New Books in Women's History

In The Politics of Taste: Beatriz González and Cold War Aesthetics (Duke University Press, 2019), Ana María Reyes examines the ways Colombian artist Beatriz González and Argentine-born art critic Marta Traba railed against international forms of modernism and promoted low brow or even provincial forms of art in the period of the Colombian National Front’s coalition government (1958-1974). In doing so, Reyes situates art in a pivotal moment in Colombian history where efforts to end political violence through compromise and power-sharing also led to the ushering of modernizing projects promoted initially under President Alberto Lleras Camargo. Reyes shows that art became under the purview of elites seeking to project Colombia as a modern, internationalist nation. González, on the other hand, increasingly questioned and challenged elite efforts to present modernism as the epitome of high art and culture in Colombia. In doing so, Reyes wholeheartedly adopted her role as a provocateur as a way to resist U.S. cultural interference and to preserve the marginal voices so often derided by urban elites in Bogotá. Through an examination of art, Reyes offers a refreshing perspective on the ways taste became politicized in mid-twentieth century Colombia.Sharika Crawford is an associate professor of history at the United States Naval Academy.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Tanya Harmer’s new biography, Beatriz Allende: A Revolutionary Life in Cold War Latin America (University of North Carolina Press, 2020), explores how a young Chilean woman pursued her political commitments and navigated patriarchal strictures as a militant leftist. The daughter of Salvador Allende, Beatriz Allende was born in 1942 and came of age in a tumultuous period of Chilean history. As a young woman, she participated in youth and party politics in Chile but was also deeply connected to continental revolutionary struggles, particularly in Cuba. Though her politics diverged from her father’s, she was also a key adviser for Allende. After going into exile following the 1973 coup that brought down Allende’s government, Beatriz Allende built solidarity networks from Cuba, where she also was raising two children. Beatriz Allende took her own life in 1977.Harmer’s book traces how Beatriz’s political consciousness changed over time, paying particular attention to the ways in which gendered expectations of her shaped the nature of her militancy. In this conversation, Harmer also discusses the key, exclusive sources she used to write this biography. Beatriz Allende’s life reveals underexplored dimensions of Latin American political movements, especially those on the left, connecting that history to the themes of youth culture, gender, and everyday life in Cold War Latin America.Rachel Grace Newman is Lecturer in the History of the Global South at Smith College. She has a Ph.D. in History from Columbia University, and she writes about youth, higher education, transnationalism, and social class in twentieth-century Mexico. She is also the author of a book on a binational program for Mexican migrant children. She is on Twitter (@rachelgnew). Learn more about your ad choices. Visit megaphone.fm/adchoices

Burn It Down: Feminist Manifestos for the Revolution (Verso, 2020), Breanne Fahs has curated a comprehensive collection of feminist manifestos from the nineteenth century to today. Fahs collected over seventy-five manifestos from around the world, calling on feminists to act, be defiant and show their rage. This thought-provoking and timely collection includes not only popular manifestos often taught in women and gender studies courses, but also introduces readers to works from feminist activists who are often placed on the margins. The eight sections of the book cover manifestos from a wide range of feminist activist spectrums: queer/trans, anticapitalist/anarchist, angry/violent, indigenous/women of color, sex/body, hacker/cyborg, trashy/punk, and witchy/bitchy. Fahs has put together a collection that has something for everyone and that is a must-need on every feminist bookshelf.Rebekah Buchanan is an Associate Professor of English at Western Illinois University. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. She is the author of Writing a Riot: Riot Grrrl Zines and Feminist Rhetorics (Peter Lang, 2018). You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

Though his advice has saved the lives of millions of people, the name Ignaz Semmelweis is not one commonly known today. In his book Anthony Valerio’s Semmelweis: The Women's Doctor (Zantedeschi Books, 2019). Valerio details the many struggles Semmelweis faced in winning acceptance for his advice on antiseptic procedures. The son of a Buda spice merchant, Semmelweis started his studies in law before a chance attendance at a medical lecture sparked his interest in becoming a doctor. After earning his degree he decided to specialize in obstetrics, a choice that soon brought him to confront the problem of childbed fever. Deducing that exposure to cadavers was a factor, Semmelweis devised a regimen of hand washing that dramatically reduced the morality rate at the maternity clinic where he worked. Though Semmelweis’s treatment was simple, his ideas faced considerable resistance from leading figures in the Western medical community, with the stress from his campaigns to promote his ideas contributing to the institutionalization that led to his death in 1865. Learn more about your ad choices. Visit megaphone.fm/adchoices

Ronnie Grinberg speaks with Pamela S. Nadell, the Patrick Clendenen Chair in Women’s and Gender History and director of Jewish studies at American University. Her books include America's Jewish Women, winner of the Everett Family Foundation Book of the Year Award from the Jewish Book Council, and Women Who Would Be Rabbis, a National Jewish Book Award finalist. Prof. Nadell lives in North Bethesda, Maryland.In America’s Jewish Women: A History from Colonial Times to Today (W. W. Norton, 2019), Pamela Nadell surveys varied experiences of Jewish women who made America their home. In elegant prose, she introduces readers to a fascinating cast of characters from the seventeenth century to the present day. This interview provides a brief overview of the book’s arguments and archival research, before turning to important questions of how women’s history, Jewish history and American history can work together. It also calls attention to some distinctive features of Judaism in America, the social roots of Jewish women’s political activism, and a shared passion for mah jong! Please enjoy this conversation between two colleagues with a deep admiration for each other’s work.Ronnie Grinberg is Assistant Professor in the History Department and Schusterman Center for Judaic and Israel Studies at the University of Oklahoma. She is completing a manuscript on New York Jewish intellectuals in the twentieth century to be published with Princeton University Press. Learn more about your ad choices. Visit megaphone.fm/adchoices

Throughout Christian history, the Virgin Mary has been idealized as a self-sacrificing mother and a model for all Christian women to emulate. However, she is one of many ancient maternal figures whose narratives pivot on violent loss. In her 2018 monograph Mary, Mother of Martyrs: How Motherhood Became Self-Sacrifice in Early Christianity (Feminist Studies in Religion, 2018), Dr. Kathleen Gallagher Elkins (Associate Professor of Theology and Religious Studies at St. Norbert College in De Pere, WI) examines ancient representations of mothers and children in the context of sociopolitical violence. She demonstrates that, as today, early Christian notions of motherhood are contextual and produced for specific political and social reasons. She also interrogates the tendency of both theologians and cultural commentators to read tales of early Christian mothers in an anachronistic manner informed by modern conceptions of the “natural” and “normal” family. Adding contemporary intertexts to the ancient texts at hand, each chapter juxtaposes an ancient maternal figure (including the Mother of Maccabees, Perpetua, and Felicitas in addition to Mary) with examples of contemporary maternal activism, such as Madre and Pussy Riot. Gallagher Elkins thereby shows the strategic, political charged, and rhetorically flexible conceptions of maternal self-sacrifice.Diana Dukhanova is a Visiting Assistant Professor of Slavic Studies at Brown University in Providence, RI. Learn more about your ad choices. Visit megaphone.fm/adchoices

What is a mosque? What are women's mosques specifically? What historical values do women's mosques offer, and what is the relationship between mosque spaces and women's religious work? How do women leaders themselves identify with and conceptualize their leadership roles? Why are women's mosques around the world, both historical and contemporary, omitted from both popular and scholarly discourses on women's mosques? Jacqueline Fewkes' excellent and theoretically sophisticated book, Locating Maldivian Women's Mosques in Global Discourses (Palgrave Macmillan, 2019), offers answers to these questions and more. Complete with images from Fewkes' research, the book is an ethnography of women's mosques in the Maldives, an almost unheard-of phenomenon. It situates women's prayer places, the Nisha Miskiis, the physical buildings in which women lead prayers for other women, as complex sites of sociohistorical and cultural significance. Ultimately, Fewkes explores the ways in which these spaces relate to, contribute to, and fit in larger conversations about the transnational Muslim community—the global ummah—rather than being limited to the local with no historical significance.Locating Maldivian Women's Mosques in Global Discourses may be assigned in graduate courses in Anthropology, Islamic Studies, Women's and Gender Studies, or any combination of these; it would also make an exciting and inviting read for those generally interested in questions of gendered spaces, women's religious works, and specifically in women's mosques.Shehnaz Haqqani is an Assistant Professor of Religion at Mercer University. Her primary research areas include Islam, gender, and questions of change and tradition in Islam. She can be reached at haqqani_s@mercer.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

Protégé of Elsie Clews Parsons and Franz Boas, founder and head of Barnard College's anthropology department, and a trailblazer in Native American linguistics and anthropology, Gladys Reichard (1893–1955) is one of America’s least appreciated anthropologists. Her accomplishments were obscured in her lifetime by differences in intellectual approach and envy, as well as academic politics and the gender realities of her age. Reichard's approach to Native languages put her at odds with Edward Sapir, leader of the structuralist movement in American linguistics. Similarly, Reichard’s focus on Native psychology as revealed to her by Native artists and storytellers produced a dramatically different style of ethnography from that of Margaret Mead, who relied on western psychological archetypes to “crack” alien cultural codes, often at a distance.Nancy Mattina's Uncommon Anthropologist: Gladys Reichard and Western Native American Culture (University of Oklahoma Press, 2019) is the first full biography of Reichard, and examines her pathbreaking work in the ethnography of ritual and mythology; Wiyot, Coeur d’Alene, and Navajo linguistics; folk art, gender, and language; and her exceptional career of teaching, editing, publishing, and mentoring.In this episode of the podcast Nancy talk to host Alex Golub about Reichard's life, her remarkable ethnography Spider Woman, her career as a teacher (including as an instructor of Zora Neale Hurston), how academic politics can erase people from disciplinary memory, and why Reichard's 'humanitarian' values are needed now more than ever.Nancy Mattina holds a Ph.D. in Linguistics and is retired faculty and founder of the Writing & Learning Commons at Prescott College, Arizona. She is a contributor to Studies in Salish Linguistics in Honor of M. Dale Kinkade.Alex Golub is an associate professor of anthropology at the University of Hawai‘i at Mānoa. He is the author of the article "Welcoming the New Amateurs: A future (and past) for non-academic anthropologists" as well as other books and articles. Learn more about your ad choices. Visit megaphone.fm/adchoices

In The Woman as Slave in Nineteenth-Century American Social Movements (Palgrave Macmillan, 2019), Ana Stevenson explores the ubiquity of what she terms the “woman-slave analogy” in nineteenth-century US feminist discourse. Using examples from the women’s suffrage, abolition, dress-reform, and labor movements, among others, Steveson reconstructs the creation of this theoretical framework that imagined women’s subjugation as similar to, and sometimes even worse than, the plight of enslaved Americans. Although the women-slave analogy sometimes appeared tone-deaf, Stevenson demonstrates the many different ways that reformers--men and women, black and white--embraced the concept to fight for women’s political, legal, and economic rights. Crucially, Stevenson’s book encourages us to rethink the intellectual foundations of modern feminism and to critically evaluate the legacy of the women-as-slave worldview.Chelsea Gibson is a Visiting Assistant Professor at Binghamton University. Her research explores the reception of Russian terrorist women in the United States before 1917.      Learn more about your ad choices. Visit megaphone.fm/adchoices

For much of the last century, ballet class has been a rite of passage for millions of little girls in the United States. Some of these students have gone on to professional careers as dancers, but many more take class for a few years—or many years—before moving on to other pursuits. But the sheer prevalence of the experience has created an educated and appreciative audience that supports dance companies and dance training. It has also created a whole subset of “girl culture”: ballet books and films, pink tutus and sparkly tiaras, an inundation of princesses and swans.In Ballet Class: An American History (Oxford University Press, 2020), Melissa R. Klapper explores how this phenomenon developed. From the misperception that boys never take ballet class to the racist assumption that members of a corps de ballet need to resemble one another physically, ballet has mirrored the larger society in negative respects as well as positive ones, and it has evolved together with the culture as a whole. For this and many other reasons that Klapper lays out through rich and complex analysis delivered in lively, compelling prose, the history of ballet class really does open a window onto the development of American culture between World War I and the present.C. P. Lesley, a historian and amateur dancer, hosts New Books in Historical Fiction. Under this pen name, she also writes historical novels. Her latest book, Song of the Shaman, appeared in 2020. Find out more about her at http://www.cplesley.com. Learn more about your ad choices. Visit megaphone.fm/adchoices