On The Page

Ted Campbell talks about how his experience as a second unit director and assistant director helped him develop the writing and directing skills he needed to be hired as a writer and director for three projects for MarVista Entertainment.

Glenn Sanders, Senior Creative Director at Amazon Prime Video, talks about entertainment marketing and how it can impact choices a writer makes early on in terms of concept, story and character.

Writer Kris Crenwelge turned a lockdown low to an end of the year high when she set her mind to treating her writing passion as a TV business. Hear her take on applying to labs, interviewing for “entertainment adjacent” jobs and doing the hard work that eventually landed her her first paid writing gig.

Writer Antwone Fisher talks about what went into writing and selling the classic movie about his real life and the importance of letting yourself be embarrassed by the truth.

Comedian Wayne Federman, author of “The History of Stand-Up," talks about the way that technology and the times have changed stand-up from Mark Twain to Dave Chapelle.

Writer/director Sonya Ballantyne talks about her experiences as a “creative native” and about her scripted work focusing on Indigenous women and girls in non-traditional film genres. 

Writer Savannah Ward loves to be “devastated” by a good story. They discuss the multiple timelines highlighted on Cruel Summer and, as a non-binary writer, give their personal take about trans characters on screen.

Alicia Carroll, staff writer for Zoey’s Extraordinary Playlist, talks about the show’s unique structure and approach to story and music. 

Award-winning playwright Dezi Gallegos is now a creative executive at Proximity Media (Judas and the Black Messiah). Here he talks about the company’s desire to develop original movies with a unique perspective. 

Jennifer Paz talks about her take on script and story as an actor and writer and about the need for more Asian-American content and characters on screen.