Looking for fresh ideas about how to take your parish choir to the next level, developing a repertoire of well-prepared polyphonic motets and ordinaries, helping your singers develop their technique and musicianship, and integrate it all into the bigger spiritual picture of the offering of one's very self united to the sacrifice of Christ on the cross? Prof. Christopher Berry of St. Stanislaus Oratory in Milwaukee tackles all these topics, with advice about warm-ups, how to get through a bunch of repertoire with limited rehearsal time, and which motets and masses to start with.  To learn more about or apply for this summer's Choral Institute at the Catholic Institute of Sacred Music, please visit: https://catholicinstituteofsacredmusic.org/.

We've combined two episodes here of another podcast, A Culture of Beauty with host Sequoia Sierra, in which our host, Dr. Jennifer Donelson-Nowicka was interviewed. She's talks a little bit about her experience of growing up Catholic and discovering the Church's teachings on music later in life, discusses some key concepts about that teaching and about beauty that she finds effective in helping other Catholics see the role of these things in the spiritual life, and gives an overview of the mission and offerings of the Catholic Institute of Sacred Music.  Learn more about the Catholic Institute of Sacred Music here: https://catholicinstituteofsacredmusic.org/ 

The medieval practice of the giving of children as oblates to monasteries affords valuable insights into education during the Middle Ages, as well as into the development of pedagogical techniques for teaching the liturgy, Latin, and sacred music to children. Join us for an episode in which Dr. Susan Boynton, Professor of Historical Musicology and Director of Medieval and Renaissance Studies at Columbia University, helps us understand the lives and place of children in medieval monasteries, what they sang in liturgies, and how they learned to sing this repertoire. The conversation also develops into a look at the training of children in cathedral schools. For more information about Dr. Boynton, see: https://music.columbia.edu/bios/susan-boynton To buy the book Young Choristers, 650–1700, a book co-edited by Dr. Boynton, visit: https://boydellandbrewer.com/9781843834137/young-choristers-650-1700/  For more information about the History and Principles of Sacred Music course being offered this summer at the Catholic Institute of Sacred Music, please visit: https://catholicinstituteofsacredmusic.org/

The remarkable life and work of Mary Berry is inspirational, especially for those experiencing trials or hardships as they work to promote the Church's own vision for Her sacred music. She offers lessons in persevering in one's vocation in the face of challenging circumstances, and the holiness that can and ought to flow from a life of scholarship, singing, and teaching of Gregorian chant. This interview with a former director of Mary's ensemble, the Schola Gregoriana of Cambridge, shares with us some of these lessons we can take away from her life's story and legacy. To learn more about the course History and Principles of Sacred Music offered this summer at the Catholic Institute of Sacred Music at St. Patrick's Seminary, please visit: https://catholicinstituteofsacredmusic.org/

Maybe you've thought about hosting a Chant Camp at your parish, or you're looking for ways to keep your young singers engaged as they grow up in the children's choir. The work of Mary Ann Carr Wilson and her apostolate Canticle is inspiring in the way it models catechesis through teaching chant, musical development, and the cultivation of student leaders. Join Mrs. Wilson for an episode in which she shares the story of her own learning and her work in teaching the Church's music to young people in San Diego.  Learn more about Canticle here: https://canticle.net/ Check out the summer courses of the Catholic Institute of Sacred Music here: https://catholicinstituteofsacredmusic.org/ Sign up for a spot in the free information session about the Ward method here: http://wardmethod.eventbrite.com

The long and impressive career of Dr. Christoph Tietze, Director of Music at St. Mary's Cathedral in San Francisco, makes for an interview that covers a lot of ground, including helpful tips for improving one's improvisation skills, steps to take if you're thinking about building a choir school, and an overview of his project on creating a collection of introits for congregational singing.  To learn more about Dr. Tietze and his work at the cathedral, visit: https://smcsf.org/ Find out more about the St. Mary’s Cathedral Choir School at St. Brigid School here: https://sfchoirschool.org  If you're interested in Dr. Tietze's Organ Improvisation Seminar this summer with the Catholic Institute of Sacred Music, you can learn more here: https://catholicinstituteofsacredmusic.org/

Questions about how to sing Gregorian chant can get a little thorny when people who love the chant and have a lot of experience singing it get together. For a newcomer to chant, these questions can seem irrelevant or overwhelming, especially when it's not clear what people are so passionately discussing.  In this interview with Prof. Charles Weaver (Juilliard), we break down the basics of one of the main school of chant performance practice, the "classical Solesmes" school established by Dom André Mocquereau. We look at the big questions Mocquereau was trying to answer, the role of the text and accents in the "classical Solesmes" school, and understanding the 2's and 3's within the context of the overall structure of a piece of chant, what Mocquereau calls the "greater rhythm."  To learn more about Prof. Weaver’s work, please visit: https://www.juilliard.edu/music/faculty/weaver-charles To apply for Prof. Weaver's summer course at the Catholic Institute of Sacred Music, visit the Institute's website at: https://catholicinstituteofsacredmusic.org/

What was it like for a Renaissance-era composer to navigate the liturgical changes of an ecumenical council, and to have a theological outlook on Our Lady's Immaculate Conception (later vindicated as the Church's own view) that was different from that of his episcopal employer? We look at these questions, and hear about the adventurous and interesting life of lesser-known composer Juan de Esquivel in this episode with Dr. Michael O'Connor. Learn more about Dr. O'Connor here: https://www.pba.edu/directory/o-connor-michael.html Read some of Dr. O'Connor's articles here: https://pba.academia.edu/MichaelOConnor Check out summer classes at the Catholic Institute of Sacred Music here: https://catholicinstituteofsacredmusic.org/

Starting from the impact of a post-war style of academic training on his compositional voice through his search for a greater capacity for expression in the use of tonality, Dr. Frank La Rocca narrates the journey he took from the influences of the severe style cultivated in universities to the freedom he experienced in the strictures of writing a cappella choral music. Accompanying this path was his reversion to the Catholic faith, and the possibilities opened up by writing sacred choral music, leading to what many listeners will recognize in the style of Dr. La Rocca's most recent Masses.  Find out more about Dr. La Rocca's work here: https://www.franklarocca.com/ Learn more about Dr. La Rocca's masses here: https://benedictinstitute.org/ Buy the recent #1 release of Dr. La Rocca's Mass of the Americas here: https://listn.fm/laroccamass/?mc_cid=0cb9d5c000&mc_eid=7669693fa1 Learn more about the composition seminar Dr. La Rocca will teach this summer, or the other classes of the Catholic Institute of Sacred Music here: https://catholicinstituteofsacredmusic.org/

His Excellency, Steven J. Lopes, Bishop of the Ordinariate of the Chair of Saint Peter and Chairman of the USCCB's Committee on Divine Worship, offers reflections on the work of God in the sacred liturgy, the relationship of artistic beauty to the truths of the Catholic faith and a life of charity, as well as a bit about the formation of the Ordinariate's liturgical books.  Learn more about the Ordinariate and Bishop Lopes here: https://ordinariate.net/bishop-lopes. Learn more about the Catholic Institute of Sacred Music here: https://catholicinstituteofsacredmusic.org/.