New Books in Women's History

Historians have gotten the story of the colonial Ohio River Valley all wrong, argues Susan Sleeper-Smith in Indigenous Prosperity and American Conquest: Indian Women of the Ohio River Valley, 1690-1792 (Omonundro Institute and the University of North Carolina Press, 2018). Sleeper-Smith, a Professor of History at Michigan State University and soon-to-be Interim Director of the D’arcy McNickle Center at the Newberry Library, reads colonial sources against the grain and uses material culture to demonstrate how the Great Lakes region was a prosperous multicultural zone characterized by trade and agriculture well into the eighteenth century. Moreover, women played a central (and heretofore under-appreciated) role in the fur trade and agricultural work that made the Ohio River Valley such a fertile and bountiful region. Indigenous societies such as the Miami, Wea, and Shawnee have often been characterized as living primarily off hunting and suffering through ever-increasing reliance on fur trading and geopolitical chaos wrought by adjacent colonial empires. Sleeper-Smith instead paints a picture of primarily agricultural towns defined by their stability up until the years of American conquest and displacement. Indigenous Prosperity and American Conquest is a much needed counterweight to narratives about the early American west which have for decades gone largely unquestioned.Stephen Hausmann is a doctoral candidate at Temple University and Visiting Instructor of history at the University of Pittsburgh. He is currently writing his dissertation, a history of race and the environment in the Black Hills and surrounding northern plains region of South Dakota, Wyoming, and Montana. Learn more about your ad choices. Visit megaphone.fm/adchoices

In the course of investigating marriage patterns among Russian peasants in the 18th and 19th century, Northwestern University history professor John Bushnell discovered an unusually high rate of unmarried women in particular parishes and villages with high populations of Old Believers. In Russian Peasant Women Who Refused to Marry: Spasovite Old... Learn more about your ad choices. Visit megaphone.fm/adchoices

In 1989, Time magazine pronounced “Feminism is dead.” It seemed to mainstream culture that the conservative era, marked by Regan and Thatcher, had killed the lingering energy that began with the rise of second-wave feminism in the 1960s. And yet, as Rebekah J. Buchanan notes in her new book, Writing a Riot: Riot Grrrl Zines and Feminist Rhetorics (Peter Lang, 2018), a group of girls and young women were about to start making their own waves. We now call them “the riot grrls,” after one of the zines that they created of the same name. In 1991 Molly Neuman and Allison Wolfe were members of the punk band Bratmobile, and Wolfe explained why they chose this name: “we had thought about Girl Riot and then we changed it to Riot Grrl with the three ‘r’s’ as in growling. It was a cool play on words, and also a kind of expression about how there should be some kind of vehicle where your anger is validated.” That growl started a movement—of youth culture, of music and print culture, of political activism, and of a new punk feminism—that thrived in the 90s and has remained a lasting influence on how we think about women, music, and culture. Buchanan takes us into world of the riot grrls through their own creations, the zines that they wrote, published, and circulated to understand who they were, what they were about, and why magazines like Time were so wrong.Eric LeMay is on the creative writing faculty at Ohio University. His work ranges from food writing to electronic literature. He is the author of three books, most recently In Praise of Nothing: Essay, Memoir, and Experiments (Emergency Press, 2014). He can be reached at eric@ericlemay.org. Learn more about your ad choices. Visit megaphone.fm/adchoices

There are few living American classical composers for whom an academic biography has been published, but Libby Larsen deserves this type of study. At the opening of her book, Libby Larsen: Composing an American Life (University of Illinois Press, 2017), Denise Von Glahn describes her subject’s life as a “polyphony”—made up of multiple strands of music, career, and family. In order to make sense of Larsen’s long and accomplished career (and her hundreds of pieces of music), Von Glahn divides the biography into a close examination of the factors that most influenced Larsen’s life and music: family, religion, nature, the academy, gender, technology, and her collaborations. In each chapter, Von Glahn weaves a consideration of Larsen’s life with analyses of some of her major compositions. Larsen grew up and still lives in Minneapolis, Minnesota, and has always considered herself something of an outsider in the world of classical music. She does not live in New York City (the epicenter of American classical music); she does not hold an academic appointment; she has never applied for some of the institutional grants that often support contemporary composers’ work; and she is a woman in a field still dominated by men. While she was in graduate school, Larsen helped found the American Composers Forum which has become one of the most important organizations that supports the work of new composers in the United States. Today, Larsen is one of America’s most successful composers having written for many of the best orchestras, opera companies, instrumental and vocal soloists in the country. Her music is eclectic, thoughtful, never pretentious, and always concerned with communicating with the listener.Denise Von Glahn is the Curtis Mayes Orpheus Professor of Musicology at Florida State University where she is the Coordinator of the Musicology Area and Director of the Center for Music of the Americas. Her work centers on music and place, ecomusicology, gender studies, and biography. She has published three previous award-winning monographs: The Sounds of Place: Music and the American Cultural Landscape, Leo Ornstein: Modernist Dilemmas, Personal Choices (coauthored with Michael Broyles), and Music and the Skillful Listener: American Women Compose the Natural World. She has received multiple grants including from the National Endowment for the Humanities, the Andrew W. Mellon Foundation, and the Henry and Edna Binkele Classical Music Fund. In addition to her scholarly work, Dr. Von Glahn has won university awards for her undergraduate and graduate teaching.Kristen M. Turner, Ph.D. is a lecturer at North Carolina State University in the music department. Her work centers on American musical culture at the turn of the twentieth century and has been published in several journals and essay collections. Learn more about your ad choices. Visit megaphone.fm/adchoices

In her new book, Indian Suffragettes: Female Identities and Transnational Networks (Oxford University Press, 2018), Sumita Mukherjee highlights the centrality of Indian women in the fight for the vote in the first half of the twentieth century. Taking up a geographic organization around global “contact zones,” Mukherjee skillfully guides readers through multiple sites of Indian suffragette networking: from Britain and its commonwealth, to international locales in the US and Europe, to eastern locations like Burma, before concluding in India. This mapping of transnational connections foregrounds the truly global dimensions of the suffrage movement and the ways that Indian women’s locality informed their calls for political equality. Mukherjee broadens our understandings of global histories of suffrage, expanding our focus beyond national borders all while putting Indian women front and centre in the struggle for the vote.Sumita Mukherjee is a Senior Lecturer in History at the University of Bristol, where she researches transnational mobilities of South Asians in the nineteenth and twentieth centuries.Jess Clark is an Assistant Professor of History at Brock University (St. Catharines, Ontario). She is currently writing a history of the beauty business in Victorian London. Learn more about your ad choices. Visit megaphone.fm/adchoices

In her new book, The Untold Journey: The Life of Diana Trilling (Columbia University Press, 2017), Natalie Robins examines the life of writer and socialite Diana Trilling (1905-1996). Trilling wrote for The Nation, Harpers, and Partisan Review as well as popular magazines McCalls and Vogue. In addition, she wrote Mrs. Harris: The Death of the Scarsdale Diet Doctor and four other books. The wife of professor and literary critic Lionel Trilling, Diana also edited his work, serving as his most trusted confidant. Robins shares the inner struggles Diana endured through her relationship with Lionel as well as her competing public and private work. In this thorough biography, Robins’ extensive and well-researched history of Trilling sheds insight into Diana’s life. She examines Trilling’s position in anticommunist liberal politics, family feminism, and the university literary circles. Spotlighting an influential member of New York City culture, Robins’ work on Diana Trilling is an important addition to literary and popular history of the 1960s.Rebekah Buchanan is an Associate Professor of English at Western Illinois University. Her work examines the role of narrative in peoples lives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

The award-winning author Jacqueline Jones is the Ellen C. Temple Chair in Women’s History at the University of Texas. Goddess of Anarchy: The Life and Times of Lucy Parsons, American Radical (Basic Books, 2017) is a biography of the riveting life of Lucy Parsons. As an activist, writer and speaker, Parsons embodied the most radical expression of the battle for labor rights in American history, yet her life remains a mystery. Born an enslaved woman in 1851 of mixed lineage, the circumstances of her birth and early life are unknown. Exceedingly beautiful and articulate, she met and married Albert Parsons, a confederate army veteran, in Waco, Texas in 1872. Their politics shifted from loyal Republicans to socialism and finally to anarchism advocating for white labor in Chicago. As a dynamic and radical duo engaged in extensive writing, charismatic speaking and alliances across multiple labor organizations, they became symbols of unrelenting agitation against industrial capitalism. Their call for armed resistance and involvement with the Haymarket bombing and trial, led to the execution of Albert leaving Lucy Parsons to carry their mutual legacy alone. Jones has brought to life an enigmatic figure whose compelling presence left a mark on the history of the radical movement for labor rights.Lilian Calles Barger, www.lilianbarger.com, is a cultural, intellectual and gender historian. Her current book project is entitled The World Come of Age: An Intellectual History of Liberation Theology, forthcoming in August, 2018 from Oxford University Press. Learn more about your ad choices. Visit megaphone.fm/adchoices

As a 17th-century noblewoman who became the first duchess of Newcastle-upon-Tyne, the writer and philosopher Margaret Cavendish has often been viewed as a royalist and a conservative within the context of the social and political issues of her time. In Margaret Cavendish: Gender, Science, and Politics (Cambridge University Press, 2014), Lisa Walters offers a very different interpretation of Cavendish’s thought, revealing the nuance and complexity of Cavendish’s thinking on a variety of subjects. As an aristocrat, Cavendish served as a lady-in-waiting to Queen Henrietta Maria and her family served the Royalist cause during the English Civil War in the 1640s. Yet as Walters demonstrates, Cavendish’s writings contain many radical ideas about women and gender relations, about the makeup of matter, and of political systems. Through an analysis of Cavendish’s writings that draws out commonalities between her fictional works and her nonfiction treatises, Walters provides a very different understanding of this under-appreciated contributor to Western thought. Learn more about your ad choices. Visit megaphone.fm/adchoices

With the rise of the #MeToo movement following dozens of high-profile cases of sexual harassment and assault by professional men against women colleagues, gender equality has become a popular topic of discussion and a policy goal. Among the many topics under consideration is the persistent gender wage gap and how to close it. Most of the conversation of equal pay between men and women revolves around such issues as family leave policies, the undervaluing of feminine jobs, and gendered approaches to salary negotiation, among others. And almost all of the discussion concerns adult women during their peak earning years. But are there other factors that we must consider to fully understand why women continue to earn less than men despite earning bachelors and even some graduate degrees at higher rates? Does an explanation perhaps reside before women even go to college? In her timely and intriguing book, The Cost of Being a Girl: Working Teens and the Origins of the Gender Wage Gap (Temple University Press, 2017), sociologist Yasemin Besen-Cassino considers the first jobs that women have, as teenagers, and how their work conditions and treatment by employers help shape their self-understandings as workers and approach to being a worker. Focusing on people who work as babysitters and in retail, she shows how girls learn to accept such inequities as having to work extra hours for no pay and to have their work regarded as naturally “caring,” and therefore not something worth compensating. Through an innovative mixed-methods approach, Besen-Cassino goes a long way toward revealing how the seeds for the gender wage gap get sown. Richard E. Ocejo is associate professor of sociology at John Jay College and the Graduate Center of the City University of New York (CUNY). He is the author of Masters of Craft: Old Jobs in the New Urban Economy (Princeton University Press, 2017), about the transformation of low-status occupations into cool, cultural taste-making jobs (cocktail bartenders, craft distillers, upscale men’s barbers, and whole animal butchers), and of Upscaling Downtown: From Bowery Saloons to Cocktail Bars in New York City (Princeton University Press, 2014), about growth policies, nightlife, and conflict in gentrified neighborhoods. His work has appeared in such journals as City & Community, Poetics, Ethnography, and the European Journal of Cultural Studies. He is also the editor of Ethnography and the City: Readings on Doing Urban Fieldwork (Routledge, 2012), a co-Book Editor at City & Community, and serves on the editorial boards of the journals Metropolitics, Work and Occupations, and the Journal for Undergraduate Ethnography.  Learn more about your ad choices. Visit megaphone.fm/adchoices

In Profit and Passion: Transactional Sex in Colonial Mexico (University of California Press, 2018), Nicole Von Germeten explains the most important changes, in both ideas and practices, over three centuries of commercial sex in New Spain. By using literature and extensive archival records, the author explores the gradual criminalization of places and people involved in transactional sex from the 16th to early 19th centuries. By avoiding the anachronistic introduction of terminology, debates, and depictions of current debates in regards to sex work, this book shows the complexities of sexual exchanges in the way they were accepted, rejected, and contested at the time. This broad historical perspective allows the reader, for instance, to understand the origins and causes of the stigma that words like prostitute/prostitution acquired during the 18th century, paving the way for debates that would take place in the following centuries, not only in Mexico, but in other parts of the world. Profit and Passion is an important contribution not only to the history of sexuality but also to ongoing debates in regards to sex work.Pamela Fuentes is Assistant Professor in the Women’s and Gender Studies Department, Pace University, NYC campus.  Learn more about your ad choices. Visit megaphone.fm/adchoices