New Books in Women's History

The king’s guards became increasingly nervous as they watched nearly 7,000 individuals march on Versailles on October 5, 1789. The crowd approaching the king’s chateau was overwhelmingly composed of women who were determined to make their grievances known. Furious at the ever rising price and scarcity of bread, Parisian market women, known as Dames des Halles, joined with other revolutionaries to demand King Louis XVI distribute bread, address the suffering of his subjects, and approve revolutionary reforms. The king ultimately conceded to the market women’s demands. The success of the march symbolized commoners’ new power in politics, including their ability to influence the monarch himself. Although this was certainly watershed moment for the French Revolution, the impact of Dames des Halles went far beyond October 5. As Dr. Katie Jarvis, Assistant Professor of History at the University of Notre Dame, argues in her new book, Politics in the Marketplace: Work, Gender, and Citizenship in Revolutionary France (Oxford University Press, 2019) the Dames drew on their patriotic work as activists and their gendered work as republican mothers to compel the French state to provide practical solutions to the many economic, social, and political issues that children, families, and their customers faced in the marketplace daily. The Dames’ notion of citizenship portrayed their useful work, rather than gender, as a cornerstone of civic legitimacy. Although the Revolution has been told as a primarily masculine trajectory of citizenship, Politics in the Marketplace challenges this assumption and reexamines work, gender, and citizenship at the cusp of modern democracy.Dr. Julia M. Gossard is assistant professor of history and distinguished assistant professor of honor’s education at Utah State University. A historian of 18th-century France, Julia is finishing her manuscript, Coercing Children, that examines children as important actors in social reform, state-building, and imperial projects across the early modern French world. Dr. Gossard is active on Twitter. To learn more about her teaching, research, and experience in digital humanities, visit her website. Learn more about your ad choices. Visit megaphone.fm/adchoices

In The Chicana M(other)work Anthology: Porque Sin Madres No Hay Revolucion (University of Arizona Press, 2019) editors Cecilia Caballero, Yvette Martinez-Vu, Judith Perez-Torres, Michelle Tellez, and Christine Vega, bring together a diverse collective of Women of Color Mother-Scholars to end the silence experienced by Mothers of Color in academia. In this expansive collection of research, testimonios, and essays, the authors share the networks, tools, and strategies created by working-class Women of Color as they confront and overcome societal and institutional barriers to pursuing higher education and advancing in the professorate. Chicana M(other)work, the editors explain, is “care work that includes the care provided in homes, classrooms, communities, and selves.” As such, this labor permeates and informs the praxis performed by Mothers of Color in their overlapping spheres of influence. As part of the larger Chicana M(other)work Project, which includes managing a website, blog, podcast, and engaging in grassroots activism, this anthology serves as a rallying call and platform for Mothers of Color seeking to transform communities, universities, and societal institutions from the bottom-up.David-James Gonzales (DJ) is Assistant Professor of History at Brigham Young University. He is a historian of the U.S.-Mexico Borderlands, the development of multi-ethnic/racial cities, and the evolution of Latina/o identity and politics. His research centers on the relationship between Latina/o politics and the metropolitan development of Orange County, CA throughout the 20th century. You may follow him on Twitter @djgonzoPhD. Learn more about your ad choices. Visit megaphone.fm/adchoices

Suzanne Scott’s new book Fake Geek Girls: Fandom, Gender, and the Convergence Culture Industry (NYU Press, 2019) provides an overview of the convergence culture industry and the world of fandom while examining the role that gender and misogyny has played in understanding who is and is not considered an “authentic” fan. Scott delves into the realm of geek culture and explores how this has evolved as a social identity, and where the gender bifurcation became more acute within this cultural milieu. Fandom, Fan Studies, and fan communities were, for quite some time, female dominated, producing fan fiction, fan art, and female-populated spaces focused around fan engagement. Over the past decade, as fan engagement became much more interactive through social media, there has also been a shift in gender dynamics, as fanboys became more vocally engaged in fan activities, and also became more strident in policing who gets to be a fan, or who is a more authentic fan. Fake Geek Girls examines these shifting structures and communities, while also analyzing where the media industry became involved in these changes and in trying to control and manage fan discourse. The book discusses how the media industry, with production bottom lines always in mind, worked to closely manage intellectual properties and their residual profits, and thus also has had a significant hand in trying to regulate and constrain, in some capacity, fan engagement. Not only does Fake Geek Girls provide a clear and insightful analysis of convergence culture and fandom, but it also highlights the connections and overlaps between the misogyny in contemporary fan culture and the dynamics within the American electorate at large. There is much to be learned from Suzanne Scott’s work from a host of disciplinary perspectives, and with regard to how powerful systems and stakeholders operate within the media-cultural community.Lilly J. Goren is professor of Political Science at Carroll University in Waukesha, WI. She co-edited the award-winning Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). Learn more about your ad choices. Visit megaphone.fm/adchoices

Shortly after the conclusion of the Women's World Cup earlier this summer, a friend suggested to me that it signaled the long-awaited arrival of soccer as a mainstream sport in the U.S. I thought a second, remembering the commercials around the game and the way the television cameras shot the crowd. Then I responded that I thought it wasn't really the long-awaited arrival of soccer, but the emergence of women's sports into the mainstream of American culture.This is something of an exaggeration. But the summer of the World Cup is perhaps a perfect time to think through the position of women's sports in global society. Nancy Lough and Andrea N. Geurin do just that in their new edited Routledge Handbook of the Business of Women's Sport (Routledge, 2019). Lough and Guerin bring together forty different authors to survey the status of women's sports in 2019. The essays range from discussions of the history of women's sports to analyses of media representation of women in sports to the economics and management of women's sports. Collectively, it is a remarkable accomplishment. Lough and Guerin offer a comprehensive survey of the field while pointing to future questions and topics of research. The coverage is scholarly, but with an eye to the political and sports culture in which women's sports exists. Anyone interested in understanding the business of women's sports should start here.Kelly McFall is Professor of History and Director of the Honors Program at Newman University. He’s the author of four modules in the Reacting to the Past series, including The Needs of Others: Human Rights, International Organizations and Intervention in Rwanda, 1994, published by W. W. Norton Press, and (with Abigail Perkiss) Changing the Game: Title IX, Gender and Athletics in American Universities, to be published by W. W. Norton in November 2019. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this episode of the New Books Network, Dr. Lee Pierce (she/they)--Asst. Prof. of Communication at the State University of New York at Geneseo--interviews Dr. Belinda Stillion Southard (she/hers)--Assoc. Prof. of Communication at the University of Georgia--on the illuminating new book, How to Belong: Women’s Agency in a Transnational World from Penn State University Press (2018). In How to Belong, Dr. Stillion Southard examines the discourse of international women leaders seeking agency for women, the traditional subjects of violence across the global south. From the Liberian Women’s Initiative (LWI) to Ellen Johnson Sirleaf to Michelle Bachelet, Stillion Southard argues that the rhetorical choices of these actors embodied their particular transnational context, pushing back against the violent entails of nationalism and citizenship, traditionally conceived. As part of a broader conversation centered on exposing the violence of national citizenship and proposing ways of rejecting that violence, this book seeks to provide answers through the powerful rhetorical practices of resilient and inspiring women who have successfully negotiated what it means to belong, to be included, and to enact change beyond the boundaries of citizenship. Learn more about your ad choices. Visit megaphone.fm/adchoices

Though women’s roles in the black freedom struggle remain under-acknowledged, scholars continue to make their importance clear. In her new book, Jim Crow Capital: Women and Black Freedom Struggles in Washington, DC, 1920-1945 (University of North Carolina Press, 2018), Mary-Elizabeth Murphy (Associate Professor of History at Eastern Michigan University) examines black women’s activism in Washington D.C. during the interwar period. The nation’s capital has long been an important location for influencing national politics. Black women recognized this fact and shaped their activism accordingly. Consequently, the city is a particularly rich site in which to study women’s political efforts and to see how these activists tackled discrimination on both the local and national levels. Murphy's book shows the interwar years were an important time for fighting discrimination in politics, government, employment, and by law enforcement.In this episode of the podcast, Murphy discusses this rich history. She discusses the importance of Washington D.C. as a site for black women’s activism, explains successes and failures of the period, and the precedents it set. The conversation highlights the book's themes of class, gender, and police violence. She also discusses some of the lessons this history provides for today’s politics. Finally, Murphy explains her source base and the challenges and rewards of her time in the archives.Christine Lamberson is an Associate Professor of History at Angelo State University. Her research and teaching focuses on 20th century U.S. political and cultural history. She’s currently working on a book manuscript about the role of violence in shaping U.S. political culture in the 1960s and 1970s. She can be reached at clamberson@angelo.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

May ’68 marked a watershed moment in French society, culture, and political life. The feminist movement was no exception. Women took to the streets and meeting halls around the country, challenging outdated sexual standards, fighting for reproductive freedom, and articulating women’s oppression in radically new ways. In Daughters of 1968: Redefining French Feminism and the Women’s Liberation Movement (University of Nebraska Press, 2019), Dr. Lisa Greenwald offers a refreshingly new perspective on the history of French feminism, beginning with the liberation of France in 1944--when women were granted the right to vote--to 1981 and the election of a Socialist president who promised to transform women’s status in French society. Greenwald examines the endless challenges of collective organizing, along with the fractious ideological divisions and strategic differences among the various feminist groups that emerged after the events of May. In this interview, she discusses influential figures in the movement such as Gisèle Halimi and Simone Veil and the fight to legalize abortion, Simone de Beauvoir and the influence of The Second Sex on feminists after May ’68, and Antoinette Fouque and the tensions surrounding the Psych-et-Po group. She concludes the interview with an insightful analysis of current debates surrounding the #MeToo movement in France.Lisa Greenwald, Ph.D. spent almost a decade working in and researching the women’s movement in France, supported by an Andrew W. Mellon Fellowship and grants from the French government. She has worked as a consultant and in-house historian for a variety of nonprofits and foundations in France, Chicago, and New York. She teaches history at Stuyvesant High School in New York City.Beth Mauldin is an Associate Professor of French at Georgia Gwinnett College in Lawrenceville, Georgia. Her research interests include French cultural studies, film, and the social and cultural history of Paris. Learn more about your ad choices. Visit megaphone.fm/adchoices

How does thinking about gender and work help to rethink cultural hierarchies? In Cultural Production and the Politics of Women’s Work in American Film and Literature(Routledge, 2019), Polina Kroik, who teaches at Fordham University and Baruch College, CUNY, explores the relationship between work and gender in American culture. The book offers a wide-ranging discussion, from early twentieth century literature to the Hollywood studio system of the 1920s and 1930s, as well as mid-century literary publishing and contemporary television. The book analyses a wealth of well-known authors and examples, including Sylvia Plath and Mad Men, as well as figures, such as Nella Larsen, who have seen less public attention. The book is essential reading across humanities and social sciences, as well as for anyone interested in gender, race, and culture. Learn more about your ad choices. Visit megaphone.fm/adchoices

Kaitlin Sidorsky’s new book, All Roads Lead to Power: The Appointed and Elected Paths to Public Office for US Women (University Press of Kansas, 2019), is an extremely well written and important analysis of women in public life and public service. This book combines qualitative and quantitative research to examine appointed and elected state positions, particularly in regard to gender, and concludes that there are quite a few women in appointed positions, an area not usually the focus of research and analysis of women and power. Sidorsky notes that women in appointed positions on boards and commissions at the state and local level see themselves not in political positions but instead working in capacities to accomplish goals, serve the public, and continue along their career paths. In the way many of these women conceptualize their work in these positions, this is not necessarily about political ambition, as Sidorsky’s research discovers, but because this public work is usually connected to the individual office holder’s personal or professional life. This research will be of particular interest to those who study women and politics, political representation, and questions of politics and power. This is an excellent study and analysis, enlightening in both the data compiled and the assessment of the data within our understanding of appointed and elected positions, politics, and power.Lilly J. Goren is Professor of Political Science at Carroll University in Waukesha, WI. She is co-editor of Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). You can follow her on twitter @gorenlj Learn more about your ad choices. Visit megaphone.fm/adchoices

How do women experience gender inequality in film and television production industries? In Women, Inequality and Media Work (Routledge, 2019), Dr Anne O’Brien, lecturer in the Department of Media Studies at Maynooth University, answers this question with a case study of the Irish media industry. Blending a critical engagement with feminist and media theory with a wealth of empirical material, the book looks at the barriers to women in media occupations. The book highlights the subjectivities within media industries that resist and are responsible for these inequalities, ultimately demanding change in both Irish and Global modes of media production. The book is an important and essential read across a range of academic readers, and for anyone interested in why we have the media we have, and how we can change it. Learn more about your ad choices. Visit megaphone.fm/adchoices