Bringin' it Backwards

We had the pleasure of interviewing Red Yarn over Zoom video! Red Yarn (aka Andy Furgeson) is a Texas-born, Oregon-based family performer who weaves folksongs and puppetry into high-energy shows for all ages. With his engaging performances, lush folk-rock recordings, and playful music videos, this red-bearded bard reinvigorates American folklore for younger generations. With traditional and original songs that apply an indie aesthetic to folk, rockabilly, country and blues, Red Yarn's sound is both rooted and modern. Whether performing solo, with his wife and singing partner Jessie, or with a full band, Red Yarn's shows are a raucous, inclusive celebration of the multicultural musical heritage of the USA. As Red rambles through the landscapes of American folklore, from the Deep Woods to the Old Barn, he introduces his "critter" friends – lovable, handmade puppets – along the way. In August 2020, Red Yarn will release Backyard Bop, his sixth album for families & his first collection of all-original songs. After a 10-year journey through old American folk music, Red Yarn returns with a fresh set of rockabilly and folk-rock tunes about small towns, neighborhoods, and backyard adventures. Produced by GRAMMY-winner Dean Jones, Backyard Bop provides the perfect soundtrack for family dance parties, summertime activism & play. Red Yarn & his family band have performed at Austin City Limits Festival, South by Southwest, Pilgrimage Music Fest, Stagecoach Country Music Festival, Wolf Trap National Park, Symphony Space, Pickathon, Northwest String Summit, and libraries and children's museums across the country. Accolades for Red Yarn's albums include NAPPA Gold, Parents' Choice, and Fids & Kamily Music Awards, and frequent play on SiriusXM Kids Place Live. Visit http://www.redyarnproductions for the latest updates, music and videos. We want to hear from you! Please email Tera@BringinitBackwards.com. www.BringinitBackwards.com #podcast #interview #bringinbackpod #foryou #foryoupage #stayhome #togetherathome #zoom #aspn #americansongwriter #americansongwriterpodcastnetwork ​​Listen & Subscribe to BiB Follow our podcast on Instagram and Twitter! --- Support this podcast: https://anchor.fm/bringinbackpod/support Become a supporter of this podcast: https://www.spreaker.com/podcast/bringin-it-backwards--4972373/support. https://bringinitbackwards.com/

We had the pleasure of interviewing PVRIS over Zoom video! Growing up in Lowell, MA, frontwoman Lynn Gunn taught herself drums, guitar, and bass by sneaking into her brother's bedroom in grade school and playing for hours on end. During computer lab at school, she discovered production and recording software, tuning out the day's lessons in order to tinker with her very first beats. This process carried over to PVRIS, which she officially formed in 2013 joined by band mates Alex Babinski [guitar, keys] and Brian MacDonald [bass, keyboards]. A year later, White Noise inspired a growing fan base and scored a silver certification in the UK. Meanwhile, 2017's All We Know of Heaven, All We Need of Hell bowed in the Top 5 of the Billboard Top Alternative Albums Chart and ushered their stream tally past 220 million by 2020. Over the next seven years, they performed everywhere from Coachella, Lollapalooza, and Reading & Leads to Jimmy Kimmel LIVE! in addition to supporting Muse, Fall Out Boy, and 30 Seconds To Mars in arenas and selling out headline dates worldwide. At the same time, Vice, The New York Times, Medium, Rolling Stone, Billboard, Playboy, and more extended praise. Advocating for the LGBTQ community, she supported organizations such as The Ally Coalition. Personal strength materializes at just the right time. Ultimately, life's circumstances and challenges prompt perseverance. Internal power fully and outwardly awakens for PVRIS frontwoman, multi-instrumentalist, songwriter, and producer Lynn Gunn on her third full-length album and 2020 debut for Warner Records, Use Me. She channels the ups and downs of an unbelievable two-year journey into pop conjurations of glitchy beat-craft, airy guitars, and spell-binding vocals. In doing so, she steps into a new chapter earmarked by focus, fire, and fearlessness manifested loud and clear. "I've tapped into parts of myself I had shrunk for so long," she confesses. "They're the parts I was afraid to show and things I was scared to admit. External circumstances weighed me down, and I didn't allow myself to speak up in my relationships. I was fucking tired, but I didn't want to be trapped anymore. I was always strong and in the power seat, but I had to own it externally. I made a decision not to shrink myself again and to truly be seen for the first time in my art. I was finally able to take ownership for the things I've done and continue to do as PVRIS. It was a new era for me." A lifetime devoted to music set the stage for this realization. Growing up in Lowell, MA, Lynn taught herself drums, guitar, and bass by sneaking into her brother's bedroom in grade school and playing for hours on end. Eventually, they started jamming covers together, but she had already developed quite a bit of proficiency on her own. During computer lab at school, she discovered production and recording software, tuning out the day's lessons in order to tinker with her very first beats. This process carried over to PVRIS, which she officially formed in 2013 joined by band mates Alex Babinski [guitar, keys] and Brian MacDonald [bass, keyboards]. A year later, White Noise inspired a growing fan base and scored a silver certification in the UK. Meanwhile, 2017's All We Know of Heaven, All We Need of Hell bowed in the Top 5 of the Billboard Top Alternative Albums Chart and ushered their stream tally past 220 million by 2020. Over the next seven years, they performed everywhere from Coachella, Lollapalooza, and Reading & Leads to Jimmy Kimmel LIVE! in addition to supporting Muse, Fall Out Boy, and 30 Seconds To Mars in arenas and selling out headline dates worldwide. At the same time, Vice, The New York Times, Medium, Rolling Stone, Billboard, and more extended praise. Advocating for the LGBTQ community, she supported organizations such as The Ally Coalition. As Lynn embarked on her next musical chapter, life presented a series of trials and tribulations. Experiencingvocal problems, stage fright, andsevere --- Support this podcast: https://anchor.fm/bringinbackpod/support Become a supporter of this podcast: https://www.spreaker.com/podcast/bringin-it-backwards--4972373/support. https://bringinitbackwards.com/

We had the pleasure of interviewing Lonnie Park and Grammy® winner Ricky Kej over Zoom video! "Ricky Kej and an amazing group of musicians are joining us to inspire. They're calling on us all to imagine a better world for every child."– Henrietta H. Fore, Executive Director, UNICEF In June of this year, more than 25 million viewers in 75 countries watched the My Earth Songs Virtual Live Concert, a global initiative with Vivendi in support of UNICEF COVID-19 relief for children. Music from this remarkable family concert, spearheaded by Lonnie Park and the Earth Band and Grammy® winner Ricky Kej, features an all-star cast of Grammy winners and was then released as an album titled My Earth Songs on August 28, 2020, with all proceeds going to UNICEF. Artists represented on My Earth Songs include six Grammy winners from around the world: United Nations Global Humanitarian Artist Ricky Kej from India, legendary Senegalese singer Baaba Maal (voice of the Wakandan soundtrack for the Black Panther movie), U.S. family musicians Lucy Kalantari and Jon Samson, South African flutist Wouter Kellerman, and two-time Grammy winner Mariachi Divas de Cindy Shea. Also featured are the Earth Band's primary artist/frontman, Grammy-nominated American singer/songwriter and multi-instrumentalist Lonnie Park; Grammy-nominated Canadian flutist Ron Korb; and Global Music Award winning Indian bassist and composer Dominic D'Cruz. My Earth Songs delivers complex topics in bite-sized chunks packed with meaning that children can effortlessly assimilate. Every one of these fun, positive, and super singalong-able songs has a catchy tune with simple, memorable lyrics. Focusing on what's needed to ensure a clean, green world for generations to come, each track was inspired by one of the UN's Sustainable Development Goals. "My work with Ricky Kej has seen us performing at the United Nations Headquarters in New York and Geneva, the WHO headquarters, and at UNICEF and UNESCO events," explains My Earth Songs' co-creator, Lonnie Park. "As we witnessed complicated issues playing out on the world stage, it became apparent that getting adults to adopt new practices is difficult, but if we could teach the children early about taking care of each other and the planet, it could literally change the world. The best way we knew how to make that happen was through music." "Ever since I won my Grammy Award in 2015, I have dedicated my life and music to creating environmental consciousness and climate change awareness," says Ricky Kej. "My Earth Songs aims at enlightening children through music, igniting in them a spark to spread consciousness among everyone with whom they interact. This young movement will spur a revolution to restore our planet and help it breathe easy again!" My Earth Songs sets the pace with its sparkling, energetic opening track, "Shine Your Light," which features the Mzansi Youth Choir, an ensemble that was established to provide opportunities for underprivileged South African children, particularly in Soweto. Other highlights include the multicultural "Born from the Land," with lead singer Lonnie Park sharing the spotlight with famed Senegalese vocalist Baaba Maal, who presents soaring reflections in his native Fula language. "She Can Do," a song that celebrates breaking down gender-based stereotypes, features Lucy Kalantari in a vocal performance loaded with verve. "In the Waterworld" showcases the jewel-like Mexican mariachi perfection of Mariachi Divas de Cindy Shea. With his elegant phrasing, Jon Samson really illustrates the poetry within the relaxed ballad "Breathe Life," which is beautifully complimented by Ron Korb's Bansuri flute. "Bicycle Day" celebrates the world's most efficient non-polluting mode of transportation through the artistry of famed flutist Wouter Kellerman and the clarity and storytelling confidence of Lonnie Park's vocals. Visit: https://www.myearthsongs.com/ We want to hear from you! Please email Tera@BringinitBackwa --- Support this podcast: https://anchor.fm/bringinbackpod/support Become a supporter of this podcast: https://www.spreaker.com/podcast/bringin-it-backwards--4972373/support. https://bringinitbackwards.com/

We had the pleasure of interviewing Bright Light Bright Light over Zoom video! Stream Fun City here: https://orcd.co/funcity Bright Light Bright Light is Welsh-born, NYC living artist Rod Thomas who makes pop music influenced heavily by cinema, with nods to the 80s and 90s, his formative decades, in its colourful, effervescent presentation. ​ The first unsigned artist ever to perform on Graham Norton's BBC One TV show in 2016, Rod not only made history by performing on the show with Sir Elton John, but also showed the world how much he's achieved as an independent musician. ​ 'Choreography', his most recent album, features guest vocals by Sir Elton John, Alan Cumming and features all Scissor Sisters members, making an impressive cast for an independent release. It found success on the US Billboard Chart and UK Official Chart and had huge critical acclaim. From its success, Rod was awarded Musician of the Year at the WINQ awards 2016. ​ To date, he's toured the world opening for Elton John (55 shows), Erasure (27 shows), Scissor Sisters, Ellie Goulding, Hercules & Love Affair and more, as well as playing his own rapturously received gigs, numerous Pride festivals and sharing a bill with Kylie Minogue and Take That at Hyde Park.. ​ And alongside making music, he's a celebrated DJ who runs a Time Out NY Recommended party 'Romy & Michele's Saturday Afternoon Tea Dance' based on one of his favourite films. The party travels when he tours, but is largely based in Alan Cumming's Club Cumming (who is also in the film) and Brooklyn's C'mon Everybody where it started. ​ Also an ambassador for Localgiving, and frequent fundraiser for LGBTQIA and humanitarian charities, for Rod, music is all about connection: between his own records and his DJ parties, he's bringing as much joy and love as he can into the music world, and having a blast along the way. We want to hear from you! Please email Tera@BringinitBackwards.com. www.BringinitBackwards.com #podcast #interview #bringinbackpod #foryou #foryoupage #stayhome #togetherathome #zoom #aspn #americansongwriter #americansongwriterpodcastnetwork ​​Listen & Subscribe to BiB Follow our podcast on Instagram and Twitter! --- Support this podcast: https://anchor.fm/bringinbackpod/support Become a supporter of this podcast: https://www.spreaker.com/podcast/bringin-it-backwards--4972373/support. https://bringinitbackwards.com/

We had the pleasure of interviewing Gracie and Rachel over Zoom video! Gracie and Rachel, the collaborative duo of keyboardist Gracie Coates and violinist Rachel Ruggles, have been praised by NPR to "mix pop and classical in stark, infectious ways" and "make unforgettable, surprising music." The duo validates both of these claims with the release of "Underneath," a transcendent demonstration of their evocative, pristine orchestral-pop that is as hypnotizing as it is thought-provoking. The music serves as the third single from the duo's forthcoming sophomore album "Hello Weakness, You Make Me Strong," out September 18th on Righteous Babe Records. Gracie and Rachel create music to excavate our inner fears and help us find the empowerment from within. Having released their 2017 self-titled debut full-length to acclaim from and coverage by NPR, Billboard, WFUV, Paste, and more, and seen on stages with Ani DiFranco, Julien Baker, Lucy Dacus, Joseph, and San Fermin, Gracie and Rachel's live experience displays a passionate, tangible quality to their deeply rooted bond, an intimate connection that is both vibrantly apparent on stage and equally imprinted on their music. We want to hear from you! Please email Tera@BringinitBackwards.com. www.BringinitBackwards.com #podcast #interview #bringinbackpod #foryou #foryoupage #stayhome #togetherathome #zoom #aspn #americansongwriter #americansongwriterpodcastnetwork ​​Listen & Subscribe to BiB Follow our podcast on Instagram and Twitter! --- Support this podcast: https://anchor.fm/bringinbackpod/support Become a supporter of this podcast: https://www.spreaker.com/podcast/bringin-it-backwards--4972373/support. https://bringinitbackwards.com/

We had the opportunity to interview Joe Avio over Zoom video. Joe Avio is the versatile new artist/producer who came out of nowhere this summer with notable placements in Spotify's New Music Friday, Chill Pop, and Fresh Finds: Pop playlists. He records, produces, and performs everything you hear in his tunes, and the the young artist plays 7 instruments in total. Starting off as a touring and session guitarist, Joe Avio's original works show off his penchant for crafting hooks and memorable riffs. We want to hear from you! Please email Tera@BringinitBackwards.com www.BringinitBackwards.com --- Support this podcast: https://anchor.fm/bringinbackpod/support Become a supporter of this podcast: https://www.spreaker.com/podcast/bringin-it-backwards--4972373/support. https://bringinitbackwards.com/

We had the pleasure of interviewing Joy Denalane over Zoom video! R&B songstress Joy Denalane aka Germany's queen of soul shares her US debut album LET YOURSELF BE LOVED via Motown Records. Listen here. "I wanted to make a classic soul album", says Joy Denalane. "Stylistically, I wanted to move in the phase from the end of the sixties to about 1973." With LET YOURSELF BE LOVED Joy is making her definitive soul statement. The Motown album is in equal parts self-assertion, genealogy and homage to the great classics of the genre. A musical masterpiece where Denalane confidently brings together all the strands of her previous work. Nevertheless, she is not interested in vintage simulations of old soul recordings. She is driven by showing her musical identity. The album includes her singles "I Believe (Feat. BJ The Chicago Kid)" "I Gotta Know" and "Top Of My Love." Recently Joy performed her track "Be Here In The Morning (Feat. CS Armstrong)" on COLORS. Joy has collaborated with the likes of Raekwon, Lupe Fiasco, Bilal, Common, Hugh Masakela and more. Joy's talent, emotional honesty, the culturally complex story of her life and natural beauty make her an incredibly attractive and versatile artist. Joy is the essence of the modern, global, black woman. She is the daughter of a South African father and a German mother and was born in the divided city of Berlin. Her access to African music and rhythms as well as her love of American soul music made her an enthusiastic follower and participant of the up-and-coming Hip-Hop movement, which found a home in the culturally diverse city of Berlin at an early age. At the same time, she was inspired by singers like Aretha Franklin, Letta M'Bulu and Mary J Blige, who gave her the energy and courage to combine all these musical backgrounds and create her own unique style. She is strong, beautiful, sensitive, a working mother and an ambitious artist. LET YOURSELF BE LOVED Tracklist Wounded Love Be Here In The Morning (Feat. CS Armstrong) I Believe (Feat. BJ The Chicago Kid) The Ride I Gotta Know Hey Dreamer Stand Love Your Love Top Of My Love Let Yourself Be Loved Put In Work We want to hear from you! Please email Tera@BringinitBackwards.com. www.BringinitBackwards.com #podcast #interview #bringinbackpod #foryou #foryoupage #stayhome #togetherathome #zoom #aspn #americansongwriter #americansongwriterpodcastnetwork ​​Listen & Subscribe to BiB Follow our podcast on Instagram and Twitter! --- Support this podcast: https://anchor.fm/bringinbackpod/support Become a supporter of this podcast: https://www.spreaker.com/podcast/bringin-it-backwards--4972373/support. https://bringinitbackwards.com/

We had the pleasure of interviewing Mondo Cozmo over Zoom video! You hear and read countless stories about blood, sweat, and tears all shed in the name of art and—paid like a toll to unseen forces—for its creation. However, you never validate how much of each fluid really flowed...or do you? In this case, blood actually spilled (beyond a lot of tears and sweat) in order for Mondo Cozmo to craft his second full-length and first release for Last Gang Records, New Medicine. Now, he does not regret putting his fist through that window for a second, but the four-hour surgery did suck. Yet, breaking the glass smashed a figurative ceiling. In the aftermath, he learned how to "Say no," departed amicably from the major label system, "taped a fucking pick to his cast" in order to play guitar, lost feeling in the aforementioned hand for two years, attracted the wisdom of Butch Vig ("the dude of dudes!"), and wrote the rock 'n' roll record he always meant to write. The most rock 'n' roll thing about it isn't the right hook, the guitars, or even the attitude. It's the moment of self-actualization by the Philadelphia-born and Los Angeles-based critically acclaimed alternative troubadour and gutter punk poet. The man himself, Josh Ostrander, tells the story best. "We were shooting a live video on a sound stage in Culver City, and I fucking lost it, because the whole thing didn't feel like me," he recalls. "I never lose my cool. I try to be the leader I want to see. A switch flipped, though. I thought I was looking at a dumb foam wall in the studio, but it was the glass door. I punched it so hard that when I pulled my hand back out you could see the eruption of blood everywhere. Turns out, I clipped all of these arteries. My drummer pulled a handkerchief from my pocket, tied a tourniquet around my arm, and my tour manager took me to the hospital. It turned out to be therapeutic. So many beautiful things happened. Since I made such an ass of myself, I knew the next record had to be the best thing I've ever fucking done," he laughs. As performing proved a challenge to say the least, he took a primitive approach to writing in addition to enlisting the help of some friends. With the pick taped to his cast, he simplified the chord structures and allowed the anger to ring out (you can hear his cast hitting the strings) as he wrote in his home studio. He invited longtime friends and tourmates Black Rebel Motorcycle Club to lend their talents to the project as Peter Hayes cut guitar and Leah Shapiro performed drums on multiple tracks. Not to mention, legendary producer Butch Vig professed his fandom for Mondo Cozmo on a podcast, so Josh found a way to get in touch. Butch then became a sounding board and "father figure" throughout the whole trip. In the midst of the recovery, Josh's doctor prescribed an antibiotic, doubling as an omen. "When I was on the antibiotic, I was coming up with all of these fucking songs," he says. "I told him! He looked at me and said, 'Do you actually think it's the antibiotic? Or, do you think because you said what you needed to, you're writing these?' I thought, 'Maybe, he's right'. So, I called the album New Medicine as it stemmed from the whole experience." He introduces the record with the revved-up snarling rock of "Black Cadillac." A slithering clean riff snakes around tambourine. On the bridge, everything subsides into a steeple-size chant upheld by handclaps before the affirmation, "I'm alright." "We had these seven-hour van drives during the Kavanaugh hearings, so we'd watch them," he goes on. "I call him out on the third verse, because I feel artists should be speaking up right now. Don't play in the middle of the road. Use your words. At the same time, the song is also very much about being on the road and getting sick of Instagram." A rush of guitars builds towards the sweeping and soaring "Come On." For the only co-writer of the project, he joined forces with Dan Wilson and summoned the spirit of --- Support this podcast: https://anchor.fm/bringinbackpod/support Become a supporter of this podcast: https://www.spreaker.com/podcast/bringin-it-backwards--4972373/support. https://bringinitbackwards.com/

We had the pleasure of interviewing Asiahn over Zoom video! Raised in Charleston but based in Los Angeles, artist and songwriter Asiahn—pronounced "Ahh-zee-yahn"—knew she needed a break between installments of her beloved Love Train EPs. Creatively, she was inspired by something new: heartbreak, and picking up the pieces afterwards. Thus The Interlude—a five-track explosion of talent and control by one of music's most in-demand creatives—was born. Showcasing new sides to the sultry, boundary-breaking artist, The Interlude tells the story of Asiahn realizing that the break between relationships signified the start of harvest season as she rediscovered herself after heartbreak, bouncing back from the pain and learning to speak her truth in every corner of her life. With songs like "Messed Up" and "Gucci Frames," Asiahn is giving you something to fall in love with throughout The Interlude, a project that tells the full story of welcoming vulnerability in service of getting ready to love again. "If I'm going through something hard, I don't wanna write about it until I've healed, because otherwise I'm bringing you into my negative space and I have no resolve for you," Asiahn says of The Interlude. "And with this project, I wanna make sure I'm giving you just enough to be satisfied, but not enough to be full." Asiahn is known for penning hits for massive stars like Jennifer Lopez, Pitbull, Drake, Lil Wayne, and Dr. Dre, but with The Love Train series, and now The Interlude, she's ready to usher you into her own world. "At the end of the day, my music is my identity," she says. "And I can't expect anyone else to know what I want to say and how I want to say it. I'm the best person to tell my own stories." We want to hear from you! Please email Tera@BringinitBackwards.com. www.BringinitBackwards.com #podcast #interview #bringinbackpod #foryou #foryoupage #stayhome #togetherathome #zoom #aspn #americansongwriter #americansongwriterpodcastnetwork ​​Listen & Subscribe to BiB Follow our podcast on Instagram and Twitter! --- Support this podcast: https://anchor.fm/bringinbackpod/support Become a supporter of this podcast: https://www.spreaker.com/podcast/bringin-it-backwards--4972373/support. https://bringinitbackwards.com/

We had the pleasure of interviewing Happy. over Zoom video! Tate is the lanky blonde with the voice. Sean is the mysterious brunette behind the drum kit. John is the tall drink of water on lead guitar. This grungy trio make up the passion project that is Happy. They are young, honest, and breaking the fourth wall. Influenced by an eclectic mix of 90's surf rock, 2000's radio punk, and modern emo pop, the group have created a sound that disguises profoundly heavy lyricism in catchy, upbeat sing-alongs. Their 2016 self-released EP "The Endless Bummer" brought them a year of packing basements and underground venues across their university town and touring in an old RV across the east coast on weekends and in between college semesters. 2018 saw their signing to Rude Records and release of their debut full length "Cult Classic" produced by Will Pugh (Cartel). Gaining millions of streams and a dedicated following of fans all around the world, Happy. toured the United States and Canada multiple times including their most recent run with Super Whatevr and Chapel. Happy.'s highly anticipated sophomore record "Imposter Syndrome" is out October 30th, 2020. They explain "from the lows of depression, anxiety and addiction to the highs of traveling, making friends and living the dream, this record is our everlasting chase for 'success'. Produced by Marc McClusky (Weezer, Motion City Soundtrack, The Front Bottoms).We want to hear from you! Please email www.BringinitBackwards.com">Tera@BringinitBackwards.com.www.BringinitBackwards.com#podcast #interview #bringinbackpod #foryou #foryoupage #stayhome #togetherathome #zoom #aspn #americansongwriter #americansongwriterpodcastnetwork​​Listen & Subscribe to BiBFollow our podcast on Instagram and Twitter! We had the pleasure of interviewing Happy. over Zoom video! Tate is the lanky blonde with the voice. Sean is the mysterious brunette behind the drum kit. John is the tall drink of water on lead guitar. This grungy trio make up the passion project that is Happy. They are young, honest, and breaking the fourth wall. Influenced by an eclectic mix of 90's surf rock, 2000's radio punk, and modern emo pop, the group have created a sound that disguises profoundly heavy lyricism in catchy, upbeat sing-alongs. Their 2016 self-released EP "The Endless Bummer" brought them a year of packing basements and underground venues across their university town and touring in an old RV across the east coast on weekends and in between college semesters. 2018 saw their signing to Rude Records and release of their debut full length "Cult Classic" produced by Will Pugh (Cartel). Gaining millions of streams and a dedicated following of fans all around the world, Happy. toured the United States and Canada multiple times including their most recent run with Super Whatevr and Chapel. Happy.'s highly anticipated sophomore record "Imposter Syndrome" is out October 30th, 2020. They explain "from the lows of depression, anxiety and addiction to the highs of traveling, making friends and living the dream, this record is our everlasting chase for 'success'. Produced by Marc McClusky (Weezer, Motion City Soundtrack, The Front Bottoms).We want to hear from you! Please email www.BringinitBackwards.com">Tera@BringinitBackwards.com.www.BringinitBackwards.com Become a supporter of this podcast: https://www.spreaker.com/podcast/bringin-it-backwards--4972373/support. https://bringinitbackwards.com/