London Review Bookshop Podcast

Kate Folk's debut collection of short stories, Out There, combines science fiction, horror and psychological realism to explore the Kafkaesque precarities of social media and late capitalism: a house viscerally consumes its tenants, a curtain of void envelops the world, an army of AI chatbots is unleashed on the dating apps of San Francisco. Folk read from the book and was in conversation with Sharon Horgan, creator and star of the much-loved Channel 4 series Pulling and Catastrophe, who is working with Folk on adapting the collection's title story for television. Hosted on Acast. See acast.com/privacy for more information.

Written in 1954 but unpublished until after her death, Simone de Beauvoir’s The Inseparables is an intimate portrait, based on life, of female friendship on the cusp of womanhood. Its translator into English Lauren Elkin writes in her introductory note ‘“So is it any good?” people have asked me when I’ve told them I’m translating a ‘lost’ novel by Simone de Beauvoir … And I am relieved to say: yes. It is more than good. It is poignant, chilling and eviscerating.’Elkin, author of Flâneuse and No. 91/92: Notes on a Parisian Commute was in conversation with novelist and essayist Deborah Levy who has contributed an introduction to the UK edition. The event was chaired by Alice McCrum, programs manager at the American Library in Paris. Hosted on Acast. See acast.com/privacy for more information.

Back in March 2018 Iranian-born Kaveh Akbar launched his debut collection Calling a Wolf a Wolf with us at the bookshop. He joined us again in digital form, for his second, Pilgrim Bell (Chatto), a rich and moving collection which explores issues of ambivalence around ethnicity, national identity and religious belief. He read a selection from his work, and discussed it with Seán Hewitt, fellow poet and author of Tongues of Fire and forthcoming memoir All Down Darkness Wide (Cape). Hosted on Acast. See acast.com/privacy for more information.

Julian Barnes’s latest novel Elizabeth Finch, his first since The Only Story in 2018, is very much a novel of ideas. As a student sorts through the notebooks of his former teacher, the inspirational Elizabeth Finch, her ideas unlock for him the philosophies of the past and illuminate the present, underpinned by the story and ideas of Julian the Apostate, the late Roman Emperor who abandoned Christianity in favour of a neo-Platonic Paganism. Barnes was in conversation with Chris Power, author of A Lonely Man (Faber). Hosted on Acast. See acast.com/privacy for more information.

From debut author Nick Blackburn, a therapist specialising in LGBTQ+ issues, comes The Reactor, a powerful new addition to the literature of grief and recovery. Following the death of his father Blackburn examines the nature of destruction, both natural and human-made, drawing on a repertoire of film, music and pop-culture. Olivia Laing has described The Reactor as ‘Beautiful, strange and completely compelling’ and Helen Macdonald praises it as ‘One of the finest accounts of the mysterious workings of grief I have ever read.’ Hosted on Acast. See acast.com/privacy for more information.

Niven Govinden’s sixth novel Diary of a Film (Dialogue) follows an unnamed director through the streets of an Italian town as he muses on cinema, queer love and the creative process; on its hardback publication, during first lockdown, the Financial Times described it as ‘a wise and skilfully controlled novel, which can be read in an afternoon, but which radiates in the mind for much longer.’ To celebrate the novel’s release in paperback, Govinden talks to Gareth Evans, the Whitechapel Art Gallery’s Moving Image curator.Find our upcoming events, online and in-person, here: lrb.me/upcomingevents Hosted on Acast. See acast.com/privacy for more information.

On 29 November 2019 Usman Khan murdered Saskia Jones and Jack Merritt at Fishmongers’ Hall in London. Recently released from prison after serving a sentence for terrorism-related offences, Khan was attending an event to mark the anniversary of a writing course he had attended while in prison. Novelist Preti Taneja had been one of his tutors.In Aftermath (And Other Stories), described by Nikesh Shukla as ‘a masterclass work of literary brilliance’, Taneja has created from the horrific events of that day a searing lament, interrogating the language of terror, trauma and grief, a powerful indictment of the prison system and an equally powerful plea for its abolition. She was in conversation with Lola Olufemi, author of Feminism, Interrupted and Experiments in Imagining Otherwise.Find our upcoming events, online and in-person, here: lrb.me/upcomingevents Hosted on Acast. See acast.com/privacy for more information.

Although born 20 years after Gwen John’s death, Celia Paul has always felt a strong affinity with the older artist. In Letters to Gwen John (Cape), described by Julia Blackburn as ‘A miraculous, door-opening book’, Paul has created in words and images an imaginary correspondence, and a spell-binding portrait of two women artists creating work against the grain, and entirely on their own terms. Paul talks about the book with the polymathic Olivia Laing, whose latest book is Everybody (Picador).Find out about our upcoming event, online and in person: lrb.me/lrbevents Hosted on Acast. See acast.com/privacy for more information.

In her latest book Disorder: Hard Times in the 21st Century (Oxford) Helen Thompson argues that while the earthquake that was the Covid-19 pandemic profoundly shocked the world order, the fault lines along which it operated had been building for decades. Her story begins with the energy crises of the 1970s, takes in the financial crash of 2008 before leading us to our current state of unease, disorder and instability. Thompson is in conversation with Ann Pettifor, economist and author of The Production of Money and The Case for the Green New Deal.Find our upcoming events, online and in-person, here: lrb.me/upcomingevents Hosted on Acast. See acast.com/privacy for more information.

After twenty years novelist and essayist Pankaj Mishra makes a triumphant return to fiction. Described by Amit Chaudhuri as ‘his best work yet’ and by Neel Mukherjee as ‘unforgettable’, Run and Hide (Hutchinson Heinemann) explores, through the lives of three friends riding the high tide of India’s boom years, the implications and human costs of the thirst for wealth and power. Mishra, a regular contributor to the LRB, was in conversation with Lisa Appignanesi. Hosted on Acast. See acast.com/privacy for more information.