Crude Conversations

Aaron Leggett is the president of the Native Village of Eklutna. He is also the Senior Curator or Alaska History and Indigenous Culture at the Anchorage Museum. In both of those responsibilities, he’s been a champion and an educator of the Alaskan identity. He’s found that critical thinking is key to understanding how Alaska’s history can help us navigate the present and the future. In this conversation, Aaron talks about his responsibilities as the president of Eklutna and how the Museum fits into the larger conversation surrounding Alaska Native equity. Chatter Marks is a podcast of the Anchorage Museum, and is available on Apple Podcasts, Spotify, Amazon Music and Google Podcasts. Just search "Chatter Marks."

In this Special Conversation, Cody talks with author Jered Mayer about depression. Jered was clinically diagnosed with bipolar depression around 25. More recently, he has made a point of talking openly about living with depression in order to destigmatize it and normalize the importance of mental health.

Acacia Johnson is a photographer focused on human relationships to the environment. She spent most of her twenties traveling around Scandinavia and the polar regions, working on ships. Today, she has over 50 expeditions to the Arctic and Antarctica. In Part 2 of this conversation, Acacia talks about creating a record of stories, of people and place. About how, through photography, she has the opportunity to start important conversations about polar regions—about the people who live there, climate change and, ultimately, the lessons we can learn from it. Chatter Marks is now on Apple Podcasts, Spotify, Amazon Music and Google Podcasts. Just search "Chatter Marks."

In this Special Conversation, Cody talks with Kathleen Parker about managing addiction during the pandemic. Many in-person meetings have transitioned to virtual meetings, and that has resulted in new challenges and opportunities. Kathleen has been sober for nine years.

In this special conversation, Cody talks with Dan Cannon, the Tongass Forest Program Manager at the Southeast Alaska Conservation Council. Dan explains how exempting the Tongass National Forest from the Roadless Rule will affect the forest, its inhabitants and the economy in Southeast Alaska. The Roadless Rule is a federal safeguard that restricts logging and road building on roughly 58 million acres of national Forest Service lands. The Tongass accounts for about 17 million acres of that land.

In this episode of Chatter Marks, Cody talks with Acacia Johnson, a photographer focused on human relationships to the environment. She spent most of her twenties traveling around Scandinavia and the polar regions, working on ships. Today, she has over 50 expeditions to the Arctic and Antarctica.  In part one of this conversation, she talks about subverting the stereotype of what it means to be an explorer. And that means reframing the image of a man conquering landscapes to an image of a symbiotic relationship between people and the landscapes they live on. Follow and subscribe to Chatter Marks on Spotify, Amazon Music and Google Podcasts. Coming to Stitcher and Apple Podcasts soon! 

In this Special Conversation, Cody talks with wildland firefighter Micah Booze, better known as Booze. Booze has been a firefighter for over 15 years, five of which have been spent in Alaska. Fighting wildland fires in Alaska, he says, involves more than just putting water on the hot stuff. It involves strategic thinking.

Introducing Chatter Marks, a podcast of the Anchorage Museum, hosted by Cody Liska. Chatter Marks is dedicated to exploring Alaska’s identity through the creative and critical thinking of ideas—past, present and future.  In this episode, Cody talks with Sebastian Garber, the Senior Designer at the Anchorage Museum. Sebastian has been a graphic designer for about 12 years now, and in that time he’s worked for large companies, small firms and a magazine. He says that the most important things he’s learned in those 12 years is being able to adapt to changing trends in design and communication, and the importance of a strong team.  Sebastian is currently working on designing a typeface that includes Alaska Native languages. It will be a typeface stripped of geographic references and that will encompass all the necessary diacritics. Diacritics are accent marks that indicate pronunciation. And when finished it will become the official font of the Anchorage Museum.

In this Special Conversation, Cody talks with Joshua Albeza Branstetter about the controversy currently surrounding Anchorage Christian Schools (ACS). At the time of this recording, 180 alumni had shared their experiences of racism at ACS. Joshua is one of those alumni.  Follow Anchorage Christian Schools alumni speaking out against the historical racism at ACS on Instagram @a.christian.school.

In this episode, Cody has a conversation with his mom, Sharon Liska. For the past 13 years, she has worked as a nurse at a neonatal intensive care unit at an Anchorage hospital. While she worked as a nurse, she continued her education and eventually moved to a Clinical Nurse Specialist position. To her, it’s more than a job. It’s a calling and a privilege to be welcomed into those sacred places of tragedy and happiness. From owning a gym in the 80s to being a stockbroker in the 90s, her working life has been a series of careers, many of which have been in male-dominated professions. To be successful in that atmosphere, she had to navigate the sexism and male egos of the time. Which, a lot of the time, meant having to temper her intelligence.  From 1989 to 2007, she was an integral part of Boarderline Alaska Snow and Skate. Boarderline was founded by Cody's dad, Scott Liska, and his uncle, Jay Liska, in 1989. Sharon's job was damage control. Whenever there was trouble with the business or Scott had personal issues, she came to the rescue. She was routinely responsible for keeping track of and contributing to the financials of the business, even when it took precedence over her family. She says that to create a successful business, everything takes a backseat. And that “a business owns you, you don’t own that business.”