In Our Time

Melvyn Bragg and guests discuss the development of photography in the 1830s, when techniques for 'drawing with light' evolved to the stage where, in 1839, both Louis Daguerre and William Henry Fox Talbot made claims for its invention. These followed the development of the camera obscura, and experiments by such as Thomas Wedgwood and Nicéphore Niépce, and led to rapid changes in the 1840s as more people captured images with the daguerreotype and calotype. These new techniques changed the aesthetics of the age and, before long, inspired claims that painting was now dead.WithSimon Schaffer Professor of the History of Science at the University of CambridgeElizabeth Edwards Emeritus Professor of Photographic History at De Montfort UniversityAndAlison Morrison-Low, Research Associate at National Museums ScotlandProducer: Simon Tillotson.

Melvyn Bragg and guests discuss the history of the idea of Sovereignty, the authority of a state to govern itself and the relationship between the sovereign and the people. These ideas of external and internal sovereignty were imagined in various ways in ancient Greece and Rome, and given a name in 16th Century France by the philosopher and jurist Jean Bodin in his Six Books of the Commonwealth, where he said (in an early English translation) 'Maiestie or Soveraigntie is the most high, absolute, and perpetuall power over the citisens and subiects in a Commonweale: which the Latins cal Maiestatem, the Greeks akra exousia, kurion arche, and kurion politeuma; the Italians Segnoria, and the Hebrewes tomech shévet, that is to say, The greatest power to command.' Shakespeare also explored the concept through Richard II and the king's two bodies, Hobbes developed it in the 17th Century, and the idea of popular sovereignty was tested in the Revolutionary era in America and France. With Melissa Lane Class of 1943 Professor of Politics at Princeton UniversityRichard Bourke Professor in the History of Political Thought at Queen Mary University of Londonand Tim Stanton Senior Lecturer in the Department of Politics at the University of YorkProducer: Simon Tillotson.

Melvyn Bragg and guests discuss William Blake's collection of illustrated poems "Songs of Innocence and of Experience." He published Songs of Innocence first in 1789 with five hand-coloured copies and, five years later, with additional Songs of Experience poems and the explanatory phrase "Shewing the Two Contrary States of the Human Soul." Blake drew on the street ballads and improving children's rhymes of the time, exploring the open and optimistic outlook of early childhood with the darker and more cynical outlook of adult life, in which symbols such as the Lamb belong to innocence and the Tyger to experience.WithSir Jonathan Bate Provost of Worcester College, University of OxfordSarah Haggarty Lecturer at the Faculty of English and Fellow of Queens' College, University of CambridgeAndJon Mee Professor of Eighteenth-Century Studies at the University of YorkProducer: Simon Tillotson.

Melvyn Bragg and guests discuss The Bronze Age Collapse, the name given by many historians to what appears to have been a sudden, uncontrolled destruction of dominant civilizations around 1200 BC in the Aegean, Eastern Mediterranean and Anatolia. Among other areas, there were great changes in Minoan Crete, Egypt, the Hittite Empire, Mycenaean Greece and Syria. The reasons for the changes, and the extent of those changes, are open to debate and include droughts, rebellions, the breakdown of trade as copper became less desirable, earthquakes, invasions, volcanoes and the mysterious Sea Peoples. With John Bennet Director of the British School at Athens and Professor of Aegean Archaeology at the University of SheffieldLinda Hulin Fellow of Harris Manchester College and Research Officer at the Oxford Centre for Maritime Archaeology at the University of OxfordAndSimon Stoddart Fellow of Magdalene College and Reader in Prehistory at the University of Cambridge Producer: Simon Tillotson.

Melvyn Bragg and guests discuss penicillin, discovered by Alexander Fleming in 1928. It is said he noticed some blue-green penicillium mould on an uncovered petri dish at his hospital laboratory, and that this mould had inhibited bacterial growth around it. After further work, Fleming filtered a broth of the mould and called that penicillin, hoping it would be useful as a disinfectant. Howard Florey and Ernst Chain later shared a Nobel Prize in Medicine with Fleming, for their role in developing a way of mass-producing the life-saving drug. Evolutionary theory predicted the risk of resistance from the start and, almost from the beginning of this 'golden age' of antibacterials, scientists have been looking for ways to extend the lifespan of antibiotics.WithLaura Piddock Professor of Microbiology at the University of BirminghamChristoph Tang Professor of Cellular Pathology and Professorial Fellow at Exeter College at the University of OxfordAndSteve Jones Emeritus Professor of Genetics at University College, LondonProducer: Simon Tillotson.

To celebrate Melvyn Bragg’s 27 years presenting In Our Time, five well-known fans of the programme have chosen their favourite episodes. Author and columnist Caitlin Moran has picked the episode on the English medieval mystic Margery Kempe and recorded an introduction to it. Margery Kempe (1373-1438) produced an account of her extraordinary life in a book she dictated, "The Book of Margery Kempe." She went on pilgrimage to Jerusalem, to Rome and Santiago de Compostela, purchasing indulgences on her way, met with the anchoress Julian of Norwich and is honoured by the Church of England each 9th November. She sometimes doubted the authenticity of her mystical conversations with God, as did the authorities who saw her devotional sobbing, wailing and convulsions as a sign of insanity and dissoluteness. Her Book was lost for centuries, before emerging in a private library in 1934.This In Our Time episode was first broadcast in June 2016. The image (above), of an unknown woman, comes from a pew at Margery Kempe's parish church, St Margaret’s, Kings Lynn and dates from c1375. With Miri Rubin Professor of Medieval and Early Modern History at Queen Mary, University of LondonKatherine Lewis Senior Lecturer in History at the University of HuddersfieldAndAnthony Bale Professor of Medieval Studies at Birkbeck University of LondonProducer: Simon Tillotson Reading list:John H. Arnold and Katherine J. Lewis (eds.), A Companion to the Book of Margery Kempe, (D. S. Brewer, 2010)Anthony Bale (trans.), The Book of Margery Kempe (Oxford University Press, 2015)Santha Bhattacharji, God is an Earthquake: The Spirituality of Margery Kempe (Darton, Longman and Todd, 1997)Anthony Goodman, Margery Kempe and her World (Longman, 2002)Karma Lochrie, Margery Kempe and the Translations of the Flesh (University of Pennsylvania Press, 1991)Gail McMurray Gibson, The Theater of Devotion: East Anglian Drama and Society in the Late Middle Ages (University of Chicago Press, 1989)Lynn Staley, Margery Kempe’s Dissenting Fictions (Pennsylvania State University Press, 1994)Jonathan Sumption, Pilgrimage: An Image of Mediaeval Religion (Faber & Faber, 2002)Brett Whalen, Pilgrimage in the Middle Ages: A Reader (University of Toronto Press, 2011)Barry Windeatt (ed.), The Book of Margery Kempe: Annotated Edition (D. S. Brewer, 2006)Barry Windeatt (ed.), The Book of Margery Kempe (Penguin Classics, 2000)Spanning history, religion, culture, science and philosophy, In Our Time from BBC Radio 4 is essential listening for the intellectually curious. In each episode, host Melvyn Bragg and expert guests explore the people, ideas, events and discoveries that have shaped our worldIn Our Time is a BBC Studios production

Melvyn Bragg and guests discuss Abraham Lincoln's Gettysburg Address, ten sentences long, delivered at the dedication of the Soldiers' National Cemetery at Gettysburg after the Union forces had won an important battle with the Confederates. Opening with " Four score and seven years ago," it became one of the most influential statements of national purpose, asserting that America was "conceived in liberty, and dedicated to the proposition that all men are created equal" and "that this nation, under God, shall have a new birth of freedom-and that government of the people, by the people, for the people, shall not perish from the earth." Among those inspired were Martin Luther King Jr whose "I have a dream" speech, delivered at the Lincoln Memorial 100 years later, echoed Lincoln's opening words.With Catherine Clinton Denman Chair of American History at the University of Texas and International Professor at Queen's University, BelfastSusan-Mary Grant Professor of American History at Newcastle UniversityAndTim Lockley Professor of American History at the University of WarwickProducer: Simon Tillotson.

Melvyn Bragg and guests discuss the Muses and their role in Greek mythology, when they were goddesses of poetry, song, music and dance: what the Greeks called mousike, 'the art of the Muses' from which we derive our word 'music.' While the number of Muses, their origin and their roles varied in different accounts and at different times, they were consistently linked with the nature of artistic inspiration. This raised a question for philosophers then and since: was a creative person an empty vessel into which the Muses poured their gifts, at their will, or could that person do something to make inspiration flow? WithPaul Cartledge Emeritus Professor of Greek Culture and AG Leventis Senior Research Fellow at Clare College, University of CambridgeAngie Hobbs Professor of the Public Understanding of Philosophy, University of SheffieldAndPenelope Murray Founder member and retired Senior Lecturer, Department of Classics, University of WarwickProducer: Simon TillotsonImage: 'Apollo and the Muses (Parnassus)', 1631-1632. Oil on canvas. Nicolas Poussin (1594-1665).

Clare Jackson, a Senior Tutor and Director of Studies in History at Trinity Hall, University of Cambridge, and Peter Hinds, an Associate Professor of English at Plymouth University, dive into the tumultuous era of Titus Oates and the infamous 'Popish Plot.' They explore how Oates fueled paranoia against Catholics, leading to wrongful accusations and executions. The discussion highlights the personal ambitions behind the plot, political instability it caused, and the broader implications of propaganda in shaping public perception during this chaotic period.

Melvyn Bragg and guests discuss Tess of the d'Urbervilles by Thomas Hardy, originally serialised in The Graphic in 1891 and, with some significant changes, published as a complete novel in 1892. The book was controversial even before serialisation, rejected by one publisher as too overtly sexual, to which a second added it did not publish 'stories where the plot involves frequent and detailed reference to immoral situations.' Hardy's description of Tess as 'A Pure Woman' in 1892 incensed some Victorian readers. He resented having to censor some of his scenes in the early versions, including references to Tess's baby following her rape by Alec d'Urberville, and even to a scene where Angel Clare lifted four milkmaids over a flooded lane (substituting transportation by wheelbarrow).The image above, from the 1891 edition, is captioned 'It Was Not Till About Three O'clock That Tess Raised Her Eyes And Gave A Momentary Glance Round. She Felt But Little Surprise At Seeing That Alec D'urberville Had Come Back, And Was Standing Under The Hedge By The Gate'.With Dinah Birch Professor of English Literature and Pro-Vice-Chancellor for Research and Impact at the University of LiverpoolFrancis O'Gorman Professor of Victorian Literature at the University of LeedsAndJane Thomas Reader in Victorian and early Twentieth Century literature at the University of HullProducer: Simon Tillotson.