On The Page

When his day job was threatened, writer Jeff Bonnett decided that he wasn’t going to write a resume; he was going to write a screenplay. The end result is “Falling for Christmas,” a Netflix movie starring Lindsay Lohan.

Linda Klein, co-editor of the new book Loss and Grief, discusses the visual, sensory and emotional realities of the dying and grieving experience and how writers can use this knowledge to create more truthful depictions on screen.

Ready to submit for the annual On the Page logline competition? Pilar explains the rules and gives the deadline.

Screenwriting teacher and author John Truby reveals how to master and transcend genre by understanding their unique story systems and philosophies.

The writer of the Oscar winning film Inside Out talks about her new movie My Father’s Dragon and how she builds story from theme and emotion.

We check back in with writer Kris Crenwelge after her “year of going for it” earned her three writers’ fellowships, staffing on an animated show and a new job on the series True Lies on CBS.

Brandon Childs was only a PA when he started adding jokes to the lunch order e-mail. Before long he was brought into the writers room on Black Monday, Kenan and, most recently, Netflix’s new comedy Blockbuster.

Cinematographer Sarah Whelden talks about how she holds the vision of the director, looking through the lens to help capture theme, tone and story.

As British writer Sam Benjamin discusses the release of his new film The Payday he’s joined by Elizabeth McKenzie from Australia and Dawn Ius from Canada to discuss the challenges of writing in their home country, the lure of Los Angeles and the love of their genres. 

Andy Raymer shares writing and industry information gleaned from his experience as a writer, creative exec, independent producer and script consultant.