SEASON 2 - EPISODE 23 - DAMIEN CHAZELLE - DIRECTOR OK, here’s the episode you’ve been waiting for! Team Deakins has an extensive conversation with the talented director Damien Chazelle (LA LA LAND, FIRST MAN, BABYLON). We talk about his approach to movie making and his experiences on his various movie sets. We learn how he likes to work with his collaborators as well as what is important to him in making a movie. It’s a great conversation and we’re happy to share it with you!

SEASON 2 - EPISODE 22 - EDWARD BERGER & JAMES FRIEND - DIRECTOR & CINEMATOGRAPHER On this episode of The Team Deakins Podcast, we connect with a talented filmmaking duo for a fabulous conversation. Director Edward Berger and cinematographer James Friend (YOUR HONOR, ALL QUIET ON THE WESTERN FRONT) tell us how they like to make their films using only a single camera. They explain how using one camera allows them a level of precision that isn’t possible on a multiple camera shoot. We also discuss the importance of understanding the perspective of the film that’s being made. For them, that perspective dictates where the camera is placed for every shot, and how the sequences are edited. Edward and James were wonderful guests, be sure not to miss it! Available now!

SEASON 2 - EPISODE 21 - CASEY AFFLECK - ACTOR For this episode of The Team Deakins Podcast, we have a delightful conversation with the brilliant actor, Casey Affleck (MANCHESTER BY THE SEA, AIN’T THEM BODIES SAINTS, GONE BABY GONE). Our conversation with Casey really shines a light on his dedication as an actor. We talk about the value of rehearsals, and the romantic notion of foregoing rehearsal in order to find it on the day. Casey is vert thoughtful when discussing the importance of connecting with a project emotionally, and making sure you are taking a role for the right reasons. We also share some fun memories from working together on THE ASSASSINATION OF JESSE JAMES! Listen in to hear it all. Available now.

SEASON 2 - EPISODE 20 - MANDY MOORE - CHOREOGRAPHER The effervescent and talented choreographer Mandy Moore (LA LA LAND, SILVER LININGS PLAYBOOK, DANCING WITH THE STARS) joins us in conversation for this episode of The Team Deakins Podcast. Mandy’s enthusiasm is infections, and her knowledge of dance is vast. She walks us through the ways she designs a dance for a single camera shoot, and how her methods change on a multiple camera one. We also dig into some of her most iconic work, including the stupendous twilight at Griffith Park sequence she arranged for Emma Stone and Ryan Gosling. We also spend some quality time gushing over the persistent genius of CABARET, and why it’s one of the all-time greats! Listen In! Available now!

SEASON 2 - EPISODE 19 - MARTIN MCDONAGH - DIRECTOR For this episode of The Team Deakins Podcast, we have a delightful conversation with the brilliant writer and director Martin McDonagh. (IN BRUGES, THREE BILLBOARDS OUTSIDE EBBING MISSOURI, THE BANSHEES OF INISHERIN) Martin tells us how he got his start as a playwright. He goes on to tell us all about the difference between writing plays and writing movies, especially when it comes to having control over the project. He also walks us through some of his experiences making his films, including where the inspiration for each of them came from. Martin is an absolute joy to talk to. Listen in, we know you will agree!

SEASON 2 - EPISODE 18 - CRIS GRAVES - DOCUMENTARIAN For this episode of The Team Deakins Podcast, we have a delightful conversation with the documentary producer and director, Cris Graves. Cris is a mover and a shaker, and her can-do spirit is infections. As she pivots her attention to launching her own narrative feature film, Cris tells us how she’s not willing to compromise her own vision and how her story has already become an inspiration for others. Listen in and let her enthusiasm for filmmaking grab ahold of you! Available now.

SEASON 2 - EPISODE 17 - PEARCE ROEMER - ASSISTANT EDITOR On this episode of The Team Deakins Podcast we are joined by the fabulous assistant editor Pearce Roemer (1917, TENET, X-MEN: APOCALYPSE). Pearce really understands the nuts and bolts filmmaking that goes on in the editorial department, and he tells us everything we want to know. We learn how Pearce got involved with the X-Men franchise, and has become an indispensable part of that team over the years. We also touch on a wide array of topics, including how Covid completely restructured the editorial workflow, screening the very first day of dailies for 1917, and even how solar radiation can lead to dead pixels in your footage! Don’t miss it!

SEASON 2 - EPISODE 16 - CALLUM MCDOUGALL - PRODUCER This week we are thrilled to be joined by the legendary producer Callum McDougall (1917, SPECTRE, INTO THE WOODS, SKYFALL). Callum tells us how his remarkable career in the film industry can be traced back to an afternoon when he got lost on the London subway system as a schoolboy. We also discuss how he climbed the ranks through the industry as an assistant director, and why that might be his favorite position on a shoot. Callum is a font of knowledge and experience. Listen in and hear him share some of his invaluable know-how! Available Wednesday, December 21st.

SEASON 2 - EPISODE 15 - ANDY HARRIS - 1ST AC This episode is one you’ve been asking for. We welcome brilliant 1st AC Andy Harris (THE TRAGEDY OF MACBETH, 1917, BLADE RUNNER 2049) to join us for a conversation on the Team Deakins Podcast. We discuss all parts of his role as a 1st AC. He tells us how he reads a room and an actor to determine where to make make marks, and perhaps more importantly, where to not! We also dig into the differences between having your hands right on the camera versus working off of a monitor from far away. Andy is more like family than colleague to us by this point. Listen in to find out why!

SEASON 2 - EPISODE 14 - MARTIN PARR - STILL PHOTOGRAPHER This episode is a fabulous conversation with the outstanding still photographer, Martin Parr. Our wide-ranging conversation delves into Martin’s process in fascinating ways. Listen in to hear why he would rather take photos in a supermarket than a war zone. And when he and Roger get to comparing notes, we learn that when Roger goes out to shoot stills, he’s lucky to come home at the end of the day having snapped five pictures. Meanwhile Martin will have snapped over five hundred! Don’t miss our great discussion, it’s available now!