On The Page

Writer Scotty Mullen returns to to talk about his newest movie, A Christmas Village Romance, his love of all things Christmas and why the entertainment industry is a "buffet of bonkerness."

Pilar gives a logline lesson built off of listener submissions, then Pilar and Aadip pick their favorites!

Development executive Zsófia Szemerédy talks about the the importance of sustainable practices in filmmaking and discusses ways to implement them on set and on the page.

Writer-director Nathalie Biancheri discusses the preparation, script-work and directorial vision that went into creating her new psychological drama, Wolf.

'Tis the season for the annual On the Page logline competition! Pilar explains the rules and gives the deadline.

Emerson film student Kat Poole's passion is to rediscover and celebrate female film pioneers. Here, she educates us about three of them: filmmaker Alice-Guy Blache screenwriter Jeanie MacPherson and editor Margaret Booth.

George Stevens Jr. the founder of the American Film Institute, talks about the passion for film that inspired him to preserve and archive great movies, establish the Kennedy Center Honors and serve as a voice for the arts in Washington DC. as Co-chair of the Presidential Committee on the Arts & Humanities.

Director Philip Barantini shot his independent feature film Boiling Point in one take and lived to tell the tale. Hear how he kept the camera moving while also telling a rich story of an intense night in a restaurant.

Writer Celia Finkelstein talks about the projects she has in development, her pitch style on Zoom and how her acting experience has taught her not to judge a character.

Canadian writer Lindsay Gossling reveals the work and effort that went into writing and directing her disaster movieThirteen Minutes. She also talks about the challenges of making her film Un Traductor which went on to become Cuba's submission for the Academy Awards.