DIY MFA Radio

Hey there word nerds! Today’s interview features Brian Meehl, author of four novels that have garnered several awards and starred book reviews: Out of Patience, Suck It Up, Suck It Up and Die, and You Don’t Know About Me. His latest genre-bending novel, Blowback ‘07, transports readers back to 19077, a time when legendary coach Pop Warner, future Olympian Jim Thorpe, and the Carlisle Indian Industrial School’s team the “Redmen” revolutionized America’s most popular sport—football. In a former incarnation, Brian was a puppeteer on “Sesame Street” and in Jim Henson films, including The Dark Crystal and he also wrote for television shows like “The Magic School Bus” and “Between the Lions,” for which he won three Emmys. He lives in Connecticut and is currently working on Blowback ’63 and Blowback ’94, the second and third installments of the Blowback trilogy. In this episode Brian and I discuss: Using history to inspire and inform your writing, and the wealth of ideas that come from true events that have come from the past. The importance of research in capturing details that help your story’s world feels real. Using your research, your area of interest, and the specific idiosyncrasies of your particular topic to fuel your blog and platform building. Balancing close points of view with an omniscient narrator, the strengths and the challenges. Keeping your own growth and process in mind when you write. You’re not going to publish everything that you write. Plus, his #1 tip for writers. About the Author Brian Meehl has published four novels with Random House: Out of Patience, Suck It Up, Suck It Up and Die, and You Don’t Know About Me. His books have garnered a Junior Library Guild Selection, a Blue Ribbon from the Bulletin for the Center for Children’s Books and starred reviews in Publishers Weekly. In a former incarnation, Brian was a puppeteer on “Sesame Street” and in Jim Henson films, including “The Dark Crystal.” His transition from puppets to pen included writing for television shows such as “The Magic School Bus” and “Between the Lions,” for which he won three Emmys. He lives in Connecticut and is writing Blowback ’63 and Blowback ’94. For more information about Brian Meehl and his books, please visit www.brianmeehl.com and www.blowbacktrilogy.com. Blowback ‘07 It has become infamous for stripping children of their language and culture, but most people forget that the Carlisle Indian Industrial School also gave birth to America’s most popular sport as we now know it—football. In Brian Meehl’s genre-bending novel Blowback ’07; readers are transported back to 1907 where legendary coach Pop Warner, future Olympian Jim Thorpe, and the Carlisle “Redmen” change the game. Their plays and formations like the modern “spread” and “shotgun,” have since become mainstays in high school, college, and professional football. Clashing twins have one thing in common: an ancient musical instrument left to them by their mother.  When Iris plays the strangely curved woodwind, the trouble begins: the school’s star quarterback, disappears. Transported to 1907 and the Carlisle Indian School, Matt, one of the protagonists, is forced to play football for Coach Pop Warner as the Carlisle “Redmen” revolutionize Ivy League football. His struggle to “play his way home” is complicated when he falls in love with an Indian girl. Meanwhile, there are a cache of secrets that might help bring back someone very dear trapped in the past.   Blowback ’07 launches a century-spanning trilogy to be continued in Blowback ’63 and Blowback ’94.  Books two and three propel the characters to another illuminating past, and transform them in ways they never imagined. For more info and show notes: DIYMFA.com/135

Hey there word nerds! Today I have the pleasure of speaking with Dr. Sally Parry, the Executive Director of the Sinclair Lewis Society. She earned her PhD in American Literature (as well as 19th Century British Fiction and Medieval Literature) from Fordham University in NYC and wrote her dissertation on Sinclair Lewis (Sinclair Lewis: The Darkening Vision of His Later Novels). She is currently the Associate Dean for Academic Programs and Student Affairs at Illinois State University. In this interview, we’re going to talk about Sinclair Lewis’ novel It Can’t Happen Here. Originally published in 1935 as a response to the rise of Hitler and Mussolini in Europe, It Can’t Happen Here has renewed relevance in the wake of Donald Trump’s campaign and election. In fact, sales numbers for this title have gone through the roof, with mass market sales up 2,611% over last year, and eBook sales have jumped 1,528%. Not only that, this book has gotten a lot of buzz in the media in the past year, and this momentum doesn’t appear to be slowing down. I’m excited to speak with Dr. Sally Parry about this book and the role that literature plays in politics and activism.   In this episode Sally and I discuss: Literature and activism, and how to Author intentions versus audience perceptions The social responsibilities of writers Plus, her #1 tip for writers. About Sinclair Lewis About the Sinclair Lewis Society:The Sinclair Lewis Society was formed to encourage study of, critical attention to, and interest in the work, career, and legacy of Sinclair Lewis. The Society works to facilitate a broader discussion of his writing among scholars, critics, teachers, students, book collectors, and readers everywhere.Members of the Sinclair Lewis Society receive the bi-annual Sinclair Lewis Society Newsletter. We encourage scholarship concerning Sinclair Lewis, and we have provided a bibliography of primary and secondary sources concerning Lewis on our scholarly works page, as well as transcripts from an exclusive interview with Richard Lingeman, author of Sinclair Lewis: Rebel from Main Street. We also meet every few years in Sauk Centre, Minnesota, Lewis' hometown, for conferences and usually in connection with the annual Sinclair Lewis Days.Sinclair Lewis Bio:Harry Sinclair Lewis (1885–1951) was born in Sauk Centre, Minnesota. His childhood and early youth were spent in the Midwest, and later he attended Yale University, where he was editor of the literary magazine. After graduating in 1907, he worked as a reporter and in editorial positions at various newspapers, magazines, and publishing houses from the East Coast to California. He was able to give this work up after a few of his stories had appeared in magazines and his first novel, Our Mr. Wrenn (1914), had been published. Main Street (1920) was his first really successful novel, and his reputation was secured by the publication of Babbitt (1922). Lewis was awarded a Pulitzer Prize for Arrowsmith (1925) but refused to accept the honor, saying the prize was meant to go to a novel that celebrated the wholesomeness of American life, something his books did not do. He did accept, however, when in 1930 he became the first American writer to receive the Nobel Prize for Literature. During the last part of his life, he spent a great deal of time in Europe and continued to write both novels and plays. In 1950, after completing his last novel, World So Wide (1951), he intended to take an extended tour but became ill and was forced to settle in Rome, where he spent some months working on his poems before dying. For more info and show notes: DIYMFA.com/134

  Hey there word nerds! Today I have the pleasure of interview award-winning author Sebastian Barry, about his latest book Days Without End. Sebastian Barry is the author of seven novels, including A Long Long Way and The Secret Scripture (now a major motion picture starring Rooney Mara and Vanessa Redgrave). He has won the Costa Book of the Year Award, the Hughes & Hughes Irish Novel of the Year Award, and the Walter Scott Prize. His work has twice been short-listed for the Man Booker Prize. He lives in Ireland. Days Without End is a historical novel set during the Indian Wars in the American west, and the Civil War, about two young men who are brothers in arms and also lovers. It’s a story where the gay relationship is the only consistently joyful thing against the otherwise bleak background of war, genocide and the American empire.   In this episode we discuss: Recognizing how your real life becomes infused in your best writing. Shaking off the self-consciousness of writing. Being aware of what’s not in the books you’re reading and striving to create what’s not “out there.” Plus, Sebastian’s #1 tip for writers. About the Author Sebastian Barry is the author of seven novels, including A Long Long Way and The Secret Scripture (now a major motion picture starring Rooney Mara and Vanessa Redgrave). He has won the Costa Book of the Year Award, the Hughes & Hughes Irish Novel of the Year Award, and the Walter Scott Prize. His work has twice been short-listed for the Man Booker Prize. He lives in Ireland. Days Without End The book is inspired by and dedicated to Barry’s son, who came out as gay recently and on whose behalf Barry advocated for LGBT marriage rights during the Irish marriage referendum. The letter he wrote for the Irish Times on the subject went viral, and was read aloud in the Irish and Australian parliaments. The character of John Cole is a portrait of his son Toby’s boyfriend, Jack. Writing gay love was new territory for Barry, and part of his historical research for the novel was looking into the (elusive) history of gay life during that time through primary sources. There is a seriously researched and utterly moving history of proto drag on the frontier. John and Thomas, the main characters, first find work crossdressing, working as dance partners in saloons for lonely miners in frontier towns. Barry takes on the psychology of drag from Thomas’ point of view—what his costumes mean to his identity, which is split between his occupation as a soldier and the secret family he has built with John. Days Without End shifts the narrow expectations of what “masculine” literature can be and do. The book is in dialogue with and in some ways a rebuttal to Annie Proulx’s Brokeback Mountain, in that the gay relationship is the only consistently joyful thing in otherwise bleak novel about genocide and American empire, rather than the source of anguish and frustration it is in Proulx’s novel. With John and Thomas, Barry wanted to portray the joy that he observes in his son’s relationship with his boyfriend, rather than shame and persecution. In Days Without End, Thomas McNulty, a “wren-sized” young man barely seventeen and an Irish refugee of the Great Famine, signs up for the U.S. Army in the 1850s with his brother in arms John Cole. The two friends are sent to fight in the Indian Wars against the Sioux and Yurok, and ultimately in the Civil War. Fans of Sebastian Barry’s subtly interconnected novels will rediscover the McNulty family—based on members of Barry’s own family—in the New World, as Thomas McNulty travels from the contested frontier plains of Wyoming, to the Union battlegrounds of Virginia and Maryland, to the starving remains of scorched earth towns in Tennessee. Days Without End is a powerful literary portrait of a time when Americans were pitted against Americans in bloody struggles fought to define the borders and identity of the nation. Barry writes of this period as it was experienced by common soldiers: men who did not determine or even necessarily understand the wars they fought, but who fought anyway, merely to survive them. Not just a war novel, Days Without End is also a poignant love story, about two men and the unlikely family they form with a young Sioux girl, Winona. For more info and show notes: DIYMFA.com/133

  Hey there word nerds! Today I have the pleasure of interviewing Shanthi Sekaran, author of the new novel Lucky Boy, a book that has been getting a lot of pre-publication buzz and is an Indie Next Great Read pick for January 2017.   In this episode Shanthi and I discuss: The importance of fiction in humanizing different groups of people by bringing them and their experiences to life on the page. Using both research and imagination to create a vivid experience for your readers, and in particular how she crafted the dramatic immigration scenes in her book. Connection to the point of view of the characters and how to capture their experiences and emotions with authenticity. Crafting her book around the theme of motherhood, and how “mother” can mean very different things to different people. The universality of the “immigrant experience” in America, and how there are many common threads between immigrants from wildly different experiences. How there are also stark differences between immigrants with different levels of privilege, and how it’s important for us to understand these varied experiences. Why it’s important that writers live their lives and be present in the world. Plus, her #1 tip for writers. About the Author Shathi teaches creative writing at California College of the Arts, and is a member of the Portuguese Artists’ Colony and the San Francisco Writers’ Grotto. Her work has appeared in Best New American Voices and Canteen, and online at Zyzzyva and Mutha Magazine. A California native, she lives in Berkeley with her husband and two children. Lucky Boy Lucky Boy is a moving story about two unforgettable women in California: an undocumented Mexican woman and an Indian-American wife. Both love the same child but can’t have him. The novel beautifully weaves together the themes of motherhood, immigration, infertility, adoption and minority life in America (and tackles immigrant detention centers) and is a must-read in our current political environment. For more info and show notes: DIYMFA.com/132

  Hey there word nerds! Today, I’ll be sharing a recap of all the exciting things I discovered at Digital Book World (or DBW) last week. 2017 marks the eighth year of this industry-focused event, with a shift toward solution-focused strategies paired with insightful in-depth programming. This year was also the the first time DBW has run a segment of the conference exclusively for indie authors. While this event is intended for the members of the publishing community—it truly is an industry event—there are a lot of things author can learn from DBW in order to thrive in today’s evolving landscape. And this doesn’t mean you need to be an indie author; even if writers planning to go the traditional route, there were a lot of important takeaways I got from digital book world this year. Three Main Themes at DBW While I heard a lot of fascinating statistics and gained so many new insights into publishing, there were three main themes that rose to the top.   Innovation: Cool new stuff that both publishers and authors are doing to connect with their audience and enhance the reading experience. Efficiency: To succeed in this business, it’s not just about working harder, it’s about working smarter, and this conference was brimming with awesome strategies and cool new tools I can’t wait to try. Sales: Let’s face it, if we want to create a sustainable career as writers, we have to understand sales. This means both knowing what the trends are now, and where the next opportunities might be.   This last piece is extremely important. It’s only when we understand the money piece that we can develop creative new ideas for earning a sustainable living from our writing. If we don’t know what’s going on in the industry around us, then we’re operating in a vacuum. As I go through each of these three themes from DBW, I’m also going to give you a little piece of homework—an assignment with each one—so you can implement these concepts with concrete, actionable steps. Let’s get started! Innovation What cool new stuff is the industry up to? Hands down, one of the places where I saw the most creative thinking was in platforms, and I don’t mean your author platform, but social media and other tech platforms where both authors and publishers are doing cool creative things. Trends include... Audio! By far the biggest buzz at DBW is around audiobooks. Using Facebook ads to build your email list as well as to sell directly. Platforms that are offering unique reading experiences (like Crave) or increasing authors’ reach (like Wattpad). Efficiency How can you work smarter? The two big areas of focus when it comes to efficiency focus creation and promotion. Finding new opportunities for your intellectual property (e.g. branded stories on Wattpad, capitalizing on audio rights, etc.). Agents play a huge part in helping authors make smart choices with their IP. While the query process can be tough, agents are still hungry to discover great talent. “Any given Thursday, you can walk into a bar and hear people singing karaoke who are pretty decent. But as agents, we’re not looking for ‘pretty good,’ we’re looking for someone who can sing at the Met or who can sell out Madison Square Garden.” —Regina Brooks, Lead Agent and President of Serendipity Literary Agency Understanding how to reach out to the media for publicity, and developing a multi-faceted PR approach. Take a “sniper rifle approach” to marketing and promotion, instead of a shotgun. Patience and persistence were common themes, especially at DBW Indie. You need to try different approaches but give them time to build traction (especially with SEO and digital tools). Sales What’s happening in our industry and what does this mean for authors? Perhaps my favorite session was given by Peter Hildick-Smith, Codex Group founder and president. He broke down the sales process into three steps, then talked about different strategies pertaining to each one. These steps are: Discover, conversion, and sourcing.   Discovery: Do readers know the book exists? How can we make potential readers more aware of books? Readers need two or more “exposures” to the book before they want to buy it, and that number goes up if the price of the book is higher. The good news is that the author’s connection to his/her audience can be a big influencer at this stage. Conversion: Now that readers are aware the book exists, do they want to read it? This is where cues like the cover and messaging around the book can make a big difference at this stage. Price and reviews/recommendations can also be a big influencer here. Sourcing: Readers know about the book, they want to read it, but will they buy it? Here is where things vary based on the specific book. Delivering a varied mosaic of information about the book (and where to buy it) from day one improves chances of sales.   About Digital Book World Starting with the only conference designed to address the radically changing commercial publishing environment, Digital Book World has evolved into a year-round platform offering educational and networking resources for consumer publishing professionals and their partners — including agents, booksellers and technology vendors — online and in person. You can keep up with Digital Book World and what they’re up to by following them on Twitter. For more info and show notes: DIYMFA.com/131

  Hey there word nerds! Today’s DIY MFA Radio guest has a fantastic double life. Author Frédérique Molay began her career in politics and administration as chief of staff for a commission of the French National Assembly. She then worked for local government in Burgundy, ran in the European elections, and was elected in Saône-et-Loire. She also writes crime novels and won France's prestigious crime fiction award the Prix du Quai des Orfèvres for The 7th Woman, which went on to become an international bestseller. We had our conversation through a translator, a different format than you’re used to from DIY MFA Radio, but I hope you’ll stick with it. Molay has some brilliant insights about writing and I’m so excited to share our interview. In this episode we discuss: Publishing foreign titles in the United States with Le French Book Vulnerability and idealism in writing Work life - family life - writing life balance. Plus, their #1 tip for writers. About the Author Writing has always been a passion for Frédérique Molay, author of the award-winning international bestselling Paris Homicide series. She graduated from France’s prestigious grande école the Institut d'Études Politique and has a Master's degree in Business Administration. She began her career in politics and administration as chief of staff for a commission of the French National Assembly. She then worked for local government in Burgundy, ran in the European elections, and was elected in Saône-et-Loire.At the height of this brilliant political career, Molay was also writing crime novels and won France's prestigious crime fiction award the Prix du Quai des Orfèvres for The 7th Woman, which went on to become an international bestseller. She took a break from politics to write Crossing the Line and The City of Blood, two other titles in the Paris Homicide series.       In addition to being a knight in the Confrérie des Chevaliers du Tastevin—an order of wine lovers who promote Burgundy wines—Frédérique also taught French in middle school for a short time, sharing her passion for writing with young teens.The political virus never left her, however, and in June 2015, while writing Looking to the Woods, Frédérique returned to politics, as chief of staff for a newly elected senator. She now splits her time between Paris and Chalon-sur-Saône, between police procedurals and politics. Looking to the Woods When a ten-year-old girl's mutilated body is found in a public park in Paris, chief of police Nico Sirsky takes action. But his elite team of homicide detectives isn't on the case for even twenty-four hours before a second child is found murdered and left to rot inside a middle-school classroom. With the City of Light on edge awaiting another gruesome discovery, the clock starts ticking for Sirsky to catch the elusive killer who calls himself the gamemaster. As the pressure mounts, Sirsky is also confronted with a conundrum in his personal life: his girlfriend is inexplicably pulling away from him. But he must once again put his own problems aside when the investigation turns up nothing but taunts from the killer. It will take an entire team of police psychologists, forensic specialists, and criminal investigators to uncover the truth hidden in a web of murder more tangled than any of them could have imagined. For more info and show notes: DIYMFA.com/130

Hey there word nerds! Today I’m thrilled to welcome Manjula Martin on the show. Manjula is editor of Scratch: Writers, Money, and the Art of Making a Living from Simon & Schuster. She’s the creator of the blog Who Pays Writers? And was the founder and editor of Scratch magazine, an online periodical focused on the business of being a writer. Her work has appeared in various publications like the Virginia Quarterly Review, Pacific Standard, SF Weekly, The Billfold, and The Toast, plus, she is the managing editor of Zoetrope: All-Story. Today, Manjula and I will be talking about writers and money, how to make ends meet, and generate revenue from your writing. In this episode we discuss: Why it’s so difficult—but so important—for writers to talk about money. Also why it doesn’t have to be difficult. Different options and strategies for how writers can make a living beyond a book deal. The pros and cons of working for free, and the broader implications this has on the publishing landscape. Knowing your strengths and weaknesses and leveraging them to help you make a living. Plus, her #1 tip for writers. About the Author Manjula Martin is editor of Scratch: Writers, Money, and the Art of Making a Living (Simon & Schuster, January 2017). She created the blog Who Pays Writers? and was the founder and editor of Scratch magazine, an online periodical that focused on the business of being a writer. Her writing has appeared in the Virginia Quarterly Review, Pacific Standard, SF Weekly, The Billfold, The Toast, and other publications. She is the managing editor of Zoetrope: All-Story and lives in San Francisco. You can learn more about Manjula Martin at her website: https://manjulamartin.com/. Scratch: Writers, Money, and the Art of Making a Living A collection of essays from today’s most acclaimed authors—from Cheryl Strayed to Roxane Gay to Jennifer Weiner, Alexander Chee, Nick Hornby, and Jonathan Franzen—on the realities of making a living in the writing world. In the literary world, the debate around writing and commerce often begs us to take sides: either writers should be paid for everything they do or writers should just pay their dues and count themselves lucky to be published. You should never quit your day job, but your ultimate goal should be to quit your day job. It’s an endless, confusing, and often controversial conversation that, despite our bare-it-all culture, still remains taboo. In Scratch, Manjula Martin has gathered interviews and essays from established and rising authors to confront the age-old question: how do creative people make money? For more info and show notes: DIYMFA.com/129

Hey there word nerds! Today I have the pleasure of introducing you to someone who has been instrumental in helping me up my speaking game. Whether you’ve been hearing me speak on this podcast or have seen me speak on stage, this person has had a tremendous impact in helping me become the speaker that I am. This person is Alexia Vernon. Alexia has been branded a “Moxie Maven” by the White House Office of Public Engagement because of her unique and effective approach to developing female leaders, for a decade she has been a go-to speaking coach to CEOs, New York Times bestselling authors, media personalities, and scores of visionary entrepreneurs and change-makers who are ready to go from best-kept secrets to hotshot, transformational speakers.   Her unique background as a former Miss Junior America, public speaker, professor, actor, dancer, TEDx organizer, and corporate trainer has enabled Alexia to speak on stages such as the United Nations during the Commission on the Status of Women, INBOUND, and the Association of Talent Development (ATD). She has appeared on major media outlets like CNN, NBC, Inc., and Women’s Health Magazine. Her clients have spoken on stages like the World Domination Summit, Transformational Leadership Council, Entrepreneurs’ Organization, Off the Charts Live, and at TEDx’s around the world, not to mention scoring some amazing media coverage in publications like The New York Times, TIME, and Vanity Fair, and networks like OWN and Good Morning America.   In this episode Alexia and I discuss: The importance of public speaking for authors Finding your voice as a speaker How speaking can help you hone your ideas Plus, Alexia's #1 tip for writers. About Alexia Vernon Branded a “Moxie Maven” by the White House Office of Public Engagement for her unique and effective approach to developing female leaders, for a decade she has been a go-to speaking coach to CEOs, New York Times bestselling authors, media personalities, and scores of visionary entrepreneurs and change-makers who are ready to go from best-kept secrets to hotshot, transformational speakers. Her unique background as a former Miss Junior America, public speaker, professor, actor, dancer, TEDx organizer, and corporate trainer has enabled Alexia to speak on stages such as the United Nations during the Commission on the Status of Women, INBOUND, and the Association of Talent Development (ATD). She has appeared on major media outlets like CNN, NBC, Inc., and Women’s Health Magazine. Her clients have spoken on stages like the World Domination Summit, Transformational Leadership Council, Entrepreneurs’ Organization, Off the Charts Live, and at TEDx’s around the world, not to mention scoring some amazing media coverage in publications like The New York Times, TIME, and Vanity Fair, and networks like OWN and Good Morning America. For more info and show notes: DIYMFA.com/128

  Hey there word nerds! Thanks for being here with me today. I’m so excited to share this interview with you. It’s a little bit different from what I usually do. Instead of being the one hosting the interview, in this episode I’m sharing an interview that I gave for my friend Joanna Penn on The Creative Penn Podcast. You might remember Joanna from episode 106 when she came on DIY MFA Radio and I got to interview her! She is a New York Times and USA Today bestselling author of thrillers under J.F.Penn and also writes nonfiction for authors. She’s also a professional speaker and award-winning entrepreneur. Her site, TheCreativePenn.com, is regularly voted one of the Top 10 sites for writers. She is a self-publishing superstar and I’m thrilled that she had me on her show. Embed Episode Here In this episode Joanna interviews me about: How I started DIY MFA, where I got that first glimmer of the idea, and how I built it into what you see today. The writer’s need for validation and why that “stamp of approval” needs to come from within. Honoring and understanding your process, and how there’s no right way to be a writer. The importance of author identity, and being the best version of yourself, but still be authentically you. I also share some of my signature DIY MFA techniques, like: The Angst Jar—what it is and why it’s my go-to tool for handling rejection, imposter syndrome, and any other curve ball my inner critic throws at me. The Revision Pyramid and how to use it so you can rock your post-NaNoWriMo revisions and make your manuscript sing. Visual outline techniques and why I’m so obsessed with design and graphics. Hint: It comes from my former life as a toy designer and psychology researcher. DIY MFA (the book!) Have you ever... Dreamed of writing a book but had no idea where to start? Started a writing project, but couldn’t stay motivated? Struggled to carve out time in your life for your writing? Searched for a writing community, but didn’t know where to look? Been overwhelmed by all the writing and publishing advice online? Order your very own copy direct from the publisher by clicking this affiliate link. As with any affiliate products we promote on this site, when you purchase via this link, DIY MFA gets a small commission at no cost to you. Thank you supporting DIY MFA! DIY MFA is the definitive guide for writers who can’t–or don’t want to–go back to school. Inspired by material I’ve created and compiled since the inception of this website, this is more than a writing guide in book form. Based on proven techniques and graduate-style curriculum, DIY MFA won’t just help you improve your writing skills, it will empower you to take control of your creative life. If DIY MFA were a school, this book would be the student handbook. It’s a one-stop-shop with all the fundamental elements from the website in one place. If you are new to DIY MFA, this book is the perfect springboard to get you going, and if you’ve taken one or more of our courses, this book will supplement and expand on what you learned. DIY MFA: Write with Focus, Read with Purpose, Build Your Community will help you get that graduate-level experience without going to school. Don’t put your life on hold for two or three years and accrue a huge amount of student debt. Instead, learn to recreate that MFA experience for yourself and seamlessly incorporate writing into your life. This book will show you how. I wrote this book for word nerds of all stripes, but particularly with these three particular writer groups in mind. Writers in the trenches: If you’re one of these writers, then you are in the thick of it, actively engaged in a writing project at this very moment. You work hard to improve your craft and are hungry to learn tools and skills you can apply to work-in-progress. This book will give you the techniques you crave. Serious newbies: Just because you’re new to writing doesn’t mean you’re not serious. If you’re one of these serious newbies, then you are motivated to learn all you can, so you can start your writing journey on the right foot. Learn how with this book. Career authors who need a boost: No matter how experienced a writer you are, sometimes you lose “that loving feeling” and it’s hard to get those words on the page. This book can help shake up some of those stale habits and get you pumped up about your writing again. Warning: If you are dabbler or dilettante looking for a “magic bullet” solution or a shortcut to success, this book is not for you. Seriously, it might spontaneously combust in your possession. (Just kidding. Sort of.) For more info and show notes: DIYMFA.com/127

Hey there word nerds! Thanks for joining me for DIY MFA Radio! I’m especially excited for this episode because today I get to interview agent Mitch Hoffman. I first met Mitch at ThrillerFest earlier this year, where I heard him speak on a panel and later got a chance to talk further at one of those conference mix-and-mingle shindigs. Right away, I knew Mitch was someone I wanted to bring on the show, not only because of his unique background both as a former editor at a major publisher and now as an agent, but also because of his measured, thoughtful approach toward publishing. Given how much has changed (and continues to change) in our industry, I wanted my word nerds to hear from someone who has been on both sides of the agent-editor realm, and also who’s been in the industry long enough to know where the book business has been, where it is now, and where it could be going. And from getting a chance to chat with him for a bit at ThrillerFest, I happen to know that he’s a pretty cool guy to talk to. Mitch joined the Aaron Priest Literary Agency as a Senior Agent in 2015. A 20-year veteran of the publishing industry, he was most recently Vice-President, Executive Editor at Grand Central Publishing.  As an editor, Mitch published over 200 books, more than 60 of which were New York Times bestsellers.  Prior to joining Grand Central Publishing in 2007, Mitch held editorial positions at Dutton and Dell Publishing, and began his career as an intern at Farrar, Straus and Giroux (or FSG).  So, basically, he’s worked at three of the “Big Apple Five” publishers.   Embed Episode Here In this episode Mitch and I discuss: The difference between an agent and an editor, and why he made the switch from the latter to the former. The acquisitions process from a publisher’s perspective, and what really happens after an editor gets a submission letter from an agent. All the different people in a publishing house who help determine whether to acquire a book or not. What an agent can do for an author trying to get published, and how agents can help authors beyond that single book deal. Plus, Mitch’s #1 tip for writers. About the Agent Mitch Hoffman joined the Aaron Priest Literary Agency as a Senior Agent in 2015. A 20-year veteran of the publishing industry, he was most recently Vice-President, Executive Editor at Grand Central Publishing.  As an editor, Mitch published over 200 books, more than 60 of which were New York Times best sellers.  Prior to joining Grand Central Publishing in 2007, Mitch held editorial positions at Dutton and Dell Publishing, and began his career as an intern at Farrar, Straus and Giroux. Mitch is actively building a list of authors writing across the spectrum of fiction and nonfiction, including thrillers, suspense, crime fiction, and literary fiction, as well as narrative nonfiction, politics, popular science, history, memoir, current events, and pop culture. If you think your book might be a good fit, visit the agency website, read the submission guidelines and send him a query. Make sure you mention in your query that you heard him speak on DIY MFA Radio. For more info and show notes: DIYMFA.com/126