In Conversation: An OUP Podcast

In his new book, We're Not Here to Entertain: Punk Rock, Ronald Reagan, and the Real Culture War of 1980s America (Oxford UP, 2020), Kevin Mattson documents punk rock in the early 1980s through a comprehensive look into the music, zines, films, bands, and punk Do-It-Yourself (DIY) tactics. He shows how widespread the punk movement was in creating a counterculture that challenged the conservative narrative of 1980s America. Mattson places the punk countercultural movement into the wider context of Reagan’s America and the cultural war that his presidency created. In opposition to Reagan’s panic narratives of nuclear wars, his tax cuts for the rich, and cuts to public education and other social services, punks saw themselves as everything they rejected about the US. Mattson’s extensive archival research into the punk counterculture makes for an informative and captivating read into the larger ways in which punk impacted American cultural identities and challenged 1980s conservativism.

Cary Grant: The Making of a Hollywood Legend (Oxford University Press, 2020) tells the incredible story of how a sad, neglected boy became the suave, glamorous star many know and idolize. The first biography to be based on Grant's own personal papers, this book takes us on a fascinating journey from the actor's difficult childhood through years of struggle in music halls and vaudeville, a hit-and-miss career in Broadway musicals, and three decades of film stardom during Hollywood's golden age.Mark Glancy is Reader in Film History at Queen Mary University of London. His media work includes appearances on the BBC Radio Four programmes Archive Hour, Back Row, and Great Lives, as well as many articles on film history for the magazines BBC History and History Revealed. Most recently, he served as the editorial consultant and on-screen contributor to the feature-length documentary film Becoming Cary Grant (2017). His Twitter handle is @Mark_Glancy.

No-one has done more than Richard A. Muller to shape our approach to early modern historical theology. His earlier work, and most especially the four volumes of his Post-Reformation Reformed Dogmatics, initiated fresh interest in reading early modern Reformed sources on their own terms and in their own contexts, and pushed back against reductive accounts of the history of theological ideas. In this important new book, Grace and Freedom: William Perkins and the Early Modern Reformed Understanding of Free Choice and Divine Grace (Oxford UP, 2020), Muller argues that we need to re-think our understanding of the debate about “free will” – he prefers “free choice” – and divine sovereignty. In a close reading of work by William Perkins, the Church of England minister who became theologian of choice for the emerging puritan movement, Muller argues that the study of these themes require new categories of analysis – which, as might expect, are really some very old categories indeed.Crawford Gribben is a professor of history at Queen’s University Belfast. His research interests focus on the history of puritanism and evangelicalism, and he is the author most recently of Survival and Resistance in evangelical America: Christian Reconstruction in the Pacific Northwest (Oxford UP, 2021).

Monopoly, Solitaire, football and Minecraft are all games, but for C. Thi Nyugen they are also an art form – specifically, the art form of agency, our capacity to set goals and pursue them. In Games: Agency as Art (Oxford UP, 2020), Nguyen argues that a game designer sculpts agency by specifying the goals and abilities of the potential player – what the player should care about and what their abilities are in the game environment. The resulting disposable ends and interesting struggles yields valuable aesthetic experiences that enhance our capacities for autonomous agency. Yet Nyugen, an associate professor of philosophy at the University of Utah, also warns of the harmful effects of the gamification of real life, when the simple goals and motivations in games leak into our real- world agency and can lead to social and moral disaster.

Capitalisms: Towards a Global History (Oxford University Press, 2020), edited by Kaveh Yazdani and Dilip M. Menon, aims to decenter work on the history of capitalism by looking at the longue durée from the tenth century; at regions as diverse as Song China, South and South East Asia, Latin America and the Ottoman and Safavid Empires; and exploring the plurality of developments over this extended time and space. The authors argue against conventional accounts that locate the origins of capitalism solely within Europe and within the conjuncture of the industrial revolution. The essays emphasize historical conjunctures, flows of commodities, circulation of knowledge and personnel, the role of mercantile capital and small producers and stress throughout the necessity to think beyond present day national boundaries. The volume contends with clichés of Western exceptionalism to make a set of historical arguments about non-Western and interconnected economic developments across the globe, prior to the era of colonialism. It argues fundamentally that the multiple histories of capitalism can be better understood from a truly global perspective.Dr Kaveh Yazdani is Lecturer (akademischer Rat) in economic history, University of Bielefeld. He teaches economic history at the University of Bielefeld, Germany. His scholarly interests include the 'Great Divergence' debate and the history of South and West Asia between the 17th and 20th centuries. He is the author of India, Modernity and the Great Divergence: Mysore and Gujarat (2017).Professor Dilip M. Menon is Mellon Chair of Indian Studies, Director of the Centre for Indian Studies in Africa, University of Witwatersrand, South Africa. He is the author of Caste, Nationalism and Communism in South India: Malabar, 1900-1948 (1994).Alexandra Ortolja-Baird is Lecturer in Early Modern European History at King’s College London. She tweets at @TimeTravelAllie.

In her book, The Politics of Police Reform: Society against the State in Post-Soviet Countries (Oxford University Press, 2018), Erica Marat provides an answer to a very important question: “What does it take to reform a post-Soviet police force?” Marat looks as specific case studies – in Ukraine, Georgia, Kyrgyzstan, Kazakhstan, and Tajikistan – in order to identify and analyze instances where public mobilization challenged the conduct of police offers and their use of violence. In her analysis, she considers the legacies of Soviet policing, but also identifies important factors that led to policing’s reform. The book is valuable reading for those following contemporary issues in Central Asia and the post-Soviet space, as well those interested broadly in the problems of police violence and the challenge of police reform.Nicholas Seay is a PhD Student at The Ohio State University.

Renaissance humanists and the Holy Roman Empire haven’t mixed well in most scholarship. Humanists were supposed to be learned exponents of liberty. Often employed by Italian city-states, their civic pride and positive valuation of the ancient Roman Republic meant, it was claimed, that empire was anathema to them.But in a lucidly written and penetrating study of the early Renaissance, Dr. Alexander Lee turns these narratives on their heads. Humanism and Empire: The Imperial Ideal in Fourteenth-Century Italy (Oxford University Press, 2018) looks at the relationship between humanists of northern Italy and the Holy Roman Empire. It finds, for example, that humanists working for both republican and autocratic cities could fit their politics onto an imperial landscape drafted on a classicizing canvass. They debated the universality of imperial dominion, the spheres of authority between pope and emperor, and much besides. Impressively, this study is grounded in the frenetic politics of the fourteenth century, and Dr. Lee demonstrates the extent to which humanist assessments of empire responded in lockstep with the shifting sands of Italian affairs.

Erin McCarthy, who teaches digital humanities at Newcastle University, Australia, has just published a fabulous new book about the ways in which the printing of poetry impacted upon the reading and imagination of poetry in early modern England. Doubtful Readers: Print, Poetry and the Reading Public in Early Modern England (Oxford UP, 2020) offers readings of work by Shakespeare, Lanyer, Donne and many other poets to show that early printings of their work organised their texts in order to make specific points about both poetry and poets. Why do most anthologies of work by Donne begin with “The Flea”? Tune in to find out more about how poetry was transformed in and sometimes by the move to print.Crawford Gribben is a professor of history at Queen’s University Belfast. His research interests focus on the history of puritanism and evangelicalism, and he is the author most recently of Survival and Resistance in evangelical America: Christian Reconstruction in the Pacific Northwest (Oxford UP, 2021). 

History in the making can be messy. As a tale told years later by historians, it is usually a clean narrative, with a beginning, a middle, and a mostly logical and foreordained end. Much of that messiness gets lost. Not in Jonathan Schneer's new book, The Lockhart Plot: Love Betrayal, Assassination and Counter-Revolution in Lenin's Russia (Oxford UP, 2020). Schneer's recounts the story of a young British diplomat, Bruce Lockhart, sent to Soviet Russia soon after the October Revolution in 1917. Initially seeking some sort of accommodation with the Bolsheviks, Lockhart ends up plotting to overthrow the regime. The plot--set for September 1918--fails for all sorts of reasons, not least of which the plotters were outsmarted at every turn by Felix Dzerzhinsky, the head of the newly formed Cheka. The plot and its failure are a minor footnote of history. The book's great value is its description of the chaos in Moscow and St. Petersburg, Western intelligence efforts, the political geography of early Soviet Russia, and the personal lives of many of the leading characters. Lockhart's leading lady at the time of the plot, Moura von Benckendorff, is her own "force of history." For her, the Lockhart plot would end up being only one of many exciting moments of a long and dramatic life. 

"Few freedoms in the United States are as cherished as freedom of the press." So begins Chapter One of Democracy Without Journalism?: Confronting the Misinformation Society (Oxford University Press, 2020).The book by Victor Pickard, Professor of Media Policy and Political Economy at the Annenberg School for Communication makes it clear, however, that mainstream American news media are not really free at all, but have been pressed into service over more than a century to generate profits for a few rich owners bent on selling eyeballs and ears to advertisers.Dr. Pickard points out that this system of "toxic commercialism” is in crisis as advertisers flee to cheaper social media outfits like Facebook. In this NBN interview, he says the old TV news adage, "If it bleeds it leads," has been supplemented by a new one, "If it's outrageous, it's contagious" as internet platforms profit from misinformation and even outright lies that engage (and enrage) their readers and keep them coming back for more.Democracy Without Journalism? argues that the unexpected victory of Donald Trump in the 2016 presidential election is symptomatic of three core failures that are baked into the structure of American news media: the excessive commercialism that made giving billions of dollars of free publicity to Trump "damn good for CBS"; the tidal waves of misinformation circulating so profitably on social media and, the sharp decline in the number of working journalists. The book points out, for example, that in the last 20 years, print newsrooms have shed more than half of their workers and that local news “deserts” have spread into more and more American communities.Victor Pickard argues that journalism is as essential to democracy as other social goods such as education, libraries and national healthcare. He writes therefore, that journalism should receive substantial public funding just as it does in other western democracies.Dr. Pickard contends that the current crisis in American journalism is an opportunity that "allows us to reimagine what journalism could be."Bruce Wark is a freelance journalist and retired journalism professor based in the Sackville, New Brunswick. Laura Landon is a librarian at Mount Allison University.