American Writers (One Hundred Pages at a Time)

In this episode of the Robert A. Heinlein Book Club, I examine the first half of "If This Goes On," which images a rebellion against a theocratic American autocracy. It forces us to consider what goes into making movement cultures.

In this episode, I take a quick look at Mark Twain's PUDD'NHEAD WILSON, a great exploration of the absurdity of the color line and slavery in America.

There is not a whole lot to say about Robert A. Heinlein's story "Requiem" but I try anyway to give my thoughts. Maybe we will have more to say when we get to "The Man Who Sold the Moon", his prequel to this story.

This episode is the conclusion to my thoughts on THE ADVENTURES OF HUCKLEBERRY FINN, one of my nation's greatest novels. It ends (in my opinion) with a criticism of liberalism as a path to change and progress.

I agree that the "roads must roll", but to what degree does that mean we should be obliged to one class of people? Perhaps I look into that in this review of "The Roads Must Roll" by Heinlein.

In part 2 of my review of THE ADVENTURES OF HUCKLEBERRY FINN by Mark Twain, I focus on the odious adults that Huck and Jim interact with and how we might interpret the various lines between freedom and slavery, adulthood and childhood, and above all, the color line.

In the 1940 story "Let There Be Light", Heinlein takes on the question of IP and public good, but much more radically than in "Life-Line." And based gender politics too.

The first part of my review of THE ADVENTURES OF HUCKLEBERRY FINN by Mark Twain. I focus on Huck's character and the adults surrounding him. I will lots to say about both of these themes in future episodes, but it is clear how radical Twain's position is on civilization and morality.

In "Misfit" by Robert A. Heinlein we experience the Civilian Conservation Corps in space and see how in the frontier a natural genius can succeed. Not sure how more American you can get than this story.

This episode is the conclusion of my review of LIFE ON THE MISSISSIPPI by Mark Twain. The ending has some great commentary on the Southern memory of the American Civil War and how the antebellum culture of the South was corrupted by the works of writers such as Walter Scott.