Bringin' it Backwards

We had the pleasure of interviewing Lyn Lapid over Zoom video!Gold-Certified singer, songwriter, and multi-instrumentalist Lyn Lapid releases her long-awaited debut album, BUZZKILL, via Mercury Records—listen HERE. The 12-track album features her recently released singles “death wish,” “i’ll be happy when,” “coraline” and “buttons,” as well as the new title track, “buzzkill,” which is unveiled today alongside the official music video—watch HERE. Known for marrying her honest and vulnerable storytelling through both lyrics and visuals, Lyn released mini-trailers for each of the songs on the album leading up to the release, which culminated into the official album trailer—watch HERE.Up next, Lyn is gearing up to kick off the “BUZZKILL World Tour” in a few weeks. Beginning on May 6th in Berlin, the highly anticipated tour will first see Lyn headline shows across Europe and the UK before heading back to North America, where she’ll perform in major cities, including New York, Los Angeles, Toronto, Chicago, Washington, DC, San Francisco, Vancouver, and more through the end of June. See the full list of tour dates below and at www.lynlapidtour.com.Lyn spent the past few years carefully crafting what would become BUZZKILL, inspired by the isolating experiences surrounding her move from her small suburban hometown in Maryland to the bustling city of Los Angeles, and all of the mixed emotions that came along with them. She shares, “Moving to the West Coast was a struggle. It was the first time I was in a new place by myself, and I didn’t know anyone outside of my roommates. I’d go to parties because I thought it was better than being alone. It was an attempt to find community, but it just became a cycle of meaningless interactions. Every time I went out with my friends, I felt like a ‘buzzkill’ because it seemed like I had always brought the mood down. However, it only seemed that way because I was with the wrong people. I needed to accept that I shouldn’t have to force myself to settle for surface-level friendships and relationships. It opened an opportunity to find new and truly meaningful connections and friendships.”BUZZKILL takes listeners on an all-too-relatable journey with Lyn, from experiencing loneliness and feelings of not belonging to radical self-acceptance and newfound confidence. The album has already received early praise, with Grammy.com proclaiming, “Imbued with a soft and soulful tone over a bed of R&B, indie, alternative, and pop, BUZZKILL is some of Lapid’s most vulnerable work,” and Ones To Watch declaring, “Lyn Lapid dives into the loneliness that comes with finding yourself in a new place.”ABOUT LYN LAPID:Lyn Lapid writes the soundtrack to seeing life a little differently. Her unfiltered observations ripple across fluid soundscapes anchored by subtle alternative R&B grooves, loose jazz phrasing, and unassuming pop ambition. The 22-year-old Filipino American singer, songwriter, and multi-instrumentalist continues to strike a chord with audiences through her unpredictably catchy and undeniably candid songcraft.In 2020, a series of viral ukulele covers on TikTok brought the Maryland native her first brush with virality. Her personal vision took shape across a series of essential fan favorite singles such as “Producer Man,” “When She Loved Me,” and the Gold-Certified “In My Mind.” Early co-signs came courtesy of Billie Eilish, Sabrina Carpenter, and Jungkook of BTS.During 2023, she made waves with to love in the 21st century EP and its extended edition, the epilogue. She incited the applause of Rolling Stone, Billboard, E! Online, BuzzFeed, UPROXX, HYPEBAE, Refinery29, and LADYGUNN, among others. Speaking to her impact, Forbes touted her among its “AAPI Artists to Watch,” and Atwood Magazine christened her an “exceptional artist-to-watch.” She emerged as the rare collaborator equally comfortable on a track with Ruth B and mxtmtoon or Eric Nam and Whethan. Beyond touring with the likes of Ricky Montgomery and Claire Rosinkranz, she graced the bill of Head In the Clouds Festival and has sold out two nationwide headline tours in 2023 and 2024.Generating over 1 billion streams, packing venues on headline tours, and attracting widespread critical acclaim, she narrates a season of self-actualization and newfound confidence on her 2025 full-length debut, BUZZKILL, out now on Mercury Records.We want to hear from you! Please email Hello@BringinitBackwards.comwww.BringinitBackwards.com#podcast #interview #bringinbackpod #LynLpid #NewMusic #ZoomListen & Subscribe to BiBhttps://www.bringinitbackwards.com/followFollow our podcast on Instagram and Twitter! https://www.facebook.com/groups/bringinbackpodBecome a supporter of this podcast: https://www.spreaker.com/podcast/bringin-it-backwards--4972373/support.

We had the pleasure of interviewing Elliot James Reay over Zoom video!23-year-old singer, guitarist, and songwriter Elliot James Reay returns with the irrepressibly upbeat new single, “Who Knew Dancing Was A Sin.” The soulful cut is built on an old school premise: Reay’s partner fears he’s been unfaithful when really he was just out dancing the night away. The song’s music video brings that scenario to life and pays homage to the Northern Soul dancing scene still thriving in Reay’s hometown of Manchester, UK. “Who Knew Dancing Was A Sin” is available now at via Interscope / Island EMI.For his fourth song to date, Reay reunites with writer-producer duo SOAP (Manchester’s Josh Noble and Karl Ziegler) alongside fellow cowriters Annielle Lisiuk and Glen Roberts. With deep bass groove, sharp guitar stabs, jangling tambourine, and driving drums, “Who Knew Dancing Was A Sin” is itself a powerful enticement to dance. Horns and strings only add to the urgency as Reay growls, quavers, and coos out his passion for movement: “It’s a shame she doesn’t get it, a shame she doesn’t see / It don’t make me a traitor and it don’t make me cheat / You can try to stop the music, but you can’t stop my feet / Just give me a bourbon, a bass line, and a beat.”The music video for “Who Knew Dancing Was A Sin” finds Reay in the hot seat after he comes home late. He’s suited up and visibly disheveled as a nightgown-wearing woman gives him a piece of her mind. Through thrilling flashbacks, though, we see the truth as Reay cuts a rug amidst a group of passionate dancers kicking, spinning, and shuffling in a red-curtained club.Reay’s new tune further leans into the young artist’s loving embrace of ’50s and ’60s music, and follows March’s “Daydreaming,” a swooning single infused with cinematic grandeur and eerie longing. Before that came the upbeat and stylish “Boy in Love,” with a video shot on the streets of his hometown, and the massive breakthrough “I Think They Call This Love,” which enthralled millions around the globe with Reay’s refreshing revival of a classic rock ’n’ roll sound.Influenced from an early age by artists like Roy Orbison and Elvis Presley, Reay now channels that pioneering era of culture into his music to incredible effect. A truly sensational debut, “I Think They Call This Love” has amassed over 150 million global streams, earned 400 million views across 120,000+ TikTok creates, climbed Spotify Viral Charts in over 27 countries, and helped Reay build a loyal fanbase of more than 5 million followers. The song also marked the arrival of a fascinating new talent who, clearly, has much more to share.ABOUT ELLIOT JAMES REAY:Elliot James Reay has a genuine, lifelong love for not just the music of the ’50s but the entire era and he has the voice, look, and magnetism to seemingly transport his fans back in time. But a close listen to his intoxicating forays into doo-wop and rockabilly reveals decade-hopping flourishes, knowing nods, and the occasional bent melody or distorted peel of guitar that would’ve caused uproar in Billy Fury’s Day. Instead — and despite those who told him he’d need to change his sound to succeed — Elliot’s grown a huge fan base via modern means, organically amassing over 4.7 million followers and hundreds of millions of views across social media platforms.Reay grew up listening to all kinds of music in the town of Bury, outside of Manchester, but he was drawn to the old stuff from an early age and took it farther than most, thrifting for vintage clothes and busking the town center as a teen. As the crowds grew, so did his confidence, and after earning more than £2,000 in a single day fundraising in the wake of the 2017 Manchester tragedy, Elliot realized the power he had to reach others. He was only 15 years old back then, and ever since he’s been working on bringing his velveteen voice to an expanding audience whose appreciation for his music transcends generations, time zones and, yes — to see his fans’ comments about his work — quite possibly time itself.We want to hear from you! Please email Hello@BringinitBackwards.comwww.BringinitBackwards.com#podcast #interview #bringinbackpod #ElliotJameReay #NewMusic #ZoomListen & Subscribe to BiBhttps://www.bringinitbackwards.com/followFollow our podcast on Instagram and Twitter! https://www.facebook.com/groups/bringinbackpodBecome a supporter of this podcast: https://www.spreaker.com/podcast/bringin-it-backwards--4972373/support.

We had the pleasure of interviewing Christian Hayes over Zoom video!Capitol Records recording artist Christian Hayes has poetically drawn on his life experiences growing up in the foothills of Appalachia since his grandfather gifted him his first journal at seven years old. While his debut EP Last I Love You, released in September, followed Hayes’ journey navigating heartbreak and growing up, he’s now offering an upbeat new song underscoring the beauty of finding love in imperfection with “Wildflower,” available now.Self-written by Hayes, the concept for “Wildflower” was born from Hayes’ observation of seeing beauty found in imperfections and embracing uniqueness in love. Recalling how wildflowers are each unique and grow to their own accord, Hayes drew from this inspiration to celebrate the qualities that make them distinctly beautiful.“I had family members who I watched struggle a lot with discontent growing up, always striving to find that perfect spouse, rather than being happy with the one they were with,” Hayes reflects. “This song was inspired by that inner conflict, but rather than always striving for perfection where it doesn’t exist, the ‘wildflower’ serves as a metaphor to finding a person who’s right for you, while embracing the beauty in their imperfections.”The song comes on the heels of the September release of Last I Love You, which casts a wide net, fusing Americana and folk while bouncing between campfire ballads, cinematic soundscapes and raw, rowdy barn-burners. At the center of that sound is Hayes himself: a wise-beyond-his-years musician who knows he can’t move forward without taking a look at his past.Genuine and articulate, Hayes comes from a long line of storytellers that includes his Grandpa Jack – a poet by profession – who gave Christian his first journal. Born and raised in the foothills of Appalachia, Hayes began playing guitar at age eight. After high school, he enlisted in the U.S. Navy Reserve and attended the University of Alabama.Hayes recently signed with Capitol Records, as well as with William Morris Endeavor (WME) for booking, Universal Music Publishing Group (UMPG) for publishing, Wildrose Projects for management and Flood Bumstead McCready & McCarthy (FBMM) for business management.About Christian HayesRaised in the Appalachian foothills of northern Georgia, Christian Hayes grew up surrounded by southern storytelling. His grandfather — a poet by profession — encouraged him to begin writing in a journal at 7 years old, sparking a habit that would eventually take Hayes to Nashville. A veteran of the US Navy Reserve, Hayes began applying the discipline of his military training to his work as a songwriter, amassing more than 900 original songs by his mid-twenties. Five of those songs appear on Last I Love You, his debut for Capitol Records available now. Produced by Lukas Bracewell and steeped in Hayes' unique version of American roots music, Last I Love You features the viral single “LILY” (which racked up more than 3 million streams before the EP’s official release), the anthemic “Black Gold” and a mix of effortless melodies, cinematic folk and rowdy, barn-burning Americana.We want to hear from you! Please email Hello@BringinitBackwards.comwww.BringinitBackwards.com#podcast #interview #bringinbackpod #ChristianHayes #NewMusic #ZoomListen & Subscribe to BiBhttps://www.bringinitbackwards.com/followFollow our podcast on Instagram and Twitter! https://www.facebook.com/groups/bringinbackpodBecome a supporter of this podcast: https://www.spreaker.com/podcast/bringin-it-backwards--4972373/support.

We had the pleasure of interviewing Highly Suspect over Zoom video! Never content to follow, Highly Suspect push rock music forward by trusting their instincts and raising a middle finger to everything else. The multi-GRAMMY® Award-nominated and gold-certified band - Johnny Stevens [vocals, guitar], Ryan Meyer [drums, vocals], Rich Meyer [bass, vocals], Matt Kofos [guitar] and Mark Schwartz [keyboards/guitars] - don’t just talk about burning the rules and breaking the mold; they actually do so.The band’s chemically imbalanced mix of gritty guitars, haunting piano, off-kilter synths, hip-hop production, cinematic vision, and beautifully possessed vocals transformed them into a phenomenon beloved by a diehard global fanbase known as “MCID” [My Crew Is Dope]. After grinding it out as an underground curiosity, they scraped a path to mainstream infamousness with their 2015 full-length debut, Mister Asylum. It earned a GRAMMY® Award nomination in the category of “Best Rock Album” as the single “Lydia” received a nomination for “Best Rock Song” was certified gold by the RIAA.The 2016 follow-up The Boy Who Died Wolf roared to life with the gold-selling “My Name Is Human,” which catapulted to #1 on the Billboard Mainstream Rock Chart and garnered a GRAMMY® Nomination for “Best Rock Song.” 2019’s MCID affirmed them as the rare outfit who could collaborate with Young Thug and Gojira on the same album. Loudwire hailed the latter among the “50 Best Rock Albums of 2019.”  With hundreds of millions of streams and sold out shows on multiple continents, Highly Suspect charged ahead of the pack again on 2022’s The Midnight Demon Club with no compromises and no apologies as they challenged rock to be dangerous and maybe even life-changing again. This past summer the band  shared their latest opus, As Above, So Below, is out now via Roadrunner/300/ElektraWe want to hear from you! Please email Hello@BringinitBackwards.comwww.BringinitBackwards.com#podcast #interview #bringinbackpod #HighlySuspect #NewMusic #ZoomListen & Subscribe to BiBhttps://www.bringinitbackwards.com/followFollow our podcast on Instagram and Twitter! https://www.facebook.com/groups/bringinbackpodBecome a supporter of this podcast: https://www.spreaker.com/podcast/bringin-it-backwards--4972373/support.

We had the pleasure of interviewing Bo Staloch over Zoom video! Capitol Records will release Bo Staloch’s The Garden, a stunning six-song showcase of visceral alt-folk and Americana. Family means everything to the Austin-born, Nashville-based singer-songwriter – it was their unconditional love and support that encouraged him to pour his soul into music while he was still in high school. On the EP’s profound title track, released today, Staloch pays it forward, declaring to the next generation, “When the sky falls down give the pieces to me / I’ll hold you like the moon til you fall asleep.” Listen to “The Garden” HERE. Calling himself “the luckiest person in the world,” Bo Staloch explains the inspiration for his new single. “My family has always been the most important part of my life, and being surrounded by so much love and support, it's kind of impossible not to think of me being a parent someday. I actually think about my future kids a lot. It is a little weird that I'm 19 and I'm thinking about that, but I've seen how much effort my parents put into creating a space for me to flourish. So, I'm just like, ‘Whatever I'm doing right now, I'm really doing it for my kids.’”He wrote “The Garden,” which serves as a mission statement for the EP, at his family home. To help him mold The Garden, Bo teamed with producer Andrew Wells (Phoebe Bridgers, Teddy Swims, Halsey), working out of his Laurel Canyon-facing home studio. That secluded setting, steeped in folk-rock history, lent a peaceful atmosphere to some emotionally stormy material. Staloch now calls it his “favorite place in the world.” It felt like home. For the closing track, “Oh God, Were You Ever,” he teamed up with producer Joshua Block (Jamestown Revival, Leon Bridges).Staloch recently supported  Houndmouth on their U.S. tour. In May, he’ll join Ashe on the road. Tickets are available here. Touring for his first time ever in 2024, Staloch sold out headline shows in London and Dublin and supported the likes of Wyatt Flores, Richy Mitch & TCM, John Vincent III and Hans Williams. The Luna Collective observed, “2025 is looking to be the year of Bo Staloch…Full of powerful acoustic guitar and heartfelt lyricism, Bo Staloch’s music feels like it deserves to be listened to while sun-kissed and driving amongst the most cinematic of scenery…a special sonic blend of country, folk, and americana.” Atwood Magazine observed, “Bo Staloch basks in stomp-and-holler bliss…”We want to hear from you! Please email Hello@BringinitBackwards.comwww.BringinitBackwards.com#podcast #interview #bringinbackpod #BoStaloch #NewMusic #ZoomListen & Subscribe to BiBhttps://www.bringinitbackwards.com/followFollow our podcast on Instagram and Twitter! https://www.facebook.com/groups/bringinbackpodBecome a supporter of this podcast: https://www.spreaker.com/podcast/bringin-it-backwards--4972373/support.

We had the pleasure of interviewing Fastball over Zoom video!Formed in 1994 in Austin, Texas, Fastball combined a fondness for melodic, Beatles-inspired pop with the alternative aesthetic of late-'90s mainstream rock. Guitarist/vocalist Miles Zuniga, bassist/vocalist Tony Scalzo, and drummer Joey Shuffield — all veterans of Austin's underground rock scene — originally banded together under the name Magneto U.S.A. After signing with Hollywood Records, the musicians changed their name to Fastball and released their debut album, Make Your Mama Proud, in 1996. The album demonstrated the band's synthesis of modern flavor and bygone pop hooks, a combination that would later launch Fastball into the mainstream.The follow-up effort, All the Pain Money Can Buy, appeared in early 1998, featuring a considerably tighter band and more pop flourishes. Although the bandmates were still working side jobs at the time of its release, lead-off single "The Way" proved to be a meteoric hit, topping the American rock charts for seven weeks while enjoying crossover success as a pop single. "Fire Escape" and the piano-fueled "Out of My Head" did similarly well, and All the Pain Money Can Buy went platinum within six months of its release, earning two Grammy nominations along the way. Fastball celebrated their success with a considerable amount of touring, including shows alongside Marcy Playground and Everclear.The Harsh Light of Day arrived in fall 2000, featuring piano work by Billy Preston and an increasingly arty sound, including the Top 40 hit "You're an Ocean.” Fastball eventually left the Hollywood roster in favor of a new deal with Rykodisc. A retrospective compilation, Painting the Corners: The Best of Fastball, marked the band's final release for Hollywood Records in 2002. Two years later, they resurfaced with Keep Your Wig On, having fully embraced their power pop roots with the help of co-producer Adam Schlesinger. The album strengthened Fastball's work ethic, with frontmen Zuniga and Scalzo writing together for the first time. That collaborative spirit helped fuel another album, Little White Lies, which appeared in 2009 to warm reviews.After several years of focusing on live work, Fastball returned to the studio in 2015, recording in their hometown of Austin. The project emerged in May 2017, a self-released album titled Step into Light, and the band supported it with an extensive tour of the United States and Canada. The following year, Fastball celebrated the 20th anniversary of All the Pain Money Can Buy with an expanded edition of the 1998 album; they accompanied the reissue with a hometown concert in Austin, Texas.In October 2019, Fastball returned with The Help Machine, an album produced by Steve Berlin of Los Lobos, and in Sept 2021 and on June 17, 2022 they released The Deep End.Fastball just released a brand new album called Sonic Ranch.We want to hear from you! Please email Hello@BringinitBackwards.comwww.BringinitBackwards.com#podcast #interview #bringinbackpod #Fastball #NewMusic #ZoomListen & Subscribe to BiBhttps://www.bringinitbackwards.com/followFollow our podcast on Instagram and Twitter!https://www.facebook.com/groups/bringinbackpodBecome a supporter of this podcast: https://www.spreaker.com/podcast/bringin-it-backwards--4972373/support.

We had the pleasure of interviewing Cali Tucker over Zoom video!Daughter of renowned recording artist LaCosta Tucker and niece of the famed Tanya Tucker, Cali Tucker hails from Nashville, Tennessee and has been hitting full throttle throughout her career. She gained national recognition on Season 6 of The Voice after joining Team Blake and becoming a finalist. Since then, she has risen to prominence as a headlining act in Las Vegas, captivating audiences with her remarkable talent as a live performer. Cali’s self-designed solo show is highly interactive, featuring her rich vocals, infectious humor, and dynamic stage presence. Cali represents the best of both Nashville and Vegas, which has earned her the title of “Miss NashVegas.”Her unique fashion sense and luxury persona is a big part of her brand in the country music business as she prepares for the launch of many upcoming projects for 2024, including the Country Couture clothing line. Partnering with prominent brands, producers, songwriters, designers, and influencers. Tucker promises to continue to astound audiences not just in Las Vegas, but across the country and globe.We want to hear from you! Please email Hello@BringinitBackwards.comwww.BringinitBackwards.com#podcast #interview #bringinbackpod #CaliTucker #NewMusic #ZoomListen & Subscribe to BiBhttps://www.bringinitbackwards.com/followFollow our podcast on Instagram and Twitter! https://www.facebook.com/groups/bringinbackpodBecome a supporter of this podcast: https://www.spreaker.com/podcast/bringin-it-backwards--4972373/support.

We had the pleasure of interviewing joan over Zoom video!Beloved alt-pop duo joan, who have garnered over 200 million global streams and more than one million monthly listeners across streaming platforms, have unveiled their latest single "face" via Photo Finish Records. Co-written with Cris Stayton and co-written/produced by joan—Alan Benjamin Thomas and Steven Rutherford—"face" began as an experimental writing session on Zoom. The collaboration quickly turned into something much more personal, capturing an honest and poignant reflection on the passage of time and the longing for lost moments."This song is about time and how quickly it slips away," the band shares. "In the blink of an eye, something that seems like it could go on forever is gone, and what you previously took for granted, you would do literally anything to get a mundane second of it back.  Nothing is supposed to last forever, but sometimes you have to lose it to understand how special the moments you had together were.”Recorded and produced in their Little Rock studio, "face" is joined by an accompanying music video that blends live performance with projected imagery.  "We wanted to make it feel like a performance video with a twist," the band explains. "We shot Steven performing the song separately and then projected him onto the wall while Alan performed. It feels surreal, it feels connected even though we weren’t. There’s something eerie and beautiful about it."The new single follows joan’s recently released tracks, “magic,” “heartbodymindsoul” and “eyes,” marking the beginning of an exciting new chapter for the band since their 2023 debut album, superglue.  joan are now gearing up for an underplay headline tour kicking off Apri 24th in Dallas, TX titled “the close friends tour.” This follows a sold-out Fall tour with MisterWives. Over the years, joan has performed in 15,000+ capacity venues in Asia, headlined festivals in the Philippines, Thailand, Singapore, and Hong Kong, and supported artists such as COIN, The Aces, The Maine, and Jeremy Zucker.joan’s journey began with their debut EP portra and has since flourished through fan-favorite releases like cloudy & partly cloudy, hi & bye, and superglue. With each project, joan continue to expand their loyal following.We want to hear from you! Please email Hello@BringinitBackwards.comwww.BringinitBackwards.com#podcast #interview #bringinbackpod #joan #NewMusic #ZoomListen & Subscribe to BiBhttps://www.bringinitbackwards.com/followFollow our podcast on Instagram and Twitter! https://www.facebook.com/groups/bringinbackpodBecome a supporter of this podcast: https://www.spreaker.com/podcast/bringin-it-backwards--4972373/support.

We had the pleasure of interviewing Sofía Valdés over Zoom video!Acclaimed Panamanian singer-songwriter Sofía Valdés unveils her anxiously awaited self-titled debut album, Sofía Valdés, out now via Warner Records.In bringing the 10-track album to life, Sofía worked extensively with producers Michael Uzowuru (known for his work on groundbreaking albums like Rosalía’s Motomami and SZA’s Ctrl), Alex Goose (Vince Staples, Childish Gambino) and Carter Lang (SZA, Lykke Li), as well as in-demand musicians like Local Natives guitarist Ryan Hahn and Diana Gordon.From the epic “Tacones Por La Puerta” featuring cinematic strings from acclaimed Brazilian composer Arthur Verocai to the guitar-driven funk of “Already Yours” and the tender plea on “Un Momento,” the album affirms Sofía as a bold and eloquent songwriter inspired by her family’s deep, multi-generational connection to music.She paved the way for the album’s arrival with fan favorite collaborations with Latin sensations DannyLux on “Lento” and Cuco on “How’s That Working Out,” which earned widespread critical praise, including Rolling Stone who hailed its “modern bossa nova blend of jangly guitar and sleek beats perfect for late summer,” and Ones To Watch who called it “a collab of indie Latino royalty."Her catalog to date — including her previous EPs Silvia, In Bloom, and Ventura — has received a long list of critical acclaim from the likes of NPR, W Magazine, Interview Magazine, NYLON, and many more for her beautifully original blend of bossa nova, folk, and pop.ABOUT SOFÍA VALDÉS Sofia Valdes, a singer/songwriter born and bred in Panama, creates the kind of emo onally honest and beautifully original pop music that could only come from years of exploration. After learning to play guitar at the age of eight and writing her first song at 13, the independent-minded artist sharpened her craft in part by building an eclectic sonic vocabulary informed by everything from folk and bossa nova to ’60s Motown and ’70s soul. Valdes alchemizes those inspira ons into a sound all her own, gracing each track with her indelible songwriting and beguiling voice. With its transcendent melodies and shapeshifting rhythms, Ventura is an elegant introduction the vibrant musicality that may very well be in Valdes’s blood: her great-grandfather was the legendary Cuban musician Miguelito Valdes, and her great-great grandmother was Silvia De Grasse (a Panamanian singer who once performed with Louis Armstrong). We want to hear from you! Please email Hello@BringinitBackwards.comwww.BringinitBackwards.com#podcast #interview #bringinbackpod #SofíaValdés #NewMusic #ZoomListen & Subscribe to BiBhttps://www.bringinitbackwards.com/followFollow our podcast on Instagram and Twitter! https://www.facebook.com/groups/bringinbackpodBecome a supporter of this podcast: https://www.spreaker.com/podcast/bringin-it-backwards--4972373/support.

We had the pleasure of interviewing sym fera over Zoom video!Los Angeles-based sym fera are a duo that make atmospheric electronic rock music (reminiscent of early Nine Inch Nails) with an interesting twist - nobody knew who was in the band. This mysterious nature and captivating melodies had intrigued listeners, with their single 11/8 amassing over 400,000 streams. The song was also placed within the hit television series, Ozark, creating further interest in the band. The group recently released a remix package of 11/8 (orchestral and electronic remixes). sym fera recently  drop their newest single, ‘Beg’. At the same time as the release, they will reveal their identities (Nick Simmons – the son of Gene Simmons and Vinnie Ferra – co-founder of Beehive).Their first EP was released under State of The Art Records, helmed by Ian McEvily, Marc Jordan, and Mike Clemenza, who themselves did not know the real names of the band members before they made an offer to sign them. The reason for hiding their identities was to create a social experiment in a time when name and social following seem to be the most common reasons for artists to garner any support or movement early on. Would they be successful without using any industry ties? Could they break through the noise and garner a following without millions of followers? The answer is, yes. We want to hear from you! Please email Hello@BringinitBackwards.comwww.BringinitBackwards.com#podcast #interview #bringinbackpod #symfera #NickSimmons #VinnieFera #NewMusic #ZoomListen & Subscribe to BiBhttps://www.bringinitbackwards.com/followFollow our podcast on Instagram and Twitter! https://www.facebook.com/groups/bringinbackpodBecome a supporter of this podcast: https://www.spreaker.com/podcast/bringin-it-backwards--4972373/support.