New Books in Women's History

In her new book, Everyday Sustainability: Gender Justice and Fair Trade Tea in Darjeeling (SUNY Press, 2017), Debarati Sen analyzes the paradoxes and promises of Fair Trade-organic tea production in Darjeeling, India. Based on more than a decade of feminist longitudinal ethnographic research, Sen investigates why independent women small farmers growing tea on their own land experience market-based social justice regimes like Fair Trade differently from women wage laborers in tea plantations. Simultaneously circumspect and hopeful of the extent and kind of empowerment Fair Trade can bring about, women workers nonetheless use sustainable development as a space to mobilize for more favorable intra-household relations, collective bargaining and access to resources. Everyday Sustainability received the Global Development Studies Book Award from the International Studies Association in 2018.Sen is an Associate Professor of Anthropology and Conflict Management at the School of Conflict Management, Peacebuilding and Development in Kennesaw State University.Madhuri Karak is a Ph.D. candidate in cultural anthropology at The Graduate Center, City University of New York. Her dissertation titled “Part-time Insurgents, Civil War and Extractive Capital in an Adivasi Frontier explores processes of state-making in the bauxite-rich mountains of southern Odisha, India. She tweets @madhurikarak and more of her work can be found here. Learn more about your ad choices. Visit megaphone.fm/adchoices

Despite her prominent role in the women’s suffrage movement in Great Britain, Christabel Pankhurst has not received the same degree of attention from scholars that had been given to her mother Emmeline or her sister Sylvia. In Christabel Pankhurst: A Biography (Routledge, 2018), June Purvis offers a thorough accounting of her life, revealing the full extent of her contribution to the campaign to win for women in Britain the right to vote.The eldest daughter of Emmeline and Richard Pankhurst, Christabel grew up in a household in which commitment to social reform was stressed as the highest value. Even before her graduation from university Christabel helped establish the Women’s Social and Political Union, which won national prominence through its pursuit of militant activism. Though Christabel’s activities forced her to move to France in 1912 in order to avoid arrest, she returned soon after the start of the First World War in order to support her nations war effort. Her belief that such support would earn women the vote partly validated in 1918 with a restricted extension of the franchise to women, yet her disillusionment with the conflict led Christabel to become a Second Adventist by the wars end. As Purvis details, the oratorical skills that made her such a successful campaigner for women’s suffrage were just as effective in her new role as a preacher, and she continued her efforts on behalf of her newfound faith to the end of her life. Learn more about your ad choices. Visit megaphone.fm/adchoices

As a believer in free thought, a campaigner for women’s rights, and as a supporter of abolition, Ernestine Rose had no shortage of causes to advocate. In The Rabbi’s Atheist Daughter: Ernestine Rose, International Feminist Pioneer (Oxford University Press, 2017), Bonnie Anderson explores the life of a remarkable 19th-century activist who dedicated herself to changing society for the better. Even as a young girl growing up in Russian-occupied Poland, Rose questioned the limitations imposed her by the beliefs of her time. As a teenager, she resisted the demands of her community and set out on her own by moving to Berlin. From there she made her way to London, where she encountered Robert Owen and embraced his philosophy. Upon her move to the United States in 1836 she became a public speaker and activist, working alongside Elizabeth Cady Stanton, Susan B. Anthony, Lucretia Mott, and others to change public opinion and advance reform. Though Rose saw her efforts to end slavery vindicated with the passage of the Thirteenth Amendment, ill health forced her to return to England just a few years later, where she continued to campaign for women’s suffrage up to the end of her long life. Learn more about your ad choices. Visit megaphone.fm/adchoices

Jewish ultra-Orthodoxy, in its numerous manifestations, continues to exert profound influence on the Jewish world, even as it undergoes pressure to change from both within and without. In Jewish Radical Ultra-Orthodoxy Confronts Modernity, Zionism, and Women’s Equality (Cambridge University Press, 2016), Motti Inbari accesses recently obtained archival materials and personal correspondence in order to depict the dominant personalities of ultra-Orthodox movements from the late 19th through the 20th centuries, and ​how those movements continue to confront and resist modernity. Inbari, associate professor of religion at the University of North Carolina at Pembroke, provides historical, psychological, and ideological perspectives on these complex and often competitive movements in Jewish religious life, in both Israel and the Diaspora.David Gottlieb is a PhD Candidate in the History of Judaism at the University of Chicago Divinity School. His research focuses on interpretations of the Binding of Isaac and the formation of Jewish cultural memory. He can be reached at davidg1@uchicago.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today we talked to Dr. Anna Muller about her latest book, If the Walls Could Speak: Inside a Women’s Prison in Communist Poland (Oxford University Press, 2017). Using archival research as well as oral interviews with many of the women in her book, Muller paints a portrait of life within the walls of Polish prisons for political prisoners. From harrowing tales of interrogation, to the creation of friendships that outlast the length of prison sentences, Muller’s work illustrates how female political prisoners adapted to and survived lengthy prison sentences for various “political” crimes. Muller discusses the interrogation process the women experienced, how they adapted to life behind bars, the records written by spies placed in the cells with the political prisoners, and how the women attempted to redefine themselves within an environment that controlled their daily lives. Muller’s work is a fascinating look at women as subjects in the Communist period of Polish history as well as a glimpse into women as subjects within the penal system.Dr. Muller is an Assistant Professor of history and the Frank and Mary Padzieski Endowed Professor in Polish/Polish American/Eastern European Studies at the University of Michigan-Dearborn.Kimberly St. Julian-Varnon is an adjunct history instructor and independent scholar near Houston, Texas.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Hasidic Studies: Essays in History and Gender is a collection of essays that spans over 40 years and challenges many received notions about the history of Hasidism —its origins, the evolving nature of its structure, its leadership and perhaps most controversially, the role of women in the movement. Unlike other historians who have attributed the rise of Hasidism in the late 18th and early 19th centuries to either social, political, or economic crises, Rapoport-Albert refuses to ignore the spiritual dimensions and efforts on the part Hasidism to renew religious practice. While others see a strict periodization in which there was a self-conscious founding and institutionalization, here we are given the sense of an organic pietistic movement informed by the Kabbalistic tradition but open to society rather than ascetic, and nurtured by a productive opposition. Moreover, rather than conceding to the common characterization of Hasidism as a folkish and populist movement, Hasidic Studies complicates this picture by uncovering a Hasidism that was shaped around its charismatic leaders. Throughout, the question of sources plays a central role, and rather than ignore as biased the attempts of Hasidim to write their own history, Rapoport-Albert excavates from these documents crucial evidence embedded unconsciously or matter-of-factly.The second half of the book attacks the apologetic representations of Hasidism as either egalitarian or proto-feminist – as giving women a new sense of “spiritual agency”—by showing them to be excluded from leadership as a rule and a family life divorced from traditional structures. Often Hasidism has been cast as a continuation of early modern heretical movements, particularly the messianic movement that arose around Sabbatai Zevi in the 17th and 18th centuries. However, Rapoport-Albert argues that Hasidism was in fact a retreat towards stricter traditional values, particularly regarding the prominent position given to women in the Sabbatean movement and its sexual mores.In Women and the Messianic Heresy of Sabbtai Zevi 1666 – 1816, a study of the life and afterlife of the messianic movement that arose around the messianic figure of Sabbtai Zevi, Rapoport-Albert sees female spirituality as its hallmark. Here women act as a key to the movement as a whole and in understanding its relationship to normative Judaism. The book suggests a movement with a feminist-like agenda in which women play an integral part of the messianic community—as leaders, prophets, and spiritual activists—in its reading into the nature of heresy, mysticism, and community in the early modern period.The two books are intertwined, not only thematically and as foils to one another, but by a methodological sophistication and sensitivity as well; Professor Rapoport-Albert presents a perspective deeply embedded in primary sources, that shines new light on modern Jewish history.Ada Rapoport-Albert is Emerita Professor of Hebrew and Jewish Studies at University College London.Moses Lapin is a graduate student in the departments of History and Philosophy at the Hebrew University in Jerusalem, he sometimes wonders about the nature of political structures in the local cat community. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Mother of the Church: Sofia Svechina, the Salon, and the Politics of Catholicism in Nineteenth-Century Russia and France (Northern Illinois University Press, 2016), Tatyana V. Bakhmetyeva explores an influential figure in the history of Russian Catholicism. A Russian noblewoman and Catholic convert living in Paris in the early to... Learn more about your ad choices. Visit megaphone.fm/adchoices

Mihri Hatun: Performance, Gender-Bending, and Subversion in Ottoman Intellectual History (Syracuse University Press, 2017) by Didem Havlioglu is at once an intellectual history and biography of sorts of Mihri Hatun, a fifteenth century Ottoman poet. It considers the question of what happens when a woman enters a field dominated by men; in this case, poetry. Using her own poetry and biographical dictionaries (the tezkire genre), Havlioglu contextualizes Mihri and tries to understand her as a product of her own time and as someone who understood her multiple roles in society well enough to subvert them.Didem Havlioglu is Instructor of Asian and Middle Eastern Studies at Duke. Her interests include Modern/Ottoman Language and Literature, Islamic Aesthetics, Women and Gender in the Middle East, Women Writers in the Intellectual History of the Middle East. She received her Ph.D. from the University of Washington.Nadirah Mansour is a graduate student at Princeton University’s Department of Near Eastern Studies working on the global intellectual history of the Arabic-language press. She tweets @NAMansour26 and produces another Middle-East and North Africa-related podcast: Reintroducing.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Although largely forgotten today, elocution was a popular form of domestic and professional entertainment from the late nineteenth century until around World War II. Elocution is the dramatic reading of poetry, adapted plays, and other types of monologues by a solo performer. Dr. Marian Wilson Kimber’s new book, The Elocutionists: Women, Music, and the Spoken Word (University of Illinois Press, 2017) is the first study to examine elocutionists who recited spoken word accompanied by music and proscribed movements that reflected the emotional meaning of the piece. Informed by archival sources gathered all over the country, Wilson Kimber engages with this practice through multiple lenses, including gender, race, and class as she untangles not only how elocution was performed, but also what it meant to its practitioners and audiences. She highlights important figures that some may know from other areas such as Kitty Cheatham, an advocate for and performer of African American spirituals, and the actress Fanny Kemble. However, most of the women she profiles were performers, entrepreneurs, and composers whose work has disappeared from public view as their artform fell out of favor. In addition to reciting in concert halls and for women’s clubs, professional elocutionists usually taught others and many founded their own schools in towns and cities throughout the United States. Their work helped create opportunities for women to move into professional occupations and contributed to twentieth-century conceptions of middle-class respectability. Dr. Wilson Kimber has videotaped several reconstructions of elocution performances which can be seen on her YouTube channel here. They are surprisingly humorous and address topics that people will recognize today including the pressure on women to dress fashionably, the excitement of a summer romance, and the aches and pains of aging. Learn more about The Elocutionists here.Marian Wilson Kimber is a professor in the School of Music at the University of Iowa. Her work centers on gender and music of the long nineteenth century in Germany and the United States. She has published articles on anti-Semitism in the reception of music by Felix Mendelssohn in The Mendelssohns: Their Music in History, the piano work of Fanny Mendelssohn Hensel in The Journal of Musicological Research, and issues of feminist biography in the life of Fanny Hensel in Nineteenth–Century Music. The Elocutionists has been supported by subventions from the Society for American Music and the American Musicological Society, as well as research funding from the National Endowment for the Humanities and the Mellon Foundation. She is also an active member of the American Musicological Society and the University Iowa Chapter of the American Association of University Professors.Kristen M. Turner, Ph.D. is a lecturer at North Carolina State University in the music department. Her work centers on American musical culture at the turn of the twentieth century and has been published in several journals and essay collections. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Mexico’s Nobodies: The Cultural Legacy of the Soldadera and Afro-Mexican Women (SUNY Press, 2017), Christine Arce rightfully stresses that these two figures have greatly influenced Mexico’s national identity, arts, and popular culture. However, their personal names and presences have remained hardly recognized by the state and in the historical narratives. Through a skillful and deep archival research, Arce brings to the readers attention not only the legacy of these women, the spaces they inhabited, and their impact during different moments in history the colonial era, the Mexican revolution, the Golden Age of Mexican cinema in the 1930s-1950s but also the complex relations they had with the government. The critical narrative of Arce challenges the nobodiness, [el ninguneo] that these women had underwent for a very long time.Pamela Fuentes is Assistant Professor in the Women’s and Gender Studies Department, Pace University, NYC campus. Learn more about your ad choices. Visit megaphone.fm/adchoices