New Books in Communications

On this episode of the New Books Network, Dr. Megan Hunt joins us to talk about her recent book, Southern By the Grace of God, which was published in 2024 by the University of Georgia Press.Lke the media coverage of the civil rights era itself, Hollywood dramas have reinforced regional stereotypes of race, class, and gender to cleanse and redeem the wider nation from the implications of systemic racism. As Southern by the Grace of God reveals, however, Hollywood manipulates southern religion (in particular) to further enhance this pattern of difference and regional exceptionalism, consistently displacing broader American racism through a representation of the poor white southerner who is as religious as he (and it is always a he) is racist. By foregrounding the role of religion in these characterizations, Megan Hunt illuminates the pernicious intersections between Hollywood and southern exceptionalism, a long-standing U.S. nationalist discourse that has assigned racial problems to the errant South alone, enabling white supremacy to not only endure but reproduce throughout the nation. Southern by the Grace of God examines the presentation and functions of Protestant Christianity in cinematic depictions of the American South. Hunt argues that religion is an understudied signifier of the South on film, used--with varying degrees of sophistication--to define the region's presumed exceptionalism for regional, national, and international audiences. Rooted in close textual analysis and primary research into the production and reception of more than twenty Hollywood films that engage with the civil rights movement and/or its legacy, this book provides detailed case studies of films that use southern religiosity to negotiate American anxieties around race, class, and gender. Religion, Hunt contends, is an integral trope of the South in popular culture and especially crucial to the divisions essential to Hollywood storytelling. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

As part of the TV Milestones Series, Bridget Kies explores Murder, She Wrote (Wayne State University Press, 2025). Embark on a journey through the mysteries of Cabot Cove to learn why Murder, She Wrote is a timeless classic. Discover the secrets behind the enduring appeal of Murder, She Wrote (CBS, 1984-96) in this captivating investigation of the long-running mystery series. Kies details the show's lasting impact owing to several interconnecting factors tied to the series' genre, cast, and reception. Murder, She Wrote was a trailblazing "cozy" murder mystery, blending suspense and charm to captivate a wide and varied audience. Bolstered by Angela Lansbury's established star power, the iconic amateur sleuth Jessica Fletcher is beloved by fans across generations and around the world. Kies also points to the series' extratextual tie-in novels, made-for-TV movies, licensed products, and crossovers and attempted spinoffs that helped create a franchise universe that lives on today. With insights into the show's twelve remarkable seasons, its rise to global fame, and data from fandom interviews, this book is a must-read for fans and newcomers alike. Embark on a journey through the mysteries of Cabot Cove and beyond to learn why Murder, She Wrote remains a timeless classic. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Ian Rapley’s Green Star Japan: Esperanto and the International Language Question, 1880-1945 (U Hawaii Press, 2024) is a sociopolitical history of the “planned” language of Esperanto in the Japanese Empire. Esperanto was invented in the nineteenth century to address the problem of international communication. This was an issue of great and growing interest to various groups within the burgeoning Japanese Empire, and Rapley shows that Japanese Esperanto aficionados and advocates could be found working both with the League of Nations and the Soviet Union, and were active in cities and the countryside working through questions of language, identity, modernity, and communication through and around the medium of Esperanto. Green Star Japan is thus not just a (socio)linguistic history, it is a book about what it means to be modern and how people make sense of their place in a changing world. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Welcome to the Global Media & Communication podcast series, a multimodal project powered by the Center for Advanced Research in Global Communication (CARGC) at the Annenberg School for Communication at the University of Pennsylvania. At CARGC, we produce and promote critical, interdisciplinary, and multimodal research on global media and communication. We aim to bridge academic scholarship and public life, bringing the best scholarship to bear on enduring global questions and pressing contemporary issues.Today, our host Juan Llamas-Rodriguez interviews Martín Echeverría about his book Political Entertainment in a Post Authoritarian Democracy: Humor in the Mexican Media (Routledge, 2024), co-written with Frida Rodelo.In this episode you will hear about: The affordances and limitations of YouTube for the political media ecosystem The role of memes in generating political interest among politically disinterested groups How people’s distrust of news organizations impact the communication environment for political news How restrictions on political speech have shifted in Mexico in the last few decades Guest Biography:Martín Echeverría is the Head of the Center for Studies in Political Communication at the Benemérita Universidad Autónoma de Puebla, Mexico. He holds a PhD in Communication and Culture from the University of Seville, Spain, and serves as Co-Chair of the Political Communication Section of the International Association of Media and Communication Research (IAMCR). His research, which focuses on the mediatization of politics, media systems, and the reception and political effects of media, has been published in leading journals such as The International Journal of Press/Politics, International Journal of Communication, Journalism Studies, and top Latin American outlets. He is the author and editor of several books, including Media and Politics in Post-Authoritarian Mexico: The Continuing Struggle for Democracy (Palgrave Macmillan, 2024) and Political Entertainment in a Post-Authoritarian Democracy (Routledge, 2023), the latter receiving the AEJMC 2024 Knudson Award for the best book on Latin American media in the United States.Host Biography:Juan Llamas-Rodriguez is a researcher and educator interested in how media theories allow us to critically analyze social phenomena on a global scale. He works as assistant professor in the Annenberg School for Communication and associate director of the Center for Advanced Research in Global Communication at the University of Pennsylvania. He is the author of Border Tunnels: A Media Theory of the US-Mexico Underground (University of Minnesota Press, 2023) and Y Tu Mamá También: A Queer Film Classic (McGill-Queen’s University Press, 2025), and editor of Media Travels: Toward an Atlas of Global Media (Amherst College Press, 2025).Credits Interview by: Juan Llamas-Rodriguez Produced by: Juan Llamas-Rodriguez  Edited by: Anna Gamarnik Keywords: authoritarianism, memes, Mexico, political communication, political satire, YouTube Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Elena Razlogova is an Associate Professor of History at Concordia University. She is the author of The Listener’s Voice: Early Radio and the American Public (University of Pennsylvania Press, 2011) and co-editor of “Radical Histories in Digital Culture” issue of the Radical History Review (2013). She has published articles in American Quarterly, Radical History Review, Russian Review, Journal of Cinema and Media Studies, Radio Journal, Cultural Studies, Social Media Society, and more. Elena’s someone I’m always excited to talk to when I see her at conferences and I thought it would be fun talk to her on this podcast. In this episode we discuss some of her research interests including U.S. radio history, audience research, music recommendation and recognition algorithms, and her current book project, which centers on freeform radio station WFMU and the rise of online music. Toward the end of the episode we talk about Elena’s research strategies as a historian working in the digital age. And for our Patrons we’ll have Elena’s What’s Good segment, featuring something good to read, listen to, and do. You can join at patreon.com/phantompower. Today’s show was edited by Nisso Sacha and Mack Hagood.  Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

In Citizens of Scandal: Journalism, Secrecy, and the Politics of Reckoning in Mexico (Duke UP, 2020), Vanessa Freije explores the causes and consequences of political scandals in Mexico from the 1960s through the 1980s. Tracing the process by which Mexico City reporters denounced official wrongdoing, she shows that by the 1980s political scandals were a common feature of the national media diet. News stories of state embezzlement, torture, police violence, and electoral fraud provided collective opportunities to voice dissent and offered an important, though unpredictable and inequitable, mechanism for political representation. The publicity of wrongdoing also disrupted top-down attempts by the ruling Partido Revolucionario Institucional to manage public discourse, exposing divisions within the party and forcing government officials to grapple with popular discontent. While critical reporters denounced corruption, they also withheld many secrets from public discussion, sometimes out of concern for their safety. Freije highlights the tensions-between free speech and censorship, representation and exclusion, and transparency and secrecy-that defined the Mexican public sphere in the late twentieth century. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

In the latest episode of Unlocking Academia, host Raja Aderdor sits down with Marc Owen Jones, associate professor at Northwestern University in Qatar, to explore the complex world of digital deception in the Middle East, as outlined in his book Digital Authoritarianism in the Middle East: Deception, Disinformation and Social Media (Hurst/Oxford UP, 2021).Marc draws on years of experience growing up in Bahrain and Saudi Arabia, as well as living and working in Sudan, Syria, Germany, and the UK. His perspective offers both depth and global context. In the episode, he discusses how social media has become a tool for manipulation, with bots, fake accounts, and disinformation campaigns shaping public discourse and limiting civil society. The conversation explores how these tactics function, their consequences, and the growing challenge of digital authoritarianism.Timely and insightful, this episode highlights the importance of understanding the role of digital technologies in shaping truth, politics, and media in the Middle East and beyond.We are Clavis Aurea: a dynamic team constantly looking for ways to help academic publishing grow and to promote groundbreaking publications to scholars, students, and enthusiasts globally. Based in the renowned publishing city of Leiden, we eat, sleep, and breathe publishing! Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Late Star Trek: The Final Frontier in the Franchise Era (University of Minnesota Press, 2025) by Dr. Adam Kotsko explores the beloved science fiction franchise’s repeated attempts to reinvent itself after the end of its 1990s golden age. Beginning with the prequel series Enterprise, Adam Kotsko analyzes the wealth of content set within Star Trek’s sprawling continuity—including authorized books, the three “Kelvin Timeline” films, and the streaming series Discovery, Picard, Lower Decks, Prodigy, and Strange New Worlds—along with fan discourse, to reflect on the perils and promise of the franchise as a unique form of storytelling.Significantly including the licensed novels and comic books that fill out the Star Trek universe for its fans, Dr. Kotsko brings the multiple productions of the early twenty-first century together as a unified whole rather than analyzing them in their current stratified view. He argues that the variety of styles and approaches in this tumultuous era of Star Trek history provides the perfect opportunity to reflect on the nature of the franchise storyworlds that now dominate popular culture. By taking the spin-offs and tie-ins seriously as creative attempts to tell a new story within an established universe, Late Star Trek highlights creative triumphs as well as the tendency for franchise faithfulness to get in the way of creating engaging characters and ideas.Arguing forcefully against the prevailing consensus that franchises are a sign of cultural decay, Dr. Kotsko contends that the Star Trek universe exemplifies an approach to storytelling that has been perennial across cultures. Instead, he finds that what limits creativity within franchises is not their reliance on the familiar but their status as modern myths, held not as common cultural heritage but rather owned as corporate intellectual property.This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s episodes on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Today we present the first episode of a miniseries on audiobooks by getting into the history and theory of the medium. Audiobooks are having a moment—and it only took them over a century to get here. Dr. Matthew Rubery, a Harvard PhD and Professor of Modern Literature at Queen Mary University of London, pioneered the study of the audiobook, its history, and its affordances. Among his other works, Dr. Rubery is the author of The Untold Story of the Talking Book (2016, Harvard University Press). He’s also the editor of Audiobooks, Literature, and Sound Studies (2011, Routledge). Matt’s latest book is titled Reader’s Block: A History of Reading Differences (2022, Stanford University Press). In this fascinating conversation, we discuss the long history of recorded literature; the weird shame around audiobook reading and its cultural roots; the interplay between disability, neurodivergence, and alternate forms of reading; and what an audiobook criticism might look like. And for our patrons, we’ll have our What’s Good segment at the end of the show, where Matt will tell us something good to read, something good to listen to. Something good to do. You can become a patron of the show at patreon.com/phantompower.Today’s show was edited by Mack Hagood. Transcription by Katelyn Phan. Music by Graeme Gibson Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

We kick off Season 9: TECH by talking with our very own Aarthi Vadde, the E. Blake Byrne Associate Professor of English at Duke University. Hosts and co-producers Chris Holmes and Emily Hyde ask Aarthi about the role of the novel in relation to the mass writing platforms that dominate our digital lives. Aarthi is at work on a book called We the Platform: Contemporary Literature after Web 2.0, and she explains how the novel can mark the invisible infrastructures of the internet, defamiliarize the “computational surround” of everyday life, and give us new angles on writing with and against bots. Join us to hear about the novelists and critics appearing in Season 9 of Novel Dialogue and to find out what Aarthi's students say when asked: "What would you never automate even if you could?"Mentions-Jennifer Egan: “Black Box”-Teju Cole: Small Fates, Tremor-Lauren Oyler: Fake Accounts-Stewart Home-Tom McCarthy: Satin Island-Yxta Maya Murray: Art Is Everything-Fred Benenson-Xu Bing: Book from the Ground-Rachel Cusk: TransitNaomi Alderman-R.F. Kuang: Yellowface-Sally Rooney: Beautiful World, Where Are You-Sheila Heti, “According to Alice” Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications