In Conversation: An OUP Podcast

Over the past fifty years, debates concerning race and college admissions have focused primarily on the policy of affirmative action at elite institutions of higher education. But a less well-known approach to affirmative action also emerged in the 1960s in response to urban unrest and Black and Latino political mobilization. The programs that emerged in response to community demands offered a more radical view of college access: admitting and supporting students who do not meet regular admissions requirements and come from families who are unable to afford college tuition, fees, and other expenses. While conventional views of affirmative action policies focus on the "identification" of high-achieving students of color to attend elite institutions of higher education, these programs represent a community-centered approach to affirmative action. This approach is based on a logic of developing scholars who can be supported at their local public institutions of higher education. In Developing Scholars: Race, Politics, and the Pursuit of Higher Education (Oxford UP, 2023), Domingo Morel explores the history and political factors that led to the creation of college access programs for students of color in the 1960s. Through a case study of an existing community-centered affirmative action program, Talent Development, Morel shows how protest, including violent protest, has been instrumental in the maintenance of college access programs. He also reveals that in response to the college expansion efforts of the 1960s, hidden forms of restriction emerged that have significantly impacted students of color. Developing Scholars argues that the origin, history, and purpose of these programs reveal gaps in our understanding of college access expansion in the US that challenge conventional wisdom of American politics.

In this incisive critique of the ways performances of allyship can further entrench white privilege, author Carrie J. Preston analyses her own complicit participation and that of other audience members and theater professionals, deftly examining the prevailing framework through which white liberals participate in antiracist theater and institutional “diversity, equity, and inclusion” initiatives. Complicit Participation: The Liberal Audience for Theater of Racial Justice (Oxford UP, 2024) addresses immersive, documentary, site-specific, experimental, street, and popular theatre in chapters on Jean Genet’s The Blacks, Branden Jacobs-Jenkins’s An Octoroon, George C. Wolfe’s Shuffle Along, Lin-Manuel Miranda’s Hamilton, Anna Deavere Smith’s Notes from the Field, and Claudia Rankine’s The White Card. Far from abandoning the work to dismantle institutionalized racism, Preston seeks to reveal the contradictions and complicities at the heart of allyship as a crucial step toward full and radical participation in antiracist efforts.In this episode, Ibrahim Fawzy interviews Carrie J. Preston about the intersections of theater, racial justice, and social activism, the concept of “complicit participation,” and allyship.Ibrahim Fawzy is a literary translator and writer based in Boston. His interests include translation studies, Arabic literature, ecocriticism, disability studies, and migration literature.

What can dresses, bedlinens, waistcoats, pantaloons, shoes, and kerchiefs tell us about the legal status of the least powerful members of American society? In the hands of eminent historian Laura F. Edwards, these textiles tell a revealing story of ordinary people and how they made use of their material goods' economic and legal value in the period between the Revolution and the Civil War.Only the Clothes on Her Back: Clothing and the Hidden History of Power in the Nineteenth-Century United States (Oxford University Press, 2022) by Dr. Laura F. Edwards uncovers practices, commonly known then, but now long forgotten, which made textiles—clothing, cloth, bedding, and accessories, such as shoes and hats—a unique form of property that people without rights could own and exchange. The value of textiles depended on law, and it was law that turned these goods into a secure form of property for marginalized people, who not only used these textiles as currency, credit, and capital, but also as entree into the new republic's economy and governing institutions. Dr. Edwards grounds the laws relating to textiles in engaging stories from the lives of everyday Americans. Wives wove linen and kept the proceeds, enslaved people traded coats and shoes, and poor people invested in fabrics, which they carefully preserved in trunks. Dr. Edwards shows that these stories are about far more than cloth and clothing; they reshape our understanding of law and the economy in America.Based on painstaking archival research from fifteen states, Only the Clothes on Her Back reconstructs this hidden history of power, tracing it from the governing order of the early republic in which textiles' legal principles flourished to the textiles' legal downfall in the mid-nineteenth century when they were crowded out by the rising power of rights.This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

In both modern fiction and the biblical texts of 1 Samuel 13-2 Samuel 1, the character of Jonathan serves as a key literary and theological figure. Throughout In Search of Jonathan: Jonathan Between the Bible and Modern Fiction (Oxford UP, 2023), Lena-Sofia Tiemeyer interprets Jonathan's portrayal in traditional biblical literature and modern fiction. Each chapter provides first an analysis of Jonathan's characterization in 1-2 Samuel, followed by an examination of the depictions of Jonathan in modern fiction. Together, biblical and modern literature demonstrate how fictional retellings deepen and challenge the ways that scholars interpret Jonathan's character.Throughout the volume, Tiemeyer offers an interpretation of Jonathan as a plausible and psychologically consistent character while grappling with questions posed by his actions in the text. Tiemeyer asks, what kind of man is Jonathan who shows initiative and daring leadership ability, but who is also willing to lay down his crown before the usurper David's feet in humble submission? What kind of son is Jonathan who rebels against his father and takes David's part in the conflict between him and Saul, yet remains loyal to Saul until the bitter end on Mount Gilboa?To answer these questions, Tiemeyer considers depictions of Jonathan in modern fiction. Modern approaches, as Tiemeyer discusses, illuminate dormant yet integral aspects of the biblical texts. These modern retellings highlight, transform, and subvert the biblical portrayal of Jonathan. Posing these questions to the reader and other biblical scholars, Tiemeyer challenges the ways that scholars perceive Jonathan and his portrayals across biblical and modern literature.

Life 24x a Second: Cinema, Selfhood, and Society (Oxford UP, 2023) highlights the life-sustaining and life-affirming power of cinema. Author Elsie Walker pays particular attention to pedagogical practice and students' reflections on what the study of cinema has given to their lives. This book provides multiple perspectives on cinema that matters for the deepest personal and social reasons-from films that represent psychological healing in the face of individual losses to films that represent humanitarian hope in the face of global crises. Ultimately, Walker shows how cinema that moves us emotionally can move us toward a better world.Life 24x a Second makes the case for cinema as a life force in uplifting and widely relatable ways. Walker zeroes in on films that offer hope in relation to the Black Lives Matter movement (Imitation of Life, 1959, and BlacKkKlansman, 2018); contemporary feminism (Nobody Knows, 2004); rite-of-passage experiences of mortality and mourning (Ikiru, 1952, and A Star Is Born, 2018), and first-love grief (Call Me by Your Name, 2017, and Portrait of a Lady on Fire, 2019). Life 24x a Second invites readers to reflect on their own unique film-to-person encounters along with connecting them to others who love cinematic lessons for living well.Peter C. Kunze is an assistant professor of communication at Tulane University.

Women on Philosophy of Art: Britain 1770-1900 (Oxford UP, 2024) is the first study of women's philosophies of art in long nineteenth-century Britain. It looks at seven women spanning the time from the Enlightenment to the beginning of modernism. They are Anna Barbauld, Joanna Baillie, Harriet Martineau, Anna Jameson, Frances Power Cobbe, Emilia Dilke, and Vernon Lee. The central issue that concerned them was how art related to morality and religion. Baillie and Martineau treated art as an agency of moral instruction, whereas Dilke and Lee argued that art must be made for beauty's sake. Barbauld, Jameson, and Cobbe thought that beauty and religion were linked, while other women believed that art and religion must be decoupled. Other topics explored are gender and genius, tragedy, literary realism, why we enjoy the sufferings of fictional characters, the hierarchy of the art-forms, whether art can transcend its historical circumstances, and critical issues around the artistic canon. Examining the print culture that made these women's interventions possible, this book shows that these women were doing a particular kind of philosophy of art, which was interdisciplinary and closely tied to artistic criticism and practice. The book traces how these seven women influenced one another, as well as engaging with their male contemporaries. But unlike their male interlocutors, these women have been unjustly left out of narratives about the history of aesthetics. By including these women, we can enrich and broaden our understanding of the history of philosophy of art.Alison Stone is a British philosopher. She is a Professor of European Philosophy in the Department of Politics, Philosophy and Religion at Lancaster University, UK.Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.

Paper, bottles, metal scrap, kitchen garbage, rubber, hair, fat, rags, and bones--the Nazi empire demanded its population obsessively collect anything that could be reused or recycled. Entrepreneurs, policy makers, and ordinary citizens conjured up countless schemes to squeeze value from waste or invent new purposes for defunct or spent material, no matter the cost to people or the environment. As World War II dragged on, rescued loot--much of it waste--clogged transport routes and piled up in warehouses across Europe.Historicizing the much-championed ideal of zero waste, Anne Berg shows that the management of waste was central to the politics of war and to the genesis of genocide in the Nazi Germany. Destruction and recycling were part of an overarching strategy to redress raw material shortages, procure lebensraum, and cleanse the continent of Jews and others considered undesirable. Fostering cooperation between the administration, the party, the German Army, the SS, and industry, resource extending schemes obscured the crucial political role played by virtually all German citizens to whom salvaging, scrapping, and recycling were promoted as inherently virtuous and orderly behaviors. Throughout Nazi occupied-Europe, Jews, POWs, concentration camp inmates, and enemy civilians were forced to recycle the loot, discards, and debris of the Nazi race war. In the end, the materials that were fully exploited and the people who had been bled dry were cast aside, buried, burned, or left to rot. Nonetheless, waste reclamation did not have the power to win the war.Illuminating how the Nazis inverted the economy of value, rescuing discards and murdering people, Empire of Rags and Bones: Waste and War in Nazi Germany (Oxford UP, 2024) offers an original perspective on genocide, racial ideology, and World War II.

In the latest edition of Ethnographic Marginalia, we talk with Roxani Krystalli about her new book Good Victims: The Political as a Feminist Question (Oxford UP, 2024). Roxani describes the dilemmas she faced in her research on encounters between those recognized as victims of the Colombian conflict and the state agencies that attend them. She also explains what makes this a feminist book—not because of a focus on gender, but a feminist sensibility that questions categories like politics and victimhood and how they influence each other. Finally, she ends by describing the books that inspired her and telling us about her new project focused on love.

It is not uncommon to encounter people who think and talk about the world so differently from the way you do that it’s not really possible to put yourself in their shoes. But such systems of representing the world are not truly alien – they still involve terms that pick out objects, properties, and other elements found in familiar languages and metaphysical theories. In Alien Structure: Language and Reality (Oxford University Press, 2024)), Matti Eklund considers whether there are ways of representing the world that are completely alien in both linguistic and metaphysical structure, and which may capture reality better (on an ontological realist view) or which might show the limits to “anything goes” (on an ontological relativist view). Eklund, who is professor of philosophy at Uppsala University, defends the value of considering these possibilities and links his discussion to conceptual engineering, philosophy of quantum mechanics, and other contemporary philosophical debates.

Despite serving as the 8th president of the United States, Martin Van Buren gets little consideration for his impact on American history. In his new biography of Van Buren, Martin Van Buren: America's First Politician (Oxford UP, 2024), James M. Bradley makes it clear the extent to which his legacy has gone underappreciated. Mastering the complex politics of New York during the early republic, Van Buren built a political operation — the Albany Regency — that made him a power on the national scene. Upon this he built the Democratic Party, the oldest political party in the United States and one which dominated the politics of his era. In an age of political giants, Van Buren was able to use his organizational skills to win the prize that eluded all of them, winning election as president in 1836, only to lose it four years later thanks in part to the success of his Whig opponents in adopting his playbook. Though Van Buren never succeeded in returning to the office to which he aspired, his impact in national politics continued to be felt throughout the 1840s, and left a legacy that endures to the present day.