New Books in Women's History

Peter L. Laurence is an associate professor of urban design, history and theory at Clemson University School of Architecture. His book Becoming Jane Jacobs (University of Pennsylvania Press, 2016) is an intellectual biography of the architecture critic and neo-functionist Jane Jacobs and how she came to write the 1961 classic The Death and Life of Great American Cities. Beginning with Jacobs’s arrival in New York City in 1934 with only a high school diploma and writing aspirations Laurence follows her career to the pages of Architectural Forum under the editorial direction of Douglas Haskell. At the magazine she honed her critical skills and was exposed to the latest in urban design and renewal working with leading architects and planners. Laurence argues that there are persistent myths about Jacobs, including her status as a housewife and an amateur urban activist who surprisingly wrote a classic, or a genius. Rather, Jacobs transformed herself into a sophisticated critic influenced by the ideas of a wide circle of intellectuals and wrote a great deal before and after her most well known work. Death and Life of Great American Cities synthesized many previous ideas and proposed a new way to think about cities that considered the social networks and perspective of the person on the street rather than top-down planning that disregarded the human element for efficiency and form. Her vision for the city was of a living system with flexibility, creativity, and diversity offering a sense of connection by mixing the old and the new. Laurence offers not only the evolution of Jacobs’s ideas but also the ways mid-century intellectuals conceived of the cities we now live in.Lilian Calles Barger, www.lilianbarger.com, is a cultural, intellectual and gender historian. Her current book project is entitled The World Come of Age: Religion, Intellectuals and the Challenge of Human Liberation. Learn more about your ad choices. Visit megaphone.fm/adchoices

“There still exists little organized sense of what a woman’s biography or autobiography should look like,” Carolyn G. Heilbrun wrote in her 1988 classic, Writing A Woman’s Life, noting, “Even less has been told of the life of the unmarried woman.” One can only hope that Kate Bolick‘s Spinster is a sign that, nearly thirty years later, the circumstances Heilbrun described are, at long last, about to change.Bolick burst onto the national scene when her article in The Atlantic, entitled “All the Single Ladies,” went viral in November 2011. But Spinster is a departure from her reportage rather than a continuation or a sequel– a biographical/autobiographical/sociological mash-up that is engaging, observant, and fiercely critical. Examining the socio-historical phenomenon of the feme sole, Bolick mines her own experiences and the lives she’s read about to examine how, as Heilbrun suggested, we use the stories of other lives to navigate our own. “Taken together,” Bolick writes of the people whose lives interested her, “they were a dynasty of adopted uncles and aunts adults who weren’t my parents who opened portals to lives I couldn’t have imagined until they showed me how.”This is a process of which we are often unconscious as it’s happening, but which becomes visible in hindsight. It is also, I believe, one of the great values of reading biography: the ability of these stories of other people’s lives to open possibilities within our own. It’s a dynamic not limited to stories of the lives of women, but it does appear to hold particular resonance for female readers, perhaps due to the relative cultural scarcity of representations of unconventional female lives. In her quest to become a writer, Bolick notes, “Maeve Brennan served a psychological purpose for me. By climbing into her point of view and trying it on for size I was cobbling together a template for my own future.”Spinster provides compelling evidence of both the personal and collective power of stories and our use of them. It also reveals something of the life of the unmarried woman, elegantly illuminating an experience that has, up to now, been culturally undervalued and, often, biographically ignored.Oline Eaton is a doctoral researcher at King’s College London. She is writing a biography of Jackie Onassis and has written extensively on the subjects of biography, celebrity, and gossip, and the flow of stories through culture. Her work can be found at FindingJackie.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Elizabeth A. Wilson‘s new book is a must-read for anyone interested in the intersection of science studies and feminist theory. In its introduction, Gut Feminism (Duke University Press, 2015) lays out two major ambitions: it seeks “some feminist theoretical gain in relation to how biological data can be used to think about minded and bodily states,” and seeks “some feminist theoretical gain in relation to thinking about the hostility intrinsic to our politics.” The book shows that the gut is an organ of the mind via an exploration of melancholia, depression, some fascinating psychoanalytic literature, and contemporary conversations and debates about psychopharmaceuticals. Wilson’s book unflattens biology, offering an incredibly helpful way to think about anatomy as an ever-changing site of entanglement that enacts “malleability, heterogeneity, friction, and unpredictability.” Highly recommended! Learn more about your ad choices. Visit megaphone.fm/adchoices

This episode features Michelle Chase, who joins us to discuss her fascinating new book, Revolution Within the Revolution: Women and Gender Politics in Cuba, 1952-1962 (University of North Carolina Press, 2015). The book is a rich and nuanced history of women’s participation in the movements of resistance that began in the immediate aftermath of Fulgencio Batista’s coup d’etat in 1952—resistance that culminated in the overthrow of Batista in the Cuban revolution of 1959. Eschewing both official top-down narratives of women’s liberation as well as anti-communist accounts of women’s cooptation, Revolution Within the Revolution demonstrates that women’s activism and leadership was critical at every stage of the revolutionary process. It also centers urban activism in the years leading up to the Cuban Revolution, and reveals how focusing on the city changes our understanding of how the Revolution evolved and triumphed. What’s more, the book is also a history of how notions of gender roles in Cuba at midcentury—questions of marriage and family, of masculinity and femininity—were both defined by and came to define the revolutionary moment, dialectically shaping the strategy of both revolutionaries and counter-revolutionaries, men and women alike.Michelle Chase is an Assistant Professor of History at Bloomfield College, where she teaches courses on Latin American and Caribbean History and World History. You can follow her on Twitter at @michaymicha. Learn more about your ad choices. Visit megaphone.fm/adchoices

Domna Stanton‘s latest book The Dynamics of Gender in Early Modern France: Women Writ, Women Writing (Ashgate, 2014) is a series of six case studies with important literary, historical, and theoretical implications for how we think about gender in the seventeenth century and beyond. In two parts, the first focused on male and the second focused on female writers in this period, the book examines critically key works by Racine, Fénelon, Poulain de la Barre, La Guette, La Fayette and Sévigné. In close readings that situate authors and texts within a broader historical context, Stanton examines gender as a dynamic, relational construct across multiple genres, including drama in its comic and tragic forms, letters, treatise, novella, and memoir. Departing from the premise that the querelle des femmes must also be understood as a querelle des hommes, The Dynamics of Gender is concerned throughout with women and men, femininity and masculinity, writers and the written-about.Drawing on and engaging with the critical theoretical work and insights of Michel Foucault and Judith Butler, The Dynamics of Gender makes a significant contribution to our understanding of how gender and power work and shift in and across texts and time. This is a book about bodies and/of writing that pursues important questions about what it meant to write as men and women historically, and about what “reading-as-a-feminist” might mean into the present and future. Learn more about your ad choices. Visit megaphone.fm/adchoices

Pakistan is often caricatured and stereotyped as a volatile nuclear country on the precipice of disaster. Such depictions are often especially acerbic when comes to the issue of Women’s rights in the country. In her important new book, Interpreting Islam, Modernity, and Women’s Rights in Pakistan (Palgrave Macmillan, 2015), Anita Weiss, Professor of International Studies at the University of Oregon, provides a much-needed corrective to such sensationalist stereotypes. By exploring how multiple state and non-state actors have engaged the question of gender and women’s rights over time and space, Weiss demonstrates ways in which a diversity of voices in Pakistan conduct what she calls “everyday Ijtihad,” thus offering a much more nuanced and informed perspective. In our conversation, we talked about a range of issues such as the history of the Pakistani state’s approach towards defining and engaging women’s rights, the role of Progressive NGOs like the Aurat Foundation, Orthodox Islamist voices on this question, and the Tehrik-i Taliban in Swat. This lucidly written book contains a plethora of useful information and analysis for specialists and non-specialists alike. Learn more about your ad choices. Visit megaphone.fm/adchoices

Hildegard of Bingen was many things: a religious leader, a prolific letter-writer, a visionary prophet, possibly a compiler of medical lore, and certainly one of the most important composers of the 12th century. In recent years, Hildegard’s reception in academic circles has, for good and compelling reasons, focused on her status as a powerful, educated, and brilliantly creative woman in an era when few women were afforded such opportunities. But this has not been Hildegard’s only legacy.Jennifer Bain‘s recent book, Hildegard of Bingen and Musical Reception: The Modern Revival of Medieval Composer (Cambridge University Press,2015), charts the 19th-century reception of Hildegard’s life and music, and in doing so provides valuable perspective on the version of Hildegard that we know and love today. As Bain demonstrates, Hildegard has been in an almost constant state of revival since the early 19th century, and at every turn she has meant something different: depending on the interests of the scholars who were reviving her (who were, themselves, grappling with very specific historical circumstances, including the long-term fallout of the Napoleonic wars and the very long-term fallout of the Protestant Reformation), Hildegard has been important as a German, a Catholic, a Benedictine, and a mystic, as well as as a woman.Further reading/listening:For listeners who are unfamiliar with Hildegard’s music, here is LaReverdie’s recording of one of the melodies mentioned in the interview: O virga ac diadema.There are also three publications by Prof. Bain which expand on issues that we discussed in this interview:“Hildegard on 34th Street: Chant in the Marketplace.” Echo: A Music-Centered Journal 6, no. 1 (2004).“Hildegard, Hermannus, and Late Chant Style.” Journal of Music Theory 52, no. 1 (2008).“Hooked on Ecstasy: Performance ‘Practice’ and the Reception of the Music of Hildegard of Bingen,” in The Sounds and Sights of Performance in Medieval and Renaissance Music: Essays in Honour of Timothy J. McGee, ed. Brian Power and Maureen Epp (Aldershot: Ashgate, 2009), 253-273. Learn more about your ad choices. Visit megaphone.fm/adchoices

Joan Judge‘s wonderful new book takes readers into the pages of the Funu shibao (the Women’s Eastern Times), a “Shanghai-based, nationally distributed, protocommercial, gendered journal that was closely attuned to the concerns of its readers, the rhythm of everyday life, and the shifting global conjuncture” and a wonderfully rich historical... Learn more about your ad choices. Visit megaphone.fm/adchoices

Is hip hop defined by its artists or by its audience? In Home With Hip Hop Feminism, Aisha Durham returns hip hop scholarship to its roots by engaging in an ethnographic and autoethnographic approach to studying hip hop. Rooting her study in the Diggs Park Public Housing Project in Norfolk, Virginia, Durham examines what hip hop means to ordinary and everyday women who see themselves as hip hop, equals to the rappers and other artists who receive greater recognition and scholarly attention.By focusing on gender and social class, Durham explores the sexual scripts that women find and negotiate within hip hop and how hip hop continually navigates socio-economic boundaries. She also considers how the very act of studying and writing about hip hop can turn a hip hop “insider” into an outsider. The book spends considerable attention looking at Queen Latifah and Beyonce as key figures who both reinforce and interrogate dominant representations of African American women.Aisha Durham is Associate Professor of Communication at the University of South Florida. Her research about Black popular culture explores the relationship between media representations and everyday life. She examines how controlling images or power-laden stereotypes are produced by media makers and interpreted by media audiences to make sense of blackness in the “post” era. She is co-editor of Home Girls Make Some Noise: Hip Hop Feminism Anthology (2007) and Globalizing Cultural Studies: Ethnographic Interventions in Theory, Method, and Policy (2007). Learn more about your ad choices. Visit megaphone.fm/adchoices

Alice J. Kang has written Bargaining for Women’s Rights: Activism in an Aspiring Muslim Democracy (University of Minnesota Press, 2015). Kang is assistant professor of political science and ethnic studies at the University of Nebraska-Lincoln.Much attention is paid to Muslim-majority countries across the Middle East, especially the contentious role of women’s rights in those countries. Less attention has been paid to Muslim democracies in Africa. Kang’s book focuses on the politics of women’s rights in one such country: Niger. Women’s rights activists in Niger have fought to participate in democratic governance, but haven’t won every recent battle. Kang highlights several successes as well as policy areas where women’s organizations have failed to win policy victories. The book has much to say about social movements and also the evolving way Muslim majority democracies grapple with human rights. Learn more about your ad choices. Visit megaphone.fm/adchoices