We had the pleasure of interviewing Åsa Orbison over Zoom video!Originally from Stockholm, Sweden Åsa Orbison had a fondness for music at a young age, where she attended music school in Sweden. Into adulthood, she then transitioned into working in marketing, but later came to the realization that music was always something she ultimately gravitated to and wanted to pursue. Åsa decided to make the move to America when she found love with now husband Roy Orbison Jr! She came back to her musical roots when working together with her husband (whom she collaborated with on her new album). As a huge feat, Åsa received a platinum record award for singing backup vocals on her father-in-law, Roy Orbison’s ‘Unchained Melodies” in 2019. The “Blue Bayou” album is Åsa's first album and passion project, recorded at Roy Orbison Jr’s "Pretty Woman Studio", Nashville A Team member Wayne Moss’ “Cinderella Studio” and Jack Clement’s “The Cowboy Arms Hotel And Recording Spa”. "Blue Bayou” album is a stunning representation of Åsa's Jazz/Pop soft, breathy singing style with her top singles "Blue Bayou”, ”Green Eyes” “Unchained Melody”, & “Satin Doll”.Åsa resides in Malibu, California with her 4 adorable children and husband Roy Orbison Jr. In her free time, she enjoys music, running, Pilates and hiking. Åsa is also passionate about supporting causes that are close to her heart including, Music Cares, Operation Smile and BabytoBaby. We want to hear from you! Please email Hello@BringinitBackwards.comwww.BringinitBackwards.com#podcast #interview #bringinbackpod #ÅsaOrbison #RoyOrbison #RoyOrbisonJr #NewMusic #ZoomListen & Subscribe to BiBhttps://www.bringinitbackwards.com/followFollow our podcast on Instagram and Twitter! https://www.facebook.com/groups/bringinbackpodBecome a supporter of this podcast: https://www.spreaker.com/podcast/bringin-it-backwards--4972373/support.

We had the pleasure of interviewing Nina Nesbitt over Zoom video!Singer-songwriter and producer and multi-instrumentalist, Nina Nesbitt releases her new album, Mountain Music. From exceeding a billion streams to being championed by Taylor Swift and playing shows with everyone from Coldplay to Stevie Nicks, Nina’s career has taken her from highlight to highlight. Yet the release of her new album could well be the most significant moment to date. Not only is it a record that leans into an accomplished and engaging new sound, but it’s also the first release via her new independent label Apple Tree Records.Mountain Music is a record in which authenticity flows through every moment. Its impetus was a moment of crisis: Nina had become overwhelmed by the need to be always active on social media and realized it was a huge distraction from her songwriting. So instead, she paused and went back to basics. What emerged was a set of songs which were informed, in part by the two years she spent touring the States in support of her second studio album: the critically acclaimed The Sun Will Come Up, The Seasons Will Change, and partly by the Americana and US folk music that she has always loved. Their narratives also became more personal than ever. She reflected on everything that has happened in her life: growing up in a small Scottish village, breaking into music while living in the bustle of London, and now looking back at all of her life experiences from her new home in the countryside. While it might sound strange that Nesbitt was drawn to the music of Appalachia, heard echoing through the vast, verdant mountain ranges of the eastern United States, it makes more sense when you consider how traditional Scottish ballads and hymns are threads in that rich tapestry.Speaking about the new album, Nina Nesbitt reveals, “’Mountain Music’ feels like the most authentic and honest piece of work I’ve created so far. I was inspired by a lot of the American folk music I grew up listening to, and revisiting it made me fall back in love with writing music again. I knew I wanted to take inspiration but to also write my own story. This album celebrates that small town girl, puts an arm around the big city twenty-something and looks back at the view with me now from the calm and the quiet. ‘Mountain Music’ held my hand through some of my hardest moments and I hope it can hold yours too.”The album’s organic, resonant feel also comes from a recording process which placed a sharper focus on the importance of live performances. Accompanied by a band of musicians, Peter Miles and Nina produced sessions at Middle Farm Studios in South Devon in the UK, with Peter completing the record with mixing and mastering. That sound is today further showcased as Nina shares the new Mountain Music Session performance of the album’s closing track, “Parachute,” a swaying, romantic ballad that also addresses her introvert tendencies. Accompanied by a five-piece band, Nina leads a song which steadily grows in stature from sparse piano into a dramatic crescendo of sound. She’s visibly lost within the moment, channeling her emotions into an affecting song which charts the self-doubt that she had prior to starting the album.Having recently enjoyed a big spotlight moment when she performed at Team Great Britain’s Homecoming show live on BBC One to over 2 million viewers, and having just completed a dream tour as special guest to Stevie Nicks earlier this year, Nina plans to hit the road next month for a UK headline tour.For a list of upcoming tour dates, please visit ninanesbittmusic.com.Stay tuned for more music and live dates, coming soon!We want to hear from you! Please email Hello@BringinitBackwards.comwww.BringinitBackwards.com#podcast #interview #bringinbackpod #NinaNesbitt #NewMusic #ZoomListen & Subscribe to BiBhttps://www.bringinitbackwards.com/followFollow our podcast on Instagram and Twitter! https://www.facebook.com/groups/bringinbackpodBecome a supporter of this podcast: https://www.spreaker.com/podcast/bringin-it-backwards--4972373/support.

We had the pleasure of interviewing PENG over Zoom video!Viral sensation PENG, best recognized for her strides as a former Olympian and elite gymnast, releases her fiery debut single “PRETTY PLEASE.” LISTEN HERE. The news also comes with an official music video directed by Vanessa Zamarripa. WATCH HERE. The track sets the tone for a myriad of singles to be released later this summer. Inspired by her personal story of triumph over adversity, the new alternative pop anthem is an empowering song that demonstrates the essence of resilience.  “As a creative, a part of my art is not only the music but the feelings that go with it. I wanted to showcase that this song was made to inspire anyone to stand up for themselves,” PENG explains. “I wrote Pretty Please last year with my amazing songwriter ZEV at a time in my life where I had just graduated from university and was trying to find my career post-gymnastics,” She continues. “Music and songwriting have always been a way for me to creatively share and express my thoughts since I was young. I hope this song is found to be empowering and inspires those to [gain] courage to speak up. I believe that everyone is their own little superhero.”Alongside the single PENG’s visuals, the music video showcases her vision of strength and elegance. Inspired by an underground fight club, the music video features talented stunt women from PENG’s gymnastics world. With fervent energy and poignant vocals, PENG is set to emerge as one of pop’s most disruptive and dynamic entertainers of her generation. Up next, she will also be releasing follow up music to her debut single and will be hosting and performing in the GOLD OVER AMERICA tour starring Simone Biles this Fall. More exciting news to come from PENG very soon.ABOUT PENG:PENG is a Los Angeles-based musician and former Olympian renowned for inspiring others through her viral content and athletic achievements. Her journey from elite gymnast to alternative pop music sensation exemplifies resilience and versatility, showcasing her ability to overcome challenges and transform adversity into triumph. Starting her artistic career at London, Ontario’s prestigious Original Kids Theatre, PENG captivated audiences with her powerful vocals and performances at major sports events, quickly amassing a massive social media following. Her transition to acting saw her star in hit series like "WARPED!" and "My Perfect Landing," and she emerged victorious in the "Ultimate Crown: Fire & Ice Edition" on Twitch.PENG's commitment to inspiring the next generation of athletes and her active support for gymnastics reflect her dedication to making a positive impact. Her debut single, "Pretty Please," embodies her passion for empowering others, sharing her raw emotions and powerful stories with her fans. With her dynamic presence and relentless passion, PENG is set to take the entertainment world by storm.We want to hear from you! Please email Hello@BringinitBackwards.comwww.BringinitBackwards.com#podcast #interview #bringinbackpod #PENG #NewMusic #ZoomListen & Subscribe to BiBhttps://www.bringinitbackwards.com/followFollow our podcast on Instagram and Twitter! https://www.facebook.com/groups/bringinbackpodBecome a supporter of this podcast: https://www.spreaker.com/podcast/bringin-it-backwards--4972373/support.

We had the pleasure of interviewing Little Monarch over Zoom video!Plenty of Time gives listeners a look inside Little Monarch, the bedroom-pop disco-funk hybrid brainchild of Casey Kalmenson. Recorded in her home studio in Los Angeles, CA, the collection of 13 tracks strung together in between tours and life on the road range from simple moments to introspective homesick yearnings. Plenty of Time features latest single and opener “We Got That Feeling,” a funky and slick track about capturing those special moments with loved ones that make the rest of the world fade away and turn good times into timeless memories. Atmospheric track “It’s Like Music” describes the comforting feeling of listening to the ramblings of someone you adore. The cosmic self-love anthem “Sheesh” and radiant bass-driven single “Follow Your Majesty” both share a similar message of putting yourself first while celebrating your individuality. Elsewhere on the full-length is jaunty track “Bounce” that encourages you to go after what you want while “Same Old” bursts with warbly synths as Kalmenson speaks to being surrounded by the wrong kind of energy you need to be your best self. As Little Monarch, Kalmenson creates a truly unique listening experience, blending various elements into a cohesively contemporary yet retro sonic drive, and Plenty of Time is no exception to that.Recognized for her exceptional musical abilities, she has found viral success with hits including “No Matter What” and “Strike” which have quickly added to her over 41 million global streams and she has garnered praise from the likes of Wonderland, Ones To Watch, The Line of Best Fit, and Atwood Magazine among others. Her music can be heard in a variety of campaigns with brands such as Abercrombie & Fitch and Shiseido Cosmetics along with syncs for shows including Grey’s Anatomy, Love Is Blind, and Love At First Lie. She is also an integral member of Gracie Abrams' band and played a pivotal role in the highly acclaimed Taylor Swift The Era's Tour in 2023, showcasing her exceptional talent on a global stage. We want to hear from you! Please email Hello@BringinitBackwards.comwww.BringinitBackwards.com#podcast #interview #bringinbackpod #LittleMonarch #CaseyKalmenson #GracieAbrams #NewMusic #ZoomListen & Subscribe to BiBhttps://www.bringinitbackwards.com/followFollow our podcast on Instagram and Twitter! https://www.facebook.com/groups/bringinbackpodBecome a supporter of this podcast: https://www.spreaker.com/podcast/bringin-it-backwards--4972373/support.

We had the pleasure of interviewing Tony McGuinness of Above & Beyond over Zoom video!Before Tony McGuinness was Tony McGuinness of Above & Beyond, he was another artist, another music industry professional, another man entirely, which is completely understandable. Because, for the Tony McGuinness who is finally releasing his debut album almost three decades after he recorded it, it was a whole other lifetime.‘Salt’ is the great lost solo project from the songwriter who would become the chief “male voice” lyricist in Above & Beyond (beloved favorites like “Sun & Moon,” “Thing Called Love,” “Northern Soul,” “Gratitude,” and more).Now, at last, in 2024, the fans, followers, and the fascinated can hear the DNA of that songwriting mastery. McGuinness wrote the heart of Salt’s nine tracks in a heady six-month burst between 1995 and 1996, the result of a classic ’90s whirlwind romance in London that was popping off with the explosion of club culture in the UK.This whirlwind romance became the inspiration behind “Biker Babe,” the first single from the forthcoming album. “She had a Triumph motorcycle T-shirt on,” says McGuinness. "And I just went twang on my guitar and sang: ‘biker babe, biker babe…’. And that's how that song came.”In “Biker Babe,” a sun-dappled Sixties strum with, let’s just say it, Noel Gallagher-shaped contours, Tony wrote a song where he and Shelley’s story was transposed onto characters in Twin Peaks. “Which is where the mention of The Roadhouse comes from," he says of a lovelorn confessional which, 28 years later, opens Salt, "and ran with that all the way through to the ending. I knew she was gonna have to go back to America because she had no visa, and she had a flat in America that she didn't want to lose.”Also on the “Biker Babe” single is “Babydoll White,” a title which fans may recognize in another form from McGuinness’s Deep House alias ‘Fingerprint.’ He had remixed the track as a deep house record and released it in 2020 on Anjunabeats; however, the song originated in a completely different form. “Babydoll White” features a guitar solo by co-producer and longtime collaborator Bob Bradley.‘Biker Babe’, and the entire “Salt” album is out now via Anjunabeats.  We want to hear from you! Please email Hello@BringinitBackwards.comwww.BringinitBackwards.com#podcast #interview #bringinbackpod #TonyMcGuinness #Above&Beyond #AboveandBeyond #NewMusic #ZoomListen & Subscribe to BiBhttps://www.bringinitbackwards.com/followFollow our podcast on Instagram and Twitter! https://www.facebook.com/groups/bringinbackpodBecome a supporter of this podcast: https://www.spreaker.com/podcast/bringin-it-backwards--4972373/support.

We had the pleasure of interviewing Sadye over Zoom video!Sadye was one of the winners of Optimism's "We Heart The Art" Contest! The contest shines a light on the creativity and innovation occurring onchain. Sadye minted her song Pretty Traumatized on Sound.xyz in January, which was her entry for Optimism's "We Heart The Art" contest.Inspired by her intense struggle with cancer, discovering self-worth, and dealing with toxic relationships, her lyrics are steeped in a sarcastic form of catharsis as she learns to love her literal, and figurative, scars; a theme beautifully juxtaposed by catchy, modern melodies and edgy pop production. Her music has received adds to coveted Spotify playlists including Obsessed, IT"S A BOP!, New Pop Picks, Night Pop and more as well as Apple's New in Alternative, Amazon's Breakthrough Pop, Girl Squad and Tidal's Future Sounds.Her latest single "Pretty Traumatized" is produced by regular collaborators Mike Green (Paramore, Sueco, Gwen Stefani, 5SOS, Paris Hilton) and Nico Stadi (Justin Bieber, Jason Derulo). The track is a bouncy, nostalgic, dark-pop anthem. Featuring airy keys punctuated by 80's synth stabs and driving 808's, Sadye delivers her signature tongue-in-cheek lyrics inspired by her real life story of recovery, reminding us that we can embrace our traumas and still look damn good doing it.Sadye transcends the limits of mainstream pop, challenging listeners and breathing new life into the genre with otherworldly mystique and uncompromising vision. From humble beginnings as a small town singer/songwriter, Sadye writes with depth and heart, often taking on unexpectedly dark and heavy themes. Inspired by her intense struggle with cancer, dealing with toxic relationships, and finally discovering her self-worth, her lyrics are steeped in a sarcastic form of catharsis as she learns to love her literal, and figurative, scars; a theme beautifully juxtaposed by catchy, modern melodies and edgy pop production, appealing to fans of Kim Petras and Charli XCX to Nine Inch Nails and The Weeknd.Boasting hundreds of thousands of streams, TV placements, and playlist covers, Sadye leans into her inconceivable “industry plant” aesthetic, challenging conventional notions of stardom, and prompting listeners to question the essence of celebrity. Intrigued by emerging technology, she boldly ventures into the web3 space, seamlessly bringing her cult into the future with exclusive digital rewards, proof of her commitment to standing out in a rapidly evolving music landscape.We want to hear from you! Please email Hello@BringinitBackwards.comwww.BringinitBackwards.com#podcast #interview #bringinbackpod #Sadye #NewMusic #ZoomListen & Subscribe to BiBhttps://www.bringinitbackwards.com/followFollow our podcast on Instagram and Twitter! https://www.facebook.com/groups/bringinbackpodBecome a supporter of this podcast: https://www.spreaker.com/podcast/bringin-it-backwards--4972373/support.

We had the pleasure of interviewing Livingston over Zoom video!LIVINGSTON is a 21-year-old singer-songwriter who is having an insane year. In March, he released his debut album A Hometown Odyssey, which has already amassed over 70 million streams on Spotify alone. (Check out lead singles “Last Man Standing” and “Shadow.”) He sold out his first-ever headline tours in both North America, and the UK/Europe. LIVINGSTON gained over 7M followers across all platforms and was named Youtube’s Artist on the Rise in June 2024. His uncanny ability to empower listeners to realize their potential has accelerated Livingston’s ascent as a world-building alt-pop music maverick.We want to hear from you! Please email Hello@BringinitBackwards.comwww.BringinitBackwards.com#podcast #interview #bringinbackpod #Livingston #NewMusic #ZoomListen & Subscribe to BiBhttps://www.bringinitbackwards.com/followFollow our podcast on Instagram and Twitter! https://www.facebook.com/groups/bringinbackpodBecome a supporter of this podcast: https://www.spreaker.com/podcast/bringin-it-backwards--4972373/support.

We had the pleasure of interviewing GHØSTKID over Zoom video!"The biggest problem that art has nowadays is that it doesn't hurt anymore," says GHØSTKID vocalist and agent provocateur Sebastian "Sushi" Biesler. "Especially here in Germany, people are so afraid to push boundaries, to make art that makes you think and feel."By fall 2021, with the world shutdown seemingly over, Sushi wasn't content to let his creative yen languish at home in Germany."Even though we had made it through COVID, I was missing being able to play live, to really function as a band," says Sushi. "It didn't feel real to me. I became distanced from the music." A six-week decampment to Los Angeles became the creative fuel for GHØSTKID's next steps.  The last vestiges of Hollywood sleaze, decaying glamour, personal temptation, and the still-vibrant creative vibes of the city became the frontman's "don't-look-before-you-leap" inspiration for the gestating HOLLYWOOD SUICIDE.The album is a perfect snapshot of an artist finding himself, crawling from his own personal wreckage against a crumbling, mythical Californian milieu. "That's why 'HOLLYWOOD SUICIDE' is the first track. If you really want to make it, you have to give a lot. You have to be willing to give up everything. It's kind of like suicide to the person that you've been when you become an artist."The matching, lush, and elaborate art adorning the album was created by Aly Wayne Gacy.We want to hear from you! Please email Hello@BringinitBackwards.comwww.BringinitBackwards.com#podcast #interview #bringinbackpod #GHØSTKID #NewMusic #ZoomListen & Subscribe to BiBhttps://www.bringinitbackwards.com/followFollow our podcast on Instagram and Twitter! https://www.facebook.com/groups/bringinbackpodBecome a supporter of this podcast: https://www.spreaker.com/podcast/bringin-it-backwards--4972373/support.

We had the pleasure of interviewing VENUES over Zoom video!With their third album “Transience”, VENUES effortlessly pushes the boundaries of what is possible in modern metal. After two strong predecessors “Aspire” and “Solace”, oscillating somewhere between post-hardcore, alternative metal and metalcore, the Stuttgart-based band are finally tearing down all barriers, borders and walls. “Transience” unleashes an emotional cascade full of great melodies, visionary soundscapes, abysmal heaviness and visceral, unfiltered emotion. This is not just an album. This is catharsis. A medicine for a sick world. The antidote to dreariness, indifference and coldness.And yet it is anything but a given fact that VENUES are still standing. Old members left, corona hit hard; yet, from a long dark tunnel emerged a band that has somehow only grown bigger, stronger, more fearless through all the setbacks and catastrophes. “Since our last album, we’ve grown together enormously as a band,” confirms shouter Robin Baumann. Since 2019, he has been sharing the vocals with wonder voice Lela Gruber, who has given VENUES a huge boost and is easily one of the most versatile, strongest vocalists in modern metal – a voice like an axe for the frozen sea within us. “We all pulled together and can now talk openly about everything,” she says. “That has brought a whole new vibe to the band – not to mention that insane energy.”You can hear it, but you can feel it even more: The ten songs on “Transience” revolve around vanitas, farewells, new beginnings and the inevitability of change; they are emotional projectiles that hit home exactly where they hurt the most: right into our wounded hearts. Recorded in three creative and harmonious sessions with their long-time producer and confidante Christoph Wieczorek (Annisokay) at Sawdust Recordings in Halle, the final act in their trilogy bears all the pain of a wounded world. VENUES don’t look away, don’t suppress anything, don’t sugarcoat. But they don’t give up on themselves and this world either and sing, scream and play against powerlessness. They live, they suffer, they love, they breathe; they don’t close their eyes to toxic relationships (“Unspoken Words”), they channel emotional baggage (“Godspeed, Goodbye”). But VENUES are at their most moving in their most intimate moments. When Robin Baumann addresses his mother’s cancer in “Braille”, for example, or when Lela sings about imprisonment in the depressing “Coming Home”. “I haven't yet managed to sing this song without crying,” she says quietly.This vulnerability, this unfiltered empathy leads to an incredibly intense, at times painstakingly honest album that draws on post-hardcore, alternative rock and electronic prisms. A healing thunderstorm, no less. “When I think back to my 16-year-old self, sitting sadly in his room and immersed in music, I realise what we are actually doing here and that we are this important band for some people today,” says singer Lela. They are: The bristling power of Bring Me The Horizon goes hand in hand with the symphonic arena demolition of In This Moment, infused with a very unique sound that has once and for all become an unmistakable brand on album three. “Transience” is a camera obscura, a prism composed of numerous dazzling facets and immortalised by a band at a new creative and musical peak. “Our last album was a pretty heavy metal record in response to our debut; this time we consciously wanted to be as open and multi-faceted as we are as individuals,” says Robin. “This album sounds the way we always wanted to sound.”VENUES are a metal band at heart, of course. Nevertheless, this has never been a band for those who prefer to think in drawers. For those who don’t want to miss out on great melodies or powerful breakdowns, in turn, they are: The band has been playing their way up step by step since 2015. First “Aspire”, then “Solace”, touring extensively for both records. Since the last album, VENUES have been on the road with Emil Bulls and Blind Channel and played in Wacken, and the first new songs were already released back in 2022. You can feel how hungry the band is right now, how eager to live out their momentum. It’s not the first time people have said this about this band, but: VENUES are just getting started.We want to hear from you! Please email Hello@BringinitBackwards.comwww.BringinitBackwards.com#podcast #interview #bringinbackpod #VENUES #NewMusic #ZoomListen & Subscribe to BiBhttps://www.bringinitbackwards.com/followFollow our podcast on Instagram and Twitter! https://www.facebook.com/groups/bringinbackpodBecome a supporter of this podcast: https://www.spreaker.com/podcast/bringin-it-backwards--4972373/support.

We had the pleasure of interviewing Kobra Paige over Zoom video!Kobra Paige releases the title track “Like No Other” off her debut solo album Like No Other to be released on August 30th. The title track, co-written with Lizzy Hale (Halestorm) and Joe Hottinger (Halestorm) alongside producer Nick Raskulinecz (Foo Fighters, Halestorm, Alice In Chains) showcases the depth and soul behind the creation of the entire album.“Like No Other” was later completed by Kobra at producer Brian Howe’s (Skillet, Daughtry, Linkin Park) Black Stove Studios in 2021 where the addition of Sitar was introduced. This paid tribute to a part of Kobra’s upbringing which involved many years of seva (service), with her family, at an ashram in southern India.Kobra says, “This song is the heartbeat of the album and the distillation of what, I believe to be, life’s journey. If I were to share my essence and experience of what I know about being human, in one song, this would be it. LNO speaks to the recognition of our mind, body, and spirit as the one ‘home’ we truly have in this lifetime. We are its sacred keeper and there’s no limit to the number of times we can rebuild or change its path.”Kobra shares, “As we move through this song, you will hear a sonic blend of worldly drums and Indian Sitar blended with the cozy Dobro and various acoustic and electric guitar layers. This is to express the beautiful paradox of our individuality in this world while simultaneously being plugged into the tapestry of a collective. The vocals are confident yet bare to the rawness of how lonely life can still feel, despite being surrounded by so many others. The ebb and flow of forward then backward motion, we experience all the time, is expressed and celebrated for the strength it takes to keep going through the adversities we face. In the pre-chorus, we have Fleetwood Mac-esque vocal layers, some company for a weary soul. Finally, the chorus holds the wisdom and the key. I speak of the very ancient wisdom of water and use its powerful metaphor as a beacon of remembrance to everyone. One of the most difficult parts of this life- journey is to surrender and cease resisting that which we can’t control. To flow like water is a great aspiration as it patiently shapes things over time, does not force itself, and yet moves powerfully when needed. Finally, a gift for us all. An important affirmation deeply rooted in ‘enoughness’ and truth. ‘I Am Like No Other’. You are the only one keeping you from yourself."Kobra Paige’s release of single’s has been the beginning of a new journey, all leading to the culmination, announcement and release of her forthcoming record. Through song and deliberate visuals, this body of work aims to encourage self-liberation without abandoning the world. Kobra believes music plays an integral role in connecting, elevating, and healing humanity.About Kobra PaigeKobra Paige is a Canadian artist creating through the medium of music and songwriting. She is the founder of the two-time, Juno-nominated hard rock band Kobra and the Lotus. Known for her multifaceted and emotionally driven writing, Kobra is currently gearing up for her forthcoming album, heavily focused on topics of social change. Kobra launched her new project with the rock track “Love What I Hate” which debuted at 40 on the Mediabase Active Rock Chart and has become her most-played rock song to date. Kobra followed that up with her single, “Thank You” which debuted at 35 on the Billboard Adult Pop Airplay Chart, debuted as the 4th most added song to the Hot AC charts at 36, and held Top 40 for 10 weeks on both the Billboard Adult Pop and Mediabase Hot AC.We want to hear from you! Please email Hello@BringinitBackwards.comwww.BringinitBackwards.com#podcast #interview #bringinbackpod #KobraPaige #NewMusic #ZoomListen & Subscribe to BiBhttps://www.bringinitbackwards.com/followFollow our podcast on Instagram and Twitter! https://www.facebook.com/groups/bringinbackpodBecome a supporter of this podcast: https://www.spreaker.com/podcast/bringin-it-backwards--4972373/support.