New Books in Women's History

Liner Notes for the Revolution: The Intellectual Life of Black Feminist Sound (Harvard University Press, 2021) by Dr. Daphne Brooks is a lyrical masterpiece that takes readers on an exhilarating journey through a century of Black sound from Bessie Smith to Beyoncé. In writing alongside the sistas who cared for Black women's musicianship like Pauline Hopkins and Janelle Monaé, Brooks casts contemporary performers as archivists, acclaimed writers as sound theorists, record label originators as music critics, and fans as the vital keepers of Black sound. Brooks’ liner notes are a “requiem” for the oversight of Black women musicians and their intellectual resonance, powerfully uncovering their sonic, visual, and kinesthetic innovations through a Black feminist conceptual lens. On each step of the journey, Brooks presents Black sound women as radical intellectuals, as the creators of modernity, and as the fierce leaders of revolutionary world-making.Amanda Joyce Hall is a Ph.D. Candidate in History and African American Studies at Yale University. She is writing an international history on the global movement against South African apartheid during the 1970s and 1980s. She tweets from @amandajoycehall. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Only Among Women: Philosophies of Community in the Russian and Soviet Imagination, 1860–1940 (Northwestern University Press, 2019), Anne Eakin Moss examines idealized relationships between women in Russian literature and culture from the age of the classic Russian novel to socialist realism and Stalinist film. Her book reveals how the idea of a community of women—a social sphere ostensibly free from the taint of money, sex, or self-interest—originates in the classic Russian novel, fuels mystical notions of unity in turn-of-the-century modernism, and finally assumes a place of privilege in Stalinist culture, especially cinema.Rethinking the significance and surprising continuities of gender in Russian and Soviet culture, Eakin Moss relates this tradition to Western philosophies of community developed by thinkers from Jean-Jacques Rousseau to Jean-Luc Nancy. She shows that in the 1860s friendship among women came to figure as an organic national collectivity in works such as Tolstoy’s War and Peace and a model for revolutionary organization in Chernyshevsky’s What Is To Be Done?.Only Among Women also traces how women’s community came to be connected with new religious and philosophical notions of a unity transcending the individual at the fin-de-siècle. Finally, in Stalinist propaganda of the 1930s, the notion of women’s community inherited from the Russian novel reemerged in the image of harmonious female workers serving as a patriarchal model for loyal Communist citizenship.Anne Eakin Moss is an assistant professor in the Department of Comparative Thought and Literature at Johns Hopkins University.Colleen McQuillen is an associate professor in the Department of Slavic Languages and Literatures at the University of Southern California.Follow her on Twitter @russianprof Learn more about your ad choices. Visit megaphone.fm/adchoices

Elesha J. Coffman's Margaret Mead: A Twentieth-Century Faith (Oxford UP, 2021) takes a careful look at Mead’s religious origins and influence. As a famous American anthropologist, Mead’s intellectual contributions to mid-century culture has been fruitfully studied. Coffman offers insight into a neglected aspect of Mead’s life—her religious views. Born into a home with secular agnostic parents, Mead chose a religious path as a child and joined the Episcopal Church. As an anthropologist she believed in the significance of ritual and the importance of service but rejected many of the particulars of her chosen faith. From De Pauw University to Columbia University, through multiple love affairs and marriages, travels and publications, Mead became an influential public intellectual, developing her own perspective on social ethics. Her high-profile and expansive view of human development that did not reject religion offered the opportunity to contribute to mid-twentieth century liberal Christianity on multiple fronts.Elesha J. Coffman, an associate professor of History at Baylor University. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Women and Gender in the Qur’an (Oxford University Press in 2020), Celene Ibrahim explores key themes related to gender in the Qur’an, focusing on women, such as female sexuality, female kin and relations, and female figures in the sacred text. Among her findings is that there are no archetypal women in the Qur’an and instead, the Qur’an provides a wide-ranging depiction of women, who figure as negative and positive exemplars and ultimately serve the specific didactic aims of Qur’anic narratives. The Qur’an invokes their good and bad examples, Ibrahim notes, especially to construct a moral framework for its immediate audience, the early Muslim community, the emerging polity.In our discussion, she talks about the primary contributions of the book and its origins; she explains her choice to use a Qur’an-only approach to investigating the question of gender; and we discuss specific content from the book, such as the Qur’an’s portrayals of daughters and mothers, Prophet Yusuf’s harassment incident, women’s speech, Muhammad’s wives in the Qur’an, the concept – and the gender – of heavenly beings, such as the hoor, and a lot more.Shehnaz Haqqani is an Assistant Professor of Religion at Mercer University. She earned her PhD in Islamic Studies with a focus on gender from the University of Texas at Austin in 2018. Her dissertation research explored questions of change and tradition, specifically in the context of gender and sexuality, in Islam. She can be reached at haqqani_s@mercer.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

Sarah Schenirer is one of the unsung heroes of twentieth-century Orthodox Judaism. In Sarah Schenirer and the Bais Yaakov Movement: A Revolution in the Name of Tradition (Littman Library of Jewish Civilization, 2019), Naomi Seidman describes how the Bais Yaakov schools Schenirer founded in interwar Poland had an unparalleled impact on a traditional Jewish society threatened by assimilation and modernity, educating a generation of girls to take an active part in their community. The movement grew at an astonishing pace, expanding to include high schools, teacher seminaries, summer programmes, vocational schools, and youth movements, in Poland and beyond; it continues to flourish throughout the Jewish diaspora.Seidman explores the movement through the tensions that characterized it, capturing its complexity as a revolution in the name of tradition. She presents the context which led to its founding, examining the impact of socialism, feminism, Zionism, and Polish electoral politics on the process, and recounts its history, from its foundation in interwar Krakow to its near-destruction in the Holocaust, and its role in the reconstruction of Orthodoxy in subsequent decades.A vivid portrait of Schenirer shines through. The book includes selections from her writings published in English for the first time. Her pioneering, determined character remains the subject of debate in a culture that still regards innovation, female initiative, and women's Torah study with suspicion.Schneur Zalman Newfield is an Assistant Professor of Sociology at Borough of Manhattan Community College, City University of New York, and the author of Degrees of Separation: Identity Formation While Leaving Ultra-Orthodox Judaism (Temple University Press, 2020). Learn more about your ad choices. Visit megaphone.fm/adchoices

Paola Bonifazio’s The Photoromance. A Feminist Reading of Popular Culture (MIT Press, 2020) is the first feminist reading of photoromances that examines both its industry and its fandom, arguing for their relevance as transmedia narratives in a transnational market. The photoromance, a form of graphic storytelling that uses photographs instead of drawings, reached a readership of millions in the 1960s. Despite its popularity, the photoromance was—and still is—widely scorned as a medium, and its largely female audience derided as naïve, pathetic, and uneducated. Bonifazio reframes and problematizes the “natural” association between this genre and the female readers, claiming that the photoromance is relevant to both feminism and media culture. She investigates how female readers powered the Italian photoromance’s industry success and discusses the photoromance as the precursor of the phenomenon of convergence culture—as in the case of Senso, a photoromance inspired by director Luchino Visconti’s Senso.Nicoletta Marini Maio is professor of Italian and Film Studies at Dickinson College. Learn more about your ad choices. Visit megaphone.fm/adchoices

Mona Lena Krook examines the unique phenomena of violence against women in politics, which is distinct from the broader concern and issue of violence against women in general. Krook pulls together global experiences in regard to this issue, noting that violence against women in politics is not confined to any particular region or part of the world. The research also indicates that this is not just physical violence or force, but also includes psychological violence, economic violence, sexual violence, threats, and harassment, and semiotic violence, a newer category to be included with the other classifications of violence against women in politics. Violence Against Women in Politics (Oxford UP, 2020) also explores the violence that is directed towards women who are not in elected office but are working in areas or fields that are directly connected to electoral or appointed political offices, namely women who are working in human rights areas or with human rights organizations, and women who are members of the press or media. Krook explains that her research in the book centers around this issue of violence against women in politics because that violence, in whatever form it takes, is designed to keep women from fully participating in politics and in the public sphere. Krook has also developed a number of websites with information and further connections to work towards the end of violence against women in politics, including the companion website for the book itself: https://www.vawpolitics.org/, and the collaborative #NotTheCost website hosted by the National Democratic Institute.Lilly J. Goren is professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), as well as co-editor of Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Academic, 2015). Email her comments at lgoren@carrollu.edu or tweet to @gorenlj. Learn more about your ad choices. Visit megaphone.fm/adchoices

Eika Tai’s Comfort Women Activism: Critical Voices from the Perpetrator State (Hong Kong University Press, 2020) tackles the complex histories of Japanese “military sexual violence” and the activism by women in Japan, mostly since the 1990s. Tai’s contribution to scholarship on the so-called “comfort women” issue begins with a helpful overview of both the comfort women movement and also the political and social context in which that movement arose and continues today. Part 2: Activist Narratives, includes four chapters. Chapters 3-5 look at different ways that activists in Japan―primarily Japanese women responding directly or indirectly to the testimony of survivors―have approached the “comfort women” issue. Tai tells the stories of two or three representative activists in each of these chapters, and demonstrates how they encapsulate a particular way of being “activists in the perpetrator state.” Chapter 6 follows the same structural approach, but ties together some of the threads from previous chapters in its analysis of the transnational feminism that led to the Women’s International War Crimes Tribunal in 2000. The book’s conclusion contrasts this approach with the thought of feminist scholar Ōgoshi Aiko, and introduces the idea of “Feminism against Japan’s Military Sexual Violence,” the title of Chapter 7. Because it breaks new ground in understanding not just the question of military sexual violence, but also the histories of philosophical and activist feminisms, Comfort Women Activism will be of interest to historians of East Asia, gender, social movements, and more.Nathan Hopson is an associate professor of Japanese and East Asian history in the Graduate School of Humanities, Nagoya University. Learn more about your ad choices. Visit megaphone.fm/adchoices

We are joined today by Alison Phipps, Professor in Gender Studies and the University of Sussex to talk about her newest book, Me, Not You: The Trouble with Mainstream Feminism (Manchester University Press, 2020).The Me Too movement, started by Black feminist Tarana Burke in 2006, went viral as a hashtag eleven years later after a tweet by white actor Alyssa Milano. Mainstream movements like #MeToo have often built on and co-opted the work of women of colour, while refusing to learn from them or centre their concerns. Far too often, the message is not ‘Me, Too’ but ‘Me, Not You’. Alison Phipps argues that this is not just a lack of solidarity. Privileged white women also sacrifice more marginalised people to achieve their aims, or even define them as enemies when they get in the way. Me, not you argues that the mainstream movement against sexual violence expresses a political whiteness that both reflects its demographics and limits its revolutionary potential. Privileged white women use their traumatic experiences to create media outrage, while relying on state power and bureaucracy to purge ‘bad men’ from elite institutions with little concern for where they might appear next. In their attacks on sex workers and trans people, the more reactionary branches of this feminist movement play into the hands of the resurgent far-right.Dr. Phipps is the author of Women in Science, Engineering and Technology: Three Decades of UK Initiatives (Trentham Books, 2008), an examination of the mixed results of the UK’s attempts to address gender disparity STEM fields through policy and The Politics of the Body: Gender in a Neoliberal and Neoconservative Age (Polity Press, 2014) an award-winning look at the way feminists find themselves negotiating a very tight passage between the Scylla and Charybdis of neoconservatives and neoliberals, as well as a bevy or articles on similar issues.Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoices

Few astronomers in the 20th century did as much to expand our understanding of the universe as Vera Rubin. To tell her remarkable story in their biography Vera Rubin: A Life (Belknap Press, 2021), authors Jacqueline and Simon Mitton describe both the range of her accomplishments as well as the barriers she overcame in order to achieve them. As they explain, Rubin was drawn early to the study of the stars, determining early in her life that she wanted to be an astronomer. To become one she had to overcome the assumptions of many of her peers that science was not an appropriate field of study for a woman, or that she would abandon her studies once she married and had children. Defying their expectations, Rubin balanced child-rearing with earning her doctorate in astronomy and undertaking observational work. Though she participated in a number of different studies, her passion was for understanding galaxies, and her discoveries proved critical for the acceptance of the existence of dark matter in the universe. Acclaimed for her work, she used her position to fight for improve the status of women in the sciences, a fight that she continued alongside her research for the rest of her life. Learn more about your ad choices. Visit megaphone.fm/adchoices