deep dive into Angel Heart, a mystery horror movie released in 1987, directed by Alan Parker and starring Mickey Rourke and Robert De Niro. Set in New Orleans in 1955, the film is a Faustian tale about the disappearance of a singer named Johnny Favorite, giving us the chance to consider the occult origins of the modern music industry at length. A Satanic film about Satanic pacts, Angel Heart is filled with revelation of the method designed to disorient and destabilize its audience and contains abundant subtext about how the MK-entertainment industry creates IMSAs (Illuminati Mind Slave Artists). We also speak extensively about the nexus of voodoo, the occult, and modern styles of music.https://onegreatworknetwork.com/sean-mccannhttps://x.com/SeanWakeTheDead Eyes Wide Open Hans Utter Investigateshttps://x.com/EWOhansutter https://hansutter.com/ https://twitter.com/CinemaPsyophttps://www.patreon.com/PsyopCinemahttp://psyop-cinema.com/https://linktr.ee/psyopcinema thomas-psyopcinema@protonmail.combrett-psyopcinema@protonmail.comhttps://decoding-culture.com/magazine-home/ 

Returning from our unofficial hiatus, we continue our series on Oliver Stone. The early 1980s saw the release of a few films written by Stone that centered upon violent antiheroes. We talk about John Milius and his clash of visions with Stone over the approach to mysticism in 1982's Conan the Barbarian. Next, Scarface and The Year of the Dragon both unsuccessfully grasp toward Stone's political turn, while the much higher quality Salvador (1986) is the movie that truly brings Stone into his own as a filmmaker. Analyzing the insights and limitations of Salvador's critique of the CIA, we consider how its protagonist (journalist Richard Boyle, played by James Woods) reflects Stone's evolving approach to masculinity and to the legacy of the counterculture.   https://twitter.com/CinemaPsyophttps://www.patreon.com/PsyopCinemahttp://psyop-cinema.com/https://linktr.ee/psyopcinemathomas-psyopcinema@protonmail.combrett-psyopcinema@protonmail.com  If you enjoy Psyop Cinema, check out Cultural Engineering Studies magazine - https://decoding-culture.com/product/cultural-engineering-studies-issue-1-print/ CORRECTION: Tony's boss in Scarface was played by Robert Loggia, rather than Frank Langella

The first episode in an extended series about Oliver Stone. Despite Stone being known for political films that deal with recent American history, his first two directorial efforts are surprisingly strange horror movies. Our discussion of Seizure and The Hand takes us directly into analysis of Hollywood occult ideology about the power of the imagination. We also note how his screenplay for The Midnight Express provides a glimpse into the kind of social critique that characterizes much of his later work. While Stone displays insights and a sincerity that separate him from overtly manipulative directors like Nolan and Fincher, we note that his filmography contains several unsettling ambiguities and that his early career suggests some interactions with intelligence services. https://twitter.com/CinemaPsyophttps://www.patreon.com/PsyopCinemahttp://psyop-cinema.com/https://linktr.ee/psyopcinemathomas-psyopcinema@protonmail.combrett-psyopcinema@protonmail.com  CORRECTION: Jasun has informed us that he has not recommended the film 8 Million Ways to Die and does not share Brett's enjoyment of it

Sean McCann, a podcast host known for his deep dives into Stanley Kubrick's work and occult symbolism, reveals his groundbreaking Fidelio Experiment. He discusses the hidden layers in Kubrick's films, particularly 'Eyes Wide Shut,' uncovering themes of trauma and manipulation. The conversation explores Kubrick's connections to the deep state and Hollywood's powerful circles, as well as the eerie links to the Third Reich. McCann's insights challenge listeners to reconsider the complexity of Kubrick's narratives and the darker undercurrents in his cinematic masterpieces.