Hollywood is a relationship business. So can you learn from your bosses, network and get promoted if you’re working from home? Nicole LaPorte talks to Sean McNulty, Elaine Low and Richard Rushfield about the divide over remote work as Lionsgate and Amazon mandate five days in office, and agents and execs warn that young Hollywood’s work-life balance may come at a professional cost. Plus: What Disney’s buying for Hulu, FX and ABC while the company’s Iger succession drama takes another turn.Transcript here. For more entertainment news, subscribe to The Ankler or apply to The Ladder, a new members-only hub for early career entertainment professionals. Learn more about your ad choices. Visit megaphone.fm/adchoices

Janice Min interviews Tina Brown, a sharp observer of the seismic social changes that have led to our chaotic new politics, in a wide-ranging and often hilarious conversation about the journalists impressing her, the frustrating state of cable news punditry, what celebrity she’d put on the cover of a magazine in 2024, her maternal rage after Trump supporters ridiculed Gus Walz, and Harry and Meghan (buckle up for one big anvil drop of ouch). That’s on top of a lot of talk about Trump, Harris, Elon Musk and the forces and figures driving our anxiety.To read more about this interview, click here. For the sharpest coverage of the entertainment industry, become a paid subscriber to The Ankler. Learn more about your ad choices. Visit megaphone.fm/adchoices

An unprecedented election, two wars, deadly hurricanes. Yet CNN’s average primetime TV audience dropped to just 853,000 total viewers during September. Ankler contributor Lachlan Cartwright joins Sean McNulty, Richard Rushfield and David Lidsky to discuss his scoop-filled blockbuster about sweeping changes coming to CNN, chief Mark Thompson’s pay cut on the table for Chris Wallace, star salary “beheadings” and a digital makeover inspired by . . . Vice?! Plus: WBD fills its NBA-sized hole with every random league under the sun.Transcript here. For more entertainment news, subscribe to The Ankler. Learn more about your ad choices. Visit megaphone.fm/adchoices

Nobody is arguing Joker: Folie à Deux was a success. But it took a ballsy, director-led swing, followed up on a rare R-rated smash hit and — oh yeah — fought to shoot in L.A. Does it really deserve the pile-on? Elaine Low, Richard Rushfield and David Lidsky break down why cinema’s sudden “Flop Era” is actually a positive (seriously), and what it has to do with a new report that reveals how drastically production is down, particularly in L.A. Plus: Manori Ravindran surveys brand-funded series beyond Chick-fil-A, and Richard dives into his exposé of the Golden Globes’ questionable under-the-radar Sharon Stone gala in Turkey, a country with a wildly antisemitic Trump-buddy dictator. Where could you read about it? Not in Jay Penske’s many trades. Ooof!Transcript here. For more entertainment news, subscribe to The Ankler. Learn more about your ad choices. Visit megaphone.fm/adchoices

At its peak, Vice had a valuation of $5.7 billion, two shows on HBO, 2,600 employees in more than 30 countries, and was the 10th most valuable private company in America. Its cofounder and CEO, Shane Smith rode the wave of digital media, until it crashed and burned. He talks to Janice Min about what went wrong, if he has regrets and his thoughts on the future of media — which now includes his new podcast, produced with Bill Maher.Read the interview in a Q&A format here. Subscribe to The Ankler for more entertainment and media news here. Learn more about your ad choices. Visit megaphone.fm/adchoices

In business, there is a new power hierarchy now, reports Dealmakers columnist Ashley Cullins: AI companies flush with cash at top; next, the studios that have the content AI players crave; and at the bottom, talent. Ashley dives into how agents, reps and execs are scrambling to protect clients and IP — all while fighting for a piece of the $10 billion in AI fees projected to flood entertainment in 2025. Sean McNulty, Elaine Low and Richard Rushfield also talk what Disney’s studio contraction signals about a potentially more entrepreneurial future in TV, and how Sony pulled off its drama-free CEO transition.Transcript here. For more entertainment news, subscribe to The Ankler. Learn more about your ad choices. Visit megaphone.fm/adchoices

Sept. 27 marked the first anniversary of the end of the writers strike and while pay bumps and streaming bonuses (for two blockbuster shows) are great, the business remains in a world of hurt. Elaine Low, Richard Rushfield and David Lidsky explore the seismic production pullback, newly instated minimums as maximums — and why Richard wants negotiators from both sides in a penalty box for three years. Plus: John Malone’s master plan for WBD, and the gang tries to make a movie using AI.Transcript here. For more entertainment news, subscribe to The Ankler. Learn more about your ad choices. Visit megaphone.fm/adchoices

How do you follow the all-mighty Bob Iger? In the case of Bob Chapek, you don’t. The current public bake-off for whoever’s next already has been unsettling, as Richard Rushfield dispels the superhero CEO myth and evaluates how the perception of such actually harms his eventual successor and Disney itself. Plus: Sean McNulty, Elaine Low and Richard analyze the upcoming box office slate and hit the lido deck for a bit of fall TV nostalgia.Transcript here. For more entertainment news, subscribe to The Ankler. Learn more about your ad choices. Visit megaphone.fm/adchoices

David Zaslav, on a break from sitting courtside at elite sporting events, has a new idea to help save WBD: Give HBO away for free to Charter cable subscribers. Sean McNulty, Elaine Low and Richard Rushfield analyze why and what it means amid growing warnings of “chaos” and industry consolidation from leaders including Sony CEO Tony Vinciquerra and Ari Emanuel. Plus: Katey Rich previews the Emmys and early Oscar buzz, and Matthew Frank tips everyone to Hollywood’s new Wild West: legal gambling on movies.Transcript here. For more entertainment news, subscribe to The Ankler. Learn more about your ad choices. Visit megaphone.fm/adchoices

As everywhere from Alabama to Bulgaria battle to attract productions with tax incentives, studios are saying bye, y’all to Hollywood. With shoots being exported all over the globe, what happens to those who came to Los Angeles to have an entertainment career? Ankler contributor Ashley Cullins joins to break down the production location war — and L.A.’s plan to fight back. Plus, Sean McNulty and Elaine Low explain the Disney-DirecTV carriage dispute, and Richard Rushfield reports from the scene as TIFF begins.Transcript here. For more entertainment news, subscribe to The Ankler. Learn more about your ad choices. Visit megaphone.fm/adchoices