New Books in Women's History

In When Time Warps: The Lived Experience of Gender, Race, and Sexual Violence (University of Minnesota Press, 2019), Megan Burke considers the relationship of sexual violence to lived time by reexamining and building upon the work of Simone de Beauvoir, and in conversation with Judith Butler, María Lugones, Maurice Merleau-Ponty, and many others. Through developing a feminist phenomenology of time, Burke allows us to consider how racialized colonial sexual domination structures feminine subjectivity. By focusing our attention on temporality, Burke deepens our understanding of how the past haunts the present, giving rise to sexual domination, as well as how we can actualize latent possibilities to lay those ghosts to rest. Learn more about your ad choices. Visit megaphone.fm/adchoices

Robin Pickering-Iazzi’s Dead Silent: Life Stories of Girls and Women Killed by the Italian Mafias, 1878-2018 is the first history of its kind in English. An open access ebook, this study literally “unburies” the identities of over two-hundred girls and women who lived in Italy between 1878 and 2018, and were killed by members of the organized crime from different regions of Italy, including the camorra (Naples), Cosa Nostra (Sicily), ’ndrangheta (Calabria), and the United Sacred Crown (Puglia). By providing their background, the circumstances of their deaths, and the often unsatisfactory (if any) legal conclusions of their stories, this impressive counter-archive of the past raises several related questions on the women of Dead Silent. Some played a role within the clan, others were simply mafiosis’ daughters or wives, many had no relationship at all with the mafia and were killed accidentally, others were kidnapped for a ransom, and, finally, some were well known antimafia judges or journalists. How are the women’s individual stories related, as a whole, to the collective issue of the mafia in their communities? How do they become “bodies of evidence” and connect with the “history of the Italian nation”? In which ways does the form of the catalog, which Dead Silent adopts, replace the lack of commemoration and justice? But the most important issue that emerges concerns the study’s open access format: In addition to the broader circulation and availability (and the resulting security issues), what are the other positive effects that open-access can inherently produce? How does this format assert the scholar’s freedom and responsibility in the larger society?Nicoletta Marini-Maio is co-founder and editor of g/s/i-gender/sexuality/italy. Recent scholarly publications center on Italian cinema, particularly the intersections between politics, gender power relations, and collective memory; and auteur cinema. Her current book project is La nazione Winx: coltivare la future consumista/Winx Nation: Grooming the Future Female Consumer, a collaboration with Ellen Nerenberg (forthcoming, Rubbettino, Italy). Learn more about your ad choices. Visit megaphone.fm/adchoices

The Wollstonecraftian Mind (Routledge, 2019) is an extensive compendium of Mary Wollstonecraft as a writer, as an interlocutor, as a philosopher and political theorist, and as a feminist thinker. The text, which is impressive in its reach, breath, and considerations, will be of use to any reader or scholar who may want to learn more about Mary Wollstonecraft, her thought, and her influence. But it is much more extensive than that, since it provides deep scholarly examination of all of Wollstonecraft’s works, as well as considering the context for Wollstonecraft’s work, and those with whom she was in intellectual encounters, and those with whom she had contemporary engagement as well.In this wide-ranging survey of Mary Wollstonecraft, Sandrine Bergès, Eileen Hunt Botting, Alan Coffee have done an exceptional job of bringing together experts from a diversity of disciplines and perspectives. The Wollstonecraftian Mind projects both backwards and forwards, positioning Wollstonecraft’s thinking within the philosophical tradition in the first section of the text, and then, in the final section, projecting it forward, through a collection of chapters that explore her legacy. The text is part of The Philosophical Mind series at Routledge that examines, in substantial depth, the work of an individual thinker, and The Wollstonecraftian Mind follows the contours of many of the other volumes in this series. The central sections of the book examine the works themselves, the ideas with which Wollstonecraft was in dialogue, and explorations of her philosophy. This is an incredibly useful text and resource for scholars and students, with accessible analyses and an array of considerations and perspectives.Lilly J. Goren is professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). Learn more about your ad choices. Visit megaphone.fm/adchoices

Today we are joined by Roger Gilles, Director of the Honors College and Professor of Writing at Grand Valley State University, and author of Women on the Move: The Forgotten Era of Women’s Bicycle Racing (University of Nebraska Press, 2018). In our conversation, we discussed the rise of women’s velodrome racing in the American Midwest in the 1890s, the business of six-day cycling, and the gender politics of women’s racing.In Women on the Move, Gilles recovers the history of women’s cycle racing in the 1890s. Female scorchers like Tillie “The Terrible Swede” Anderson, Lizzie Glaw, and Dottie Farnsworth barnstormed across the Midwest from Oklahoma City to Pittsburgh. Their sport proved to be popular, even more so than men’s endurance six-day events. They raced on steeply banked short tracks, pedalled at speeds up to 30 miles per hour, braved severe injuries from crashes, dealt with wardrobe malfunctions, and won enormous prizes. They were America’s first famous female athletes.Gilles’ work traces the intersections that gave rise to women’s bicycle racing in the 1890s. Tillie Anderson and the other racers navigated the cycling boom, which followed the invention of the safety bike; the rise of the suffrage movement; the increasing industrialization of midwestern cities; the migration of millions of Europeans to the United States; and the gender politics of the Victorian era.The craze ended almost as quickly as it began in the early 20th century – replaced by automobile racing, undermined by charges of fixing, undercut by lower revenues, and damaged by the increasingly strategic and tactical insight of the racers that made the sport more professional but less exciting for spectators.Women on the Move restores women’s racing to the pantheon of 19th century American sport and will appeal to readers interested in the overlap between cycling, sports business, migration, and gender.Keith Rathbone is a lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. His manuscript, entitled A Nation in Play: Physical Culture, the State, and Society during France’s Dark Years, 1932-1948, examines physical education and sports in order to better understand civic life under the dual authoritarian systems of the German Occupation and the Vichy Regime. If you have a title to suggest for this podcast, please contact him at keith.rathbone@mq.edu.au. Learn more about your ad choices. Visit megaphone.fm/adchoices

Activists have been working to dismantle patriarchal structures since the feminist and civil rights movements of the last century, and yet we continue to struggle with patriarchy today. In their new book, Why Does Patriarchy Persist? (Polity, 2018), Carol Gilligan and Naomi Snider use psychoanalysis and psychology as frameworks for understanding the vexingly enduring power of this social structure. They offer a cogent and eye-opening theory addressing the fear of loss against which patriarchy aims to protect us, and the consequent impingements on our ability to enter into genuine relationships. In our interview, Carol and Naomi talk about how this book came about and what their ideas offer for our understanding of current political events.Carol Gilligan is a writer, activist, University Professor at New York University, and the author of In a Different Voice, one of the most influential feminist books of all time.Naomi Snider is a research fellow at New York University, co-founder of NYU’s Radical Listening Project, and a candidate in psychoanalytic training at the William Alanson White Institute.Eugenio Duarte is a psychologist and psychoanalyst practicing in Miami. He treats individuals and couples, with specialties in gender and sexuality, eating and body image problems, and relationship issues. He is a graduate and faculty of William Alanson White Institute in New York City and former chair of their LGBTQ Study Group; and faculty at Florida Psychoanalytic Institute in Miami. He is also a contributing author to the book Introduction to Contemporary Psychoanalysis: Defining Terms and Building Bridges (2018, Routledge). Learn more about your ad choices. Visit megaphone.fm/adchoices

Professor Blain Roberts of California State University, Fresno, talks about intersections of race, identity, and memory in the South in a wide-ranging discussion that starts in the segregated beauty parlors of the Jim Crow era and ends with remembrances of slavery in modern-day Charleston, South Carolina.From the South's pageant queens to the importance of beauty parlors to African American communities, it is easy to see the ways beauty is enmeshed in southern culture. But as Blain Roberts shows in this incisive work, the pursuit of beauty in the South was linked to the tumultuous racial divides of the region, where the Jim Crow-era cosmetics industry came of age selling the idea of makeup that emphasized whiteness, and where, in the 1950s and 1960s, black-owned beauty shops served as crucial sites of resistance for civil rights activists. In these times of strained relations in the South, beauty became a signifier of power and affluence while it reinforced racial strife.In Pageants, Parlors, and Pretty Women: Race and Beauty in the Twentieth-Century South (University of North Carolina Press, 2016), Roberts examines a range of beauty products, practices, and rituals--cosmetics, hairdressing, clothing, and beauty contests--in settings that range from tobacco farms of the Great Depression to 1950s and 1960s college campuses. In so doing, she uncovers the role of female beauty in the economic and cultural modernization of the South. By showing how battles over beauty came to a head during the civil rights movement, Roberts sheds new light on the tactics southerners used to resist and achieve desegregation.Beth A. English is director of the Liechtenstein Institute's Project on Gender in the Global Community at Princeton University. She also is a past president of the Southern Labor History Association. Learn more about your ad choices. Visit megaphone.fm/adchoices

Who were the Lost Girls? All coming from broken or failed Upper-middle Class families; the Lost Girls were all chic, glamorous, and bohemian, as likely to be found living in a rat-haunted maisonette as dining at the Ritz, Lys Lubbock, Sonia Brownell, Barbara Skelton, and Janetta Parlade cut a swath through English literary and artistic life at the height of World War II.Three of them had affairs with Lucian Freud. One of them married George Orwell. Another became for a short time the mistress of the King of Egypt. They had very different―and sometimes explosive―personalities, but taken together they form a distinctive part of the wartime demographic: bright, beautiful, independent-minded women with tough upbringings who were determined to make the most of their lives in a chaotic time. Ranging from Bloomsbury and Soho to Cairo and the couture studios of Schiaparelli and Hartnell, the Lost Girls would inspire the work of George Orwell, Evelyn Waugh, Anthony Powell, and Nancy Mitford.In his new book The Lost Girls: Love and Literature in Wartime London (Pegasus Books, 2020), D. J. Taylor, the author of the Prose Factory and an award winning biography of George Orwell, shows the reader how these four adventuresome young ladies were the missing link between the Lost Generation and Bright Young People and the Dionysiac cultural revolution of the 1960s. Sweeping, passionate, and unexpectedly poignant, this is their untold story. A must read for anyone interested in the history of the 20th century English literary Intelligentsia.Charles Coutinho Ph. D. of the Royal Historical Society, received his doctorate from New York University. His area of specialization is 19th and 20th-century European, American diplomatic and political history. He has written recently for Chatham House’s International Affairs. Learn more about your ad choices. Visit megaphone.fm/adchoices

"Woman is not born but made." This is only one of the powerful sentences in Simone de Beauvoir’s magisterial The Second Sex (1949). It means that there’s nothing natural about the fact that 50% of humanity has been oppressed by the other half for millennia. There’s nothing natural about the secondary status of women as either inferior or as helpers, assistants, supporters, care-givers, or objects of reverence, fascination, desire, etc. I spoke with Kate Stimpson, one of the academics who was instrumental in establishing the field of women and gender studies in America. “It’s a total book that calls for total change,” Professor Stimpson explained to me. She talks about the impact of de Beauvoir’s masterful book: what it has done for what is today called gender studies, and what de Beauvoir does for thinking about the whole of the human condition. This is one of my all-time favorite books, and one that everyone should read. It’s also over 800 pages, so this conversation might be a good introduction.Uli Baer is a professor at New York University. He is also the host of the excellent podcast "Think About It" Learn more about your ad choices. Visit megaphone.fm/adchoices

Why and how is fiction important to women? In Why Women Read Fiction: The Stories of Our Lives (Oxford University Press, 2020), Helen Taylor, Emeritus Professor of English at the University of Exeter, explores this question to give a detailed and engaging picture of fiction in women’s lives. The book presents women’s narratives about fiction, interpretations of key texts, and perspectives on writers and the publishing industry. As the book makes clear, reading is not just another hobby for women, as it occupies a crucial role in women’s lives. Full of examples and women’s stories of how reading matters, discussions of gender and genre, the role of women as authors, along with analysis of book clubs and literary festivals, the book is essential reading across the humanities, social sciences, and for anyone interested in reading! Learn more about your ad choices. Visit megaphone.fm/adchoices

What can a cultural history of the heartthrob teach us about women, desire, and social change? From dreams of Prince Charming or dashing military heroes, to the lure of dark strangers and vampire lovers; from rock stars and rebels to soulmates, dependable family types or simply good companions, female fantasies about men tell us as much about the history of women as about masculine icons.When girls were supposed to be shrinking violets, passionate females risked being seen as "unbridled," or dangerously out of control. Change came slowly, and young women remained trapped in double-binds. You may have needed a husband in order to survive, but you had to avoid looking like a gold-digger. Sexual desire could be dangerous: a rash guide to making choices. Show attraction too openly and you might be judged "fast" and undesirable.Education and wage-earning brought independence and a widening of cultural horizons. Young women in the early twentieth century showed a sustained appetite for novel-reading, cinema-going, and the dancehall. They sighed over Rudolph Valentino's screen performances, as tango-dancer, Arab tribesman, or desert lover. Contemporary critics were sniffy about "shop-girl" taste in literature and in men, but as consumers, girls had new clout.In Hearthrobs: A History of Women and Desire (Oxford University Press, 2017), social and cultural historian Carol Dyhouse draws upon literature, cinema, and popular romance to show how the changing position of women has shaped their dreams about men, from Lord Byron in the early nineteenth century to boy-bands in the early twenty-first. Reflecting on the history of women as consumers and on the nature of fantasy, escapism, and "fandom," she takes us deep into the world of gender and the imagination. A great deal of feminist literature has shown women as objects of the "male gaze": this book looks at men through the eyes of women.In this interview, Jana Byars, the academic director of SIT Amsterdam, talks with Dyhouse about Hearthrobes. Though clearly rooted in her earlier academic work, this divergence into popular history provides a smart and delightful read. Jana and Carol talk about the female gaze, male stereotypes, and the power of popular culture. Learn more about your ad choices. Visit megaphone.fm/adchoices