New Books in Women's History

In this Postscript, Susan Liebell and Lilly Goren review this morning’s U.S. Supreme Court decision in Texas SB-8, the oral arguments in last week’s Mississippi abortion case, and the wider issues of the Court’s legitimacy, electoral backlash, ripple effects beyond abortion to marriage equality or protection of sexuality, the effect of a ruling on electoral politics, and the effectiveness of grassroots organizing. We are joined by Dr. Rebecca Kreitzer (Associate Professor of Public Policy and Adjunct Associate Professor of Political Science at the University of North Carolina at Chapel Hill), Dr. Andrew R. Lewis (Associate Professor of Political Science at the University of Cincinnati) and Dr. Joshua C. Wilson (Professor of Political Science at the University of Denver).Daniella Campos assisted with this podcast.Lilly J. Goren is professor of political science at Carroll University in Waukesha, WI. Susan Liebell is Dirk Warren '50 Professor of Political Science at Saint Joseph’s University in Philadelphia. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today I talked to the remarkable Fiona Hill about her new memoir There Is Nothing for You Here: Opportunity in an Age of Decline (Mariner Books, 2021). We talked about the decline of older coal and steel industries (and economic dislocation generally), how this decline relates to the rise of populism in the Russia and the West, and her decision to join the Trump administration as a national security advisor. She is insightful and interesting about all of it. Enjoy. Marshall Poe is the founder and editor of the New Books Network. He can be reached at marshallpoe@newbooksnetwork.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

From 1952 to 1985, Louise Bourgeois (1911-2010) underwent extensive Freudian analysis that probed her family history, marriage, motherhood, and artistic ambition--and generated inspiration for her artwork. Examining the impact of psychoanalysis on Bourgeois's work, this volume offers insight into her creative process. Philip Larratt-Smith, Bourgeois's literary archivist, provides an overview of the artist's life and work and the ways in which the psychoanalytic process informed her artistic practice. An essay by Juliet Mitchell offers a cutting-edge feminist psychoanalyst's viewpoint on the artist's long and complex relationship with therapy. In addition, a short text written by Bourgeois (first published in 1991) addresses Freud's own relationship to art and artists. Featuring excerpts from Bourgeois's copious diaries, rarely seen notebook pages, and archival family photographs, Louise Bourgeois, Freud's Daughter (Yale UP, 2021) opens exciting new avenues for understanding an innovative, influential, and groundbreaking artist whose wide-ranging work includes not only renowned large-scale sculptures but also a plethora of paintings and prints.Isak de Vries is psychoanalyst in private practice in New York, NY. Learn more about your ad choices. Visit megaphone.fm/adchoices

For a majority of African women, the “colonial encounter” occurred at the maternity ward, the health centre, or Maternal and Infant Welfare Centres. In Être mère en situation coloniale: Gold Coast (années 1910-1950) (Editions de la Sorbonne, 2020), Anne Hugon analyzes the consequences of colonialism on colonized women, through a history of maternal and child health institutions in the Gold Coast (present-day Ghana). How were colonial biomedical interventions around pregnancy and childbirth implemented? How did the women who sought care in these centres perceive and repurpose such interventions? By relying on administrative archives of medical services, oral history with retired midwives, private archives, and newspapers, this book sheds light on the multifaceted experiences of African mothers in a colonial context.Anne Hugon is an Associate Professor of African History at Paris 1-Panthéon Sorbonne and a member of the Institut des Mondes Africains (IMAf).Thomas Zuber is a PhD Candidate in History at Columbia University. Learn more about your ad choices. Visit megaphone.fm/adchoices

Born in Prague to Holocaust survivors, Hadassah Lieberman and her family immigrated in 1949 to the United States. She went on to earn a BA from Boston University in government and dramatics and an MA in international relations and American government from Northeastern University. She built a career devoted largely to public health that has included positions at Lehman Brothers, Pfizer, and the National Research Council. After her first marriage ended in divorce, she married Joe Lieberman, a US senator from Connecticut who was the Democratic nominee for vice president with Al Gore and would go on to run for president.In Hadassah: An American Story (Brandeis UP, 2021), Lieberman pens the compelling story of her extraordinary life: from her family's experience in Eastern Europe to their move to Gardner, Massachusetts; forging her career; experiencing divorce; and, following her remarriage, her life on the national political stage. By offering insight into her identity as an immigrant, an American Jew, a working woman, and a wife, mother, and grandmother, Lieberman's moving memoir speaks to many of the major issues of our time, from immigration to gender politics. Featuring an introduction by Joe Lieberman and an afterword by Megan McCain, it is a true American story. Learn more about your ad choices. Visit megaphone.fm/adchoices

In The Work of Rape (Duke UP, 2021), Rana M. Jaleel argues that the redefinition of sexual violence within international law as a war crime, crime against humanity, and genocide owes a disturbing and unacknowledged debt to power and knowledge achieved from racial, imperial, and settler colonial domination. Prioritizing critiques of racial capitalism from women of color, Indigenous, queer, trans, and Global South perspectives, Jaleel reorients how violence is socially defined and distributed through legal definitions of rape. From Cold War conflicts in Latin America, the 1990s ethnic wars in Rwanda and Yugoslavia, and the War on Terror to ongoing debates about sexual assault on college campuses, Jaleel considers how legal and social iterations of rape and the terms that define it—consent, force, coercion—are unstable indexes and abstractions of social difference that mediate racial and colonial positionalities. Jaleel traces how post-Cold War orders of global security and governance simultaneously transform the meaning of sexualized violence, extend US empire, and disavow legacies of enslavement, Indigenous dispossession, and racialized violence within the United States.Work of Rape is the recipient of Duke University Press Scholars of Color First Book Award.Rana M. Jaleel is Associate Professor in the Department of Gender, Sexuality, and Women's Studies at the University of California, Davis, where she is also the Faculty Advisor for the Sexuality Studies Minor. Sohini Chatterjee is a PhD Student in Gender, Sexuality, and Women's Studies at Western University, Canada. Her work has recently appeared in South Asian Popular Culture and Fat Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices

Over the course of the twentieth century, campaigns to increase access to modern birth control methods spread across the globe and fundamentally altered the way people thought about and mobilized around reproduction. This book explores how a variety of actors translated this movement into practice on four islands (Jamaica, Trinidad, Barbados, and Bermuda) from the 1930s-70s. The process of decolonization during this period led to heightened clashes over imperial and national policy and brought local class, race, and gender tensions to the surface, making debates over reproductive practices particularly evocative and illustrative of broader debates in the history of decolonization and international family planning. Nicole C. Bourbonnais' book Birth Control in the Decolonizing Caribbean: Reproductive Politics and Practice on Four Islands, 1930–1970 (Cambridge UP, 2016) is at once a political history, a history of activism, and a social history, exploring the challenges faced by working class women as they tried to negotiate control over their reproductive lives. Alejandra Bronfman is Associate Professor and Director of Undergraduate Studies Latin American, Caribbean & U.S. Latino Studies at SUNY, Albany. Learn more about your ad choices. Visit megaphone.fm/adchoices

Tanya L. Roth's Her Cold War: Women in the U.S. Military, 1945–1980 (University of North Carolina Press, 2021) explains that while Rosie the Riveter had fewer paid employment options after being told to cede her job to returning World War II veterans, her sisters and daughters found new work opportunities in national defense. The 1948 Women's Armed Services Integration Act created permanent military positions for women with the promise of equal pay. Her Cold War follows the experiences of women in the military from the passage of the Act to the early 1980s. In the late 1940s, defense officials structured women's military roles on the basis of perceived gender differences. Classified as noncombatants, servicewomen filled roles that they might hold in civilian life, such as secretarial or medical support positions. Defense officials also prohibited pregnant women and mothers from remaining in the military and encouraged many women to leave upon marriage. Before civilian feminists took up similar issues in the 1970s, many servicewomen called for a broader definition of equality free of gender-based service restrictions. Tanya L. Roth shows us that the battles these servicewomen fought for equality paved the way for women in combat, a prerequisite for promotion to many leadership positions, and opened opportunities for other servicepeople, including those with disabilities, LGBT and gender nonconforming people, noncitizens, and more.Jane Scimeca is Professor of History at Brookdale Community College. You can watch Professor Scimeca's YouTube channel on Women's History here.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Following Tunisian independence in 1956, President Habib Bourguiba centered women’s liberation as part of the identity of the new nation. In Tunisia’s Modern Woman: Nation-Building and State Feminism in the 1960s (Cambridge University Press, 2021), Amy Aisen Kallander uses this political appropriation of women's rights to look at the importance of women to post-colonial state-building projects in Tunisia. She explores how the notion of modern womanhood was central to a range of issues from economic development and family planning to intellectual life and the growth of Tunisian academia. Looking at political discourse, popular culture, the women's press, fashion, and ideas about love, the book traces how this concept was reformulated by women through transnational organizing and in the press in ways that proposed alternatives to the dominant constructions of state feminism. Situating Tunisia within broader Afro-Asian networks and global Cold War politics, it highlights comparisons with other state-feminist projects, and how women served as symbolic envoys for the new Tunisian state in the international arena.Rebecca Turkington is a PhD Candidate in History at Cambridge University studying transnational women’s networks. Learn more about your ad choices. Visit megaphone.fm/adchoices

Karla Huebner’s Magnetic Woman: Toyen and the Surrealist Erotic (University of Pittsburgh Press, 2020) follows the life and career Czech artist Toyen (Marie Čermínová, 1902-1980). Toyen’s career spans the twentieth century, from the cultural flux of interwar Prague to postwar France. Huebner traces the growth, divergence, and fluidity of Czech as well as international avant-gardes. Eroticism, Huebner argues, centered Toyen’s life, settings, and art. Toyen’s ambiguous gender equally found its own place in the predominantly male Czech Devětsil group, lesbian milieus of interwar Paris, and André Breton’s postwar Surrealist network. So too did Toyen’s work in erotic drawings, book commissions, collage, and oil paintings, all generously represented in this monograph. Magnetic Woman hence unites art history with cultural and intellectual history. Huebner analyzes Toyen’s artistic collaborations and friendships with figures as diverse as Jindřich Štyrský, Karel Teige, and Philippe Soupault. She traces Toyen’s wide reading of European classics, contemporary writing, and psychological and sexual literature of the day. Huebner anchors Toyen’s artwork in these contexts throughout the monograph while showcasing its inherent originality and formal innovations.Magnetic Woman: Toyen and the Surrealist Erotic furnishes readers with both a fascinating biography of the artist and a map of the entangled histories of the Czech and French avant-gardes. Huebner’s work will interest scholars of interwar European history, of European sexuality and gender, art history, and international history alike, and the heavily illustrated monograph will intrigue scholars, general readers, and artists in equal measure.John Raimo is a PhD. Candidate in History at NYU finishing up my dissertation (on postwar publishing houses) this summer in European history. Learn more about your ad choices. Visit megaphone.fm/adchoices