SE06 EP03 - Marian Chant: The Music of Lady Masses - with Dr. William Mahrt
Feb 27, 2024
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Explore the significance of Lady Masses and Marian votive Masses in Catholic liturgy. Delve into the complexity of Gloria text with Trinitarian aspects and Marian tropes. Learn about the evolution of polyphonic music influenced by Marian chants in liturgical worship.
The Lady Mass at Salisbury Cathedral was a significant tradition dedicated to Mary, showcasing elaborate rituals and personnel.
The daily Lady Mass practice in medieval cathedrals like Salisbury influenced the development of polyphonic music.
Deep dives
The Practice of the Lady Mass in Medieval Cathedrals
The Lady Mass, a Marian mass celebrated in cathedral lady chapels, was a significant tradition in medieval churches. At Salisbury Cathedral, the Lady Mass, or Marian votive mass, was held daily, except on Good Friday and Holy Saturday. This mass was considered a votive mass, dedicated to Mary, with specific texts used. The Lady Mass involved priests, a deacon, a subdeacon, an acolyte, singers, and various ceremonies, emphasizing its solemnity and detailed structure.
Rituals and Participants at the Lady Mass
At Salisbury Cathedral, the Lady Mass involved three celebrants—priests, deacon, subdeacon—a chapter mass by canons in the choir, and three clerics for the Lady Mass in the Lady Chapel. The Lady Mass featured elaborate rituals, including 13 singers and specific personnel complete with acolytes and candlebearers. This structured practice was part of the service primarily dedicated to God, with a distinct focus on offering a devotional service within the cathedral setting.
Cultural and Liturgical Significance of the Lady Mass
The Lady Mass tradition, prevalent in medieval cathedrals including Salisbury, was a specialized liturgical practice with a strong devotion to Mary. The Lady Masses, held daily in these grand settings, showcased a commitment of resources and musical forces, leading to the development of polyphonic music, especially in England. This dedication to the Marian devotion within the Lady Masses served as a foundation for elaborate polyphonic masses that incorporated Marian chants as a source of inspiration.
Join us as Dr. Mahrt explains the liturgical practices surrounding the Lady Mass, especially in medieval Salisbury Cathedral. We discuss the texts of the propers of Marian votive Masses as well as the tropes and chants of the Mass ordinary that developed from the daily Lady Mass. Dr. William Mahrt is a professor at Stanford University and serves on the faculty of the Catholic Institute of Sacred Music. He is the president of the Church Music Association of America and the editor of its journal, Sacred Music.