New Books in Women's History

Tamar Carroll is an Assistant Professor of History at Rochester Institute of Technology and the Program Director for Digital Humanities and Social Sciences. Her book, Mobilizing New York: AIDS, Antipoverty and Feminist Activism (University of North Carolina Press, 2015), focuses on three intertwined case studies of grassroots activism in New York from the 1950s through 1990s. She begins by examining low-income women’s anti-poverty activism in the 1950s and 1960s, then turns to neighborhood-based working-class feminist organizing in the 1970s, and concludes by exploring AIDS and women’s health activism in the 1980s and 1990s.By examining organizational records, newspaper articles, oral histories, films and photos, Carroll reconstructs how ordinary people created change through coalitions that crossed lines of gender, race and class. Her work profiles previously understudied organizations including Mobilization for Youth, the National Congress of Neighborhood Women, the AIDS Coalition to Unleash Power (ACT UP) and the Women’s Health Action and Mobilization (WHAM!). Carroll challenges previous historians who “view political movements based on difference–a core value of identity politics — as a hindrance to social movements seeking to expand social justice,” by showing the methods groups used to build coalitions that could address differences of experience and ultimately had more of an impact as a result (x). Carroll recently curated a complimentary exhibit called “Whose Streets? Our Streets!: New York City, 1980-2000” about activism in New York from 1980-2000, currently on display at the Bronx Documentary Center and digitally. Listeners will find her examination of activism during decades of conservative political power particularly relevant to current events.Isabell Moore is a PhD Student in the History Department at the University of North Carolina at Chapel Hill. Her research focuses on social movements in the 20th century and she is involved in activism for racial, gender, economic and queer justice. Learn more about your ad choices. Visit megaphone.fm/adchoices

Calamity Jane was a celebrity of the 19th century American West, yet the woman portrayed in the newspapers and dime novels was one very different from the actual person. In The Life and Legends of Calamity Jane (University of Oklahoma Press, 2014), Richard Etulain sorts through over a century of fiction and half-truths to uncover who Calamity Jane was in real life. Born Martha Canary, she was orphaned at a young age and left to provide for her siblings. Working a variety of jobs, she came to Deadwood in 1876, where she soon received national press attention both for her unusual persona and her brief association with “Wild Bill” Hickok. Yet these accounts were usually more fabrication than fact, and often did not reflect the difficult circumstances of her life. Suffering from alcoholism, she lived an itinerant and unstable existence, one in which her drinking impeded her efforts to provide for herself and her daughter and led to her early death. Etulain’s biography gets to the truth of Calamity Jane’s life, as well as the development of her posthumous reputation in print, in movies, and on television. Learn more about your ad choices. Visit megaphone.fm/adchoices

As the first substantive account of the birthplace of the Black Panther Party (BPP), Robyn C. Spencer’s The Revolution Has Come: Black Power, Gender and the Black Panther Party in Oakland (Duke University Press, 2016) rewrites elitist accounts that narrowly defined the party by its male leaders and masculine militarism. With a panoramic and critical lens on the role that gender politics played in effecting and affecting the Revolution – an internal and external activist project of overcoming oppression – Spencer’s organisational history weaves the urban parameters of Oakland, California, into a national and international narrative of racial consciousness.A book that Robin D. G. Kelley, author of Freedom Dreams, has said “tears down myths and distortions,” The Revolution Has Come traverses the BPP’s uncritical embrace of heteropatriachy in self-defense tactics, the dialectic relationship of state oppression and Black Women’s leadership of the party, the role of community programs in reshaping notions of masculinity and the personal toll of sexual double-standards in unspoken dating rules. Using archival and interview research that includes artwork, wiretap transcripts, poems, trial documents and the BPP’s newsletter, Spencer provides an example of historical scholarship that forefronts the voices and mouthpieces of the BPP to creates a unique intimacy with the “coming of age” of the men and women who set the groundwork for current iterations of Black resistance. In the words of Spencer herself, “this book is right on time,” and is necessary reading for activists and scholars alike who are attempting to define the gendered assumptions and history of strength, self-care and endurance. Learn more about your ad choices. Visit megaphone.fm/adchoices

Elizabeth Patterson Bonaparte was a celebrity in 19th century America thanks in no small measure to her brief marriage to Napoleon Bonaparte’s youngest brother Jerome. In A Woman of Two Worlds: Elizabeth Patterson Bonaparte (Maryland Historical Society, 2016), Alexandra Deutsch draws upon the documents and artifacts Elizabeth’s family donated to describe her life. The daughter of a wealthy American merchant, her charm and beauty captivated Jerome, who married her in 1803 only to leave her and her unborn two years later at the emperors insistence. Though the Bonapartes sought to distance themselves from Elizabeth, she spent the next several decades doggedly fighting to win acceptance of her son and his children as members of the Bonaparte line, all while building a fortune of her own. Deutsch details these efforts by using Elizabeth’s possessions to describe the various ways in which she associated herself with the Bonaparte family, an effort that was every bit as important to her as the ongoing legal struggle to confirm her son’s legitimacy. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Worlds of Russian Village Women: Tradition, Transgression, Compromise (University of Wisconsin Press, 2013) by Laura J. Olson and Svetlana Adonyeva casts a new look at the traditional representation of Russian women and village life in scholarship. Grounding the imagery of a Russian woman in the network of her relationship... Learn more about your ad choices. Visit megaphone.fm/adchoices

Back in 2013, in The New York Times, essayist Christy Wampole declared that we are in a moment of “the essayification of everything.” She noted how not only the genre, but also the genres inventor, Michel de Montaigne, seemed to be popping up everywhere and she saw the essay “a talisman of our times.” Why? What about the essay struck her as so current, so important? Wampole thought that “the genre and its spirit provide an alternative to the dogmatic thinking that dominates much of social and political life in contemporary America.” The essay is the opposite of the rant, the polemic, the click-bait, the crude headline, and the stupid sound-byte. The essay invites complexity, contradiction, nuance–all of those qualities that mark the real experience of our public and private lives. Essays want to reckon with the rich immensity that is in us and is us.Now, if you’re like me and feel despair about the degree of dogmatic thinking that now dominates our social and political life in 2017, if you hate the fact that, say, a hastily composed tweet by a recently elected official can clog our public debate and prevent us from addressing issues that demand attention to complexity, contradiction, and nuance, then I encourage you to check out a new collection of essays edited by Marcia Aldrich. Its entitled Waveform: Twenty-First-Century Essays by Women (University of Georgia Press, 2016) and includes many of the best essayists in America. In essays by Cheryl Strayed, Roxanne Gay, Dana Tommasino, and Aldrich herself, the essay achieves its fullest potential as Wampole described it in 2013. The essay’s spirit, she proclaimed, “resists closed-ended, hierarchical thinking and encourages both writer and reader to postpone their verdict on life. It is an invitation to maintain the elasticity of mind and to get comfortable with the worlds inherent ambivalence. And, most importantly, it is an imaginative rehearsal of what isn’t but could be.”  Learn more about your ad choices. Visit megaphone.fm/adchoices

Runaway slave Sojourner Truth gained fame in the nineteenth century as an abolitionist, feminist, and orator and earned a living partly by selling photographic carte de visite portraits of herself at lectures and by mail. Cartes de visite, similar in format to calling cards, were relatively inexpensive collectibles that quickly became a new mode of mass communication. Despite being illiterate, Truth copyrighted her photographs in her name and added the caption “I Sell the Shadow to Support the Substance. Sojourner Truth.”Featuring the largest collection of Truth’s photographs ever published, Enduring Truths: Sojourners Shadows and Substance (University of Chicago Press, 2015) is the first book to explore how she used her image, the press, the postal service, and copyright laws to support her activism and herself.A Goldman Distinguished Professor in the Arts and Humanities at the University of California at Berkeley, the book’s author, Dr. Darcy Grimaldo Grigsby, specializes in 18th- through early 20th-century French and American art, visual and material culture, particularly in relation to the politics of race and colonialism. Dr. Grigsby writes on painting, sculpture, photography and engineering as well as the relationships among reproductive media and new technologies from the 18th to the early 20th centuries. Dr. Grigsby is also the recipient of numerous fellowships and awards, including two Andrew W. Mellon New Directions Fellowships, a grant from the Graham Foundation for Advanced Studies in the Fine Arts, a History of Art Undergraduate Association Award for Outstanding Contribution to Art Historical Education, and The Distinguished Teaching Award at the University of California at Berkeley. Some of Dr. Grigsby’s previous works include Extremities: Painting Empire in Post-Revolutionary France and Colossal: Engineering the Suez Canal, Statue of Liberty, Eiffel Tower and Panama Canal. In addition to her teaching, Dr. Grigsby is currently conducting research for a book project tentatively titled Creole Looking: Portraying France’s Foreign Relations in the Nineteenth Century, which will examine France’s relationship to the Caribbean and Americas.James Stancil is an independent scholar, freelance journalist, and the President and CEO of Intellect U Well, Inc. a Houston-area non-profit dedicated to increasing the joy of reading and media literacy in young people. Learn more about your ad choices. Visit megaphone.fm/adchoices

On the eve of the 2016 election, it is worth reflecting on the history of women’s voting. Up to this weighty task is a new book by J. Kevin Corder and Christina Wolbrecht. They are the authors of Counting Women’s Ballots: Female Voters from Suffrage through the New Deal (Cambridge University Press, 2016). Corder is professor of political science at Western Michigan University in Kalamazoo and Wolbrecht is associate professor of political science and director of the Rooney Center for the Study of American Democracy at the University of Notre Dame. Textbooks have long given scant details of how the first women voters turned out at the polls. Corder and Wolbrecht compile new data and methods to provide nuance and detail to this issue. What they find is that women’s voting patterns varied greatly by political context. Where women lived, the parties they supported, and the competitiveness of elections related to strongly to turn out. Because context mattered so much, women intensified partisan differences in some parts of the country, while they introduced dramatic new dynamics in others. Learn more about your ad choices. Visit megaphone.fm/adchoices

LaShawn Harris is an assistant professor of history at Michigan State University. Sex Workers, Psychics and Number Runners: Black Women in New York City’s Underground Economy, (University of Illinois Press, 2016) offers a colorful look at the lives of black urban women who worked and lived in the space between the legitimate and illegal economy. Her subjects are women not previously considered in histories of the working class: mothers, single ladies, churchwomen, hustlers, and partygoers who worked in the underground economy. Motivated by many factors, they sought economic autonomy, to provide for their families, or individual pleasure and fulfillment. The underground economy offered women a break from middle class respectability and opportunities to forge complex identities of self-sufficiency and an escape from the confines of New Negro womanhood. Working outside the wage system in illegal gaming, sex work or as supernatural consultants, they experienced the dangers and thrill of illicit trade, and challenged black progressive crusaders and promoters of racial uplift. As entrepreneurs and cultural produces, they reinforced and reconfigured the race, gender and class hierarchies of black urban life.Lilian Calles Barger, www.lilianbarger.com, is a cultural, intellectual and gender historian. Her current book project is entitled The World Come of Age: Religion, Intellectuals and the Challenge of Human Liberation. Learn more about your ad choices. Visit megaphone.fm/adchoices

Daniel Moran’s Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers (University of Georgia Press, 2016) provides a compelling investigation of how O’Connor’s initial reputation of a Southern female writer over the years evolved into her status of great American writer. The subtitle of the book–Her Critics, Her Publishers, Her Readers–hints at a variety of details contributing to a literary multilayered portrait. In his research, Dr. Moran considers a number of critical reviews, readers reactions, and publishers commercial decisions while following the trajectory of O’Connor’s reputation. In the introduction, Dr. Moran notes that his book is “less a work of literary criticism than of a book history and cultural analysis” (9). His research invites a discussion of how the perception of literary texts is (or can be) shaped through conversations about them. Creating Flannery O’Connor draws on the theory of “rules of notice”–readers are supplied with keys to read and understand literary works and instigates a number of questions, which Dr. Moran addresses while de-constructing O’Connor’s portrait. Who identifies” rules of notice?” How, if at all, do they change? What do they inform about texts and their authors?If the initial reputation of O’Connor was primarily shaped by critical reviews, as years and decades elapsed since the publication of her early writings the environment that surrounds, absorbs, and modifies O’Connor’s works has, undoubtedly, significantly changed. To his survey of reputation production media, Dr. Moran adds the film industry and online resources: each domain presents O’Connor’s works from a different perspective. Through the de-construction of O’Connor’s literary portrait that has been created over decades through a number of venues, Dr. Moran re-creates a new version: elusive, fluid, and changing.Daniel Moran teaches history at Monmouth University; he has taught English at Rutgers University. Learn more about your ad choices. Visit megaphone.fm/adchoices