Melvyn Bragg and guests discuss how, from 1834, poor people across England and Wales faced new obstacles when they could no longer feed or clothe themselves, or find shelter. Parliament, in line with the ideas of Jeremy Bentham and Thomas Malthus, feared hand-outs had become so attractive, they stopped people working to support themselves, and encouraged families to have more children than they could afford. To correct this, under the New Poor Laws it became harder to get any relief outside a workhouse, where families would be separated, husbands from wives, parents from children, sisters from brothers. Many found this regime inhumane, while others protested it was too lenient, and it lasted until the twentieth century.The image above was published in 1897 as New Year's Day in the Workhouse.WithEmma Griffin Professor of Modern British History at the University of East AngliaSamantha Shave Lecturer in Social Policy at the University of LincolnAnd Steven King Professor of Economic and Social History at the University of LeicesterProducer: Simon Tillotson

An analysis of the epic poem 'Sir Gawain and the Green Knight', focusing on bravery, honor, and temptation. The historical context of the poem and the challenges faced by Sir Gawain. The significance of the color green and the hunting scenes. The exploration of themes, transgressions, and intertextuality in the poem.

Melvyn Bragg and guests discuss the war in Europe which begain in 1618 and continued on such a scale and with such devastation that its like was not seen for another three hundred years. It pitched Catholics against Protestants, Lutherans against Calvinists and Catholics against Catholics across the Holy Roman Empire, drawing in their neighbours and it lasted for thirty gruelling years, from the Defenestration of Prague to the Peace of Westphalia of 1648. Many more civilians died than soldiers, and famine was so great that even cannibalism was excused. This topic was chosen from several hundred suggested by listeners this autumn.The image above is a detail from a painting of The Battle of White Mountain on 7-8 November 1620, by Pieter Snayers (1592-1667)WithPeter Wilson Chichele Professor of the History of War at the University of OxfordUlinka Rublack Professor of Early Modern European History at the University of Cambridge and Fellow of St John’s CollegeAndToby Osborne Associate Professor in History at Durham UniversityProducer: Simon Tillotson

Explore the challenges faced by the soldiers during the Long March undertaking in China in 1934. Discuss the unstable state of China, the threat from Japan, and the insurgent Chinese Communist Party. Delve into the struggles within the Communist Party leadership and the reactions of warlords. Discover the significance of the Long March in Chinese culture and the stories of resilient women. Learn about the motivations, hardships, and transformative impact of the march, as well as Mao's leadership and the cult of Mao.

Melvyn Bragg and guests discuss the philosophy of hope. To the ancient Greeks, hope was closer to self-deception, one of the evils left in Pandora's box or jar, in Hesiod's story. In Christian tradition, hope became one of the theological virtues, the desire for divine union and the expectation of receiving it, an action of the will rather than the intellect. To Kant, 'what may I hope' was one of the three basic questions which human reason asks, while Nietzsche echoed Hesiod, arguing that leaving hope in the box was a deception by the gods, reflecting human inability to face the demands of existence. Yet even those critical of hope, like Camus, conceded that life was nearly impossible without it.WithBeatrice Han-Pile Professor of Philosophy at the University of EssexRobert Stern Professor of Philosophy at the University of SheffieldAndJudith Wolfe Professor of Philosophical Theology at the University of St AndrewsProducer: Simon Tillotson

Melvyn Bragg and guests discuss Horace (65-8BC), who flourished under the Emperor Augustus. He was one of the greatest poets of his age and is one of the most quoted of any age. Carpe diem, nil desperandum, nunc est bibendum – that’s Horace. He was the son of a freedman from southern Italy and, thanks to his talent, achieved high status in Rome despite fighting on the losing side in the civil wars. His Odes are widely thought his most enduring works, yet he also wrote his scurrilous Epodes, some philosophical Epistles and broad Satires. He’s influenced poets ever since, including those such as Wilfred Owen who rejected his line: ‘dulce et decorum est pro patria mori’.With Emily Gowers Professor of Latin Literature at the University of Cambridge and Fellow of St John’s CollegeWilliam Fitzgerald Professor of Latin Language and Literature at King’s College Londonand Ellen O’Gorman Senior Lecturer in Classics at the University of BristolProducer: Simon Tillotson

In a programme first broadcast in November 2018, Melvyn Bragg and guests discuss the Austrian princess Maria Antonia, child bride of the future French King Louis XVI. Their marriage was an attempt to bring about a major change in the balance of power in Europe and to undermine the influence of Prussia and Great Britain, but she had no say in the matter and was the pawn of her mother, the Empress Maria Theresa. She fulfilled her allotted role of supplying an heir, but was sent to the guillotine in 1793 in the French Revolution, a few months after her husband, following years of attacks on her as a woman who, it was said, betrayed the King and as a foreigner who betrayed France to enemy powers. When not doing these wrongs, she was said to be personally bankrupting France. Her death shocked royal families throughout Europe, and she became a powerful symbol of the consequences of the Revolution. With Catriona Seth Marshal Foch Professor of French Literature at the University of OxfordKatherine Astbury Professor of French Studies at the University of WarwickandDavid McCallam Reader in French Eighteenth-Century Studies at the University of SheffieldProducer: Simon Tillotson

Melvyn Bragg and guests discuss the properties of atoms or molecules with a single unpaired electron, which tend to be more reactive, keen to seize an electron to make it a pair. In the atmosphere, they are linked to reactions such as rusting. Free radicals came to prominence in the 1950s with the discovery that radiation poisoning operates through free radicals, as it splits water molecules and produces a very reactive hydroxyl radical which damages DNA and other molecules in the cell. There is also an argument that free radicals are a byproduct of normal respiration and over time they cause an accumulation of damage that is effectively the process of ageing. For all their negative associations, free radicals play an important role in signalling and are also linked with driving cell division, both cancer and normal cell division, even if they tend to become damaging when there are too many of them.With Nick Lane Professor of Evolutionary Biochemistry at University College LondonAnna Croft Associate Professor at the Department of Chemical and Environmental Engineering at the University of NottinghamAnd Mike Murphy Professor of Mitochondrial Redox Biology at Cambridge UniversityProducer: Simon Tillotson

Melvyn Bragg and guests discuss Bernard Mandeville (1670-1733) and his critique of the economy as he found it in London, where private vices were condemned without acknowledging their public benefit. In his poem The Grumbling Hive (1705), he presented an allegory in which the economy collapsed once knavish bees turned honest. When republished with a commentary, The Fable of the Bees was seen as a scandalous attack on Christian values and Mandeville was recommended for prosecution for his tendency to corrupt all morals. He kept writing, and his ideas went on to influence David Hume and Adam Smith, as well as Keynes and Hayek.With David Wootton Anniversary Professor of History at the University of YorkHelen Paul Lecturer in Economics and Economic History at the University of SouthamptonAnd John Callanan Senior Lecturer in Philosophy at King’s College LondonProducer: Simon Tillotson

In the second of two programmes marking In Our Time's 20th anniversary on 15th October, Melvyn Bragg and guests discuss Shakespeare's versions of history, continuing with the Roman plays. Rome was the setting for Titus Andronicus, Julius Caesar, Coriolanus and parts of Antony and Cleopatra and these plays gave Shakespeare the chance to explore ideas too controversial for English histories. How was Shakespeare reimagining Roman history, and what impact has that had on how we see Rome today? The image above is of Marlon Brando playing Mark Antony in a scene from the film version of Shakespeare's Julius Caesar, 1953WithSir Jonathan Bate Provost of Worcester College, University of OxfordCatherine Steel Professor of Classics and Dean of Research in the College of Arts at the University of GlasgowAnd Patrick Gray Associate Professor of English Studies at Durham UniversityProducer: Simon Tillotson