Crude Conversations

Francesca DuBrock is the Chief Curator at the Anchorage Museum, and she recently finished putting the finishing touches on Extra Tough: Women of the North, an exhibit dedicated to exploring how women have shaped Alaska and the circumpolar north. The exhibit was a massive undertaking, it took over 9 months to complete and now occupies the entire third floor of the Museum, which is about 7,500 square feet. It’s not intended to be a comprehensive history of the subject, but rather a multitude of snapshots that help explain how integral women are to the past, present and future of the north.   Francesca says that a large part of unpacking all of this includes subverting cultural myths like ones that depict the brave, masculine explorer conquering landscapes. And, instead, portraying a cultural landscape where Indigenous people have lived for thousands of years.  Chatter Marks is a podcast of the Anchorage Museum, and is available on Apple Podcasts, Spotify, Amazon Music and Google Podcasts. Just search "Chatter Marks."

Thomas Chung says that he’s always been interested in art, even as a child, but that as he got older it became a means of self-preservation. His upbringing was marked by racism and homophobia, and art allowed him to express the emotions he didn’t consciously understand at the time. Those emotions, he would later realize, focused on cultural awareness and compassion, and would come to define much of his professional art. In addition to being an artist, Thomas is also an assistant professor of Art at the University of Alaska Anchorage. There, he continues to champion diversity, equity and inclusivity.    Chatter Marks is a podcast of the Anchorage Museum, and is available on Apple Podcasts, Spotify, Amazon Music and Google Podcasts. Just search "Chatter Marks."

In this Special Conversation, Cody talks to Dr. Danny Mindlin about getting the first dose of the Covid-19 vaccine. Dr. Mindlin is an emergency room doctor in Anchorage, Alaska

In this Special Conversation, Cody talks with Dr. Danny Mindlin about where Alaska is with Covid-19. Danny is an emergency room doctor in Anchorage, Alaska. Currently, Alaska is diagnosing between 700 and 800 daily statewide Covid-19 cases. This interview took place on December 8, 2020.

In this episode, I talk with my uncle, Jay Liska, and Richie Fowler about King of the Hill. Jay and Richie are both former pro snowboarders, and King of the Hill was a legendary snowboard competition held in Thompson Pass back in the 1990s. Three days and three disciplines. There was Extreme Day, where riders competed for the most challenging, but stylish line down a mountain; There was Downhill Day, where a race course was set-up and riders competed for the fastest time; And then there was Freestyle Day, where competitors battled for who could land the best tricks. There were helicopters and airplanes constantly landing and taking off, flying competitors to their mark, and other riders to revisit old lines and to pioneer new ones. There was a pervasive feeling of wonder and madness—everyday people pushed the limits of snowboarding and the durability of the human body. The entire event—on hill and off-hill—was characterized by an anything-goes, outlaw attitude. Every day was a party and every night that party intensified. Drugs and alcohol were everywhere and it wasn’t unusual for guns to be added to the mix. Although my dad, Scott Liska, and my uncle Jay were key figures at the event, I wasn’t old enough to experience it firsthand. Instead, the stories and the infamy that surround it have followed me around since I was a kid. And what I’ve found is that the story of King of the Hill is not just the story of the Alaska snowboard scene, but the story of a brave and reckless group of pioneers. Valdez in the 90s represented an era of unmitigated freedom, and that group of pioneers took full advantage of it.

In this episode, Cody has a conversation with artist and musician Robi Gonzalez. Robi’s had an affinity for music since he was a kid, back when his uncle taught him how to sit on the drums and play a basic beat. In 2006, that took a more tangible shape in the form of two projects. One was Robi’s solo project called Robot, where he produced ambient music that, he says, would fit a sci-fi movie. The other was a project called rawbeats, where he teamed up with his best friend Max Cuzor. They both played the drums at the same time while sharing a kick drum. In 2012, Robi started drumming for A Place to Bury Strangers, a rock band known for their loud, atmospheric performances. He eventually quit so he could pursue a career as a hairdresser, but after he got his hair license he joined another band, This Will Destroy You. In the first issue of Crude Magazine, back in 2013, Cody interviewed Robi and he described himself as, “tangential, not scatterbrained.” And that still holds true. He always seems to make it back to his original point. In this conversation, like many others Cody and Robi have had, they talk about following the unconventional path of an artist and a musician, and where that leads. How there are benefits and there are pitfalls to pursuing that tumultuous and uncertain road.

Tiffany Shaw-Collinge is an artist, curator and architect based in Alberta, Canada. She says that place and climate contributes to her work in a way that can’t be understated. It’s as integral to her craft as much as it is to her identity. In Part 2 of this conversation, Tiffany talks about her preference for working in a collective—that the whole is always greater than the sum of its parts—and that her ultimate goal is to convey a sense of wonder and belonging in every project she’s part of.  Chatter Marks is a podcast of the Anchorage Museum, and is available on Apple Podcasts, Spotify, Amazon Music and Google Podcasts. Just search "Chatter Marks."

Tiffany Shaw-Collinge is an artist, curator and architect based in Alberta, Canada. She says that place and climate contributes to her work in a way that can’t be understated. It’s as integral to her craft as much as it is to her identity. Her lineage is Métis, a fact that became more and more part of her professional life after she realized how little indigenous voices and identity are covered. Today, she continues to explore her Métis lineage through her family, and then expressing it through her craft. Chatter Marks is a podcast of the Anchorage Museum, and is available on Apple Podcasts, Spotify, Amazon Music and Google Podcasts. Just search "Chatter Marks."

In this episode, Cody has a conversation with retired pararescueman Jimmy Settle. Jimmy details his arduous journey to becoming a pararescueman, or PJ, in his book “Never Quit.” He talks about the endless hours of training and everything it took to become a PJ. All of that training ultimately led him to a heavy firefight in the Watapur Valley in Afghanistan in 2010. He was part of a military operation called “Bulldog Bite 2 Charlie,” and while on his way to provide medical aid he was shot in the head. Fortunately, the bullet didn’t penetrate his skull. And after he received medical attention, he got back out there and continued his duties as a PJ. When Jimmy got back home from war, he felt broken. His career as a PJ had ended long before he had planned. On top of that, he was experiencing serious physical pain and PTSD. And he couldn’t find any help. As a result, he went through a period of suicidal depression and homelessness. Since then, Jimmy has found help in therapy, family and college. He says that “Life’s funny like that. You don’t always see the spot you’re gonna land when you let go of the thing you’re holding onto.”

In this Special Conversation, Cody talks with Meghan Barker about the ongoing Pebble Mine controversy. Meghan is the Bristol Bay Organizer at Trout Unlimited, a non-profit dedicated to conserving the habitats of aquatic species and people.