It is the most influential book in the history of the world, a book that in many ways set the standard for what books would become, but it is also the book at the heart of a world spanning religion. It has never purported to be the words of God, but the result of a complex partnership between God and his creation, the result being a “divine words written by human hands.” This book is of course the Bible. On the grounds of sales and publications alone, it has been astonishingly successful. Due to a Niagara of translations and editions, dating back to the first centuries of the Christian religion, it has been a remarkably adaptive host for the ideas and emotions contained within it. My guest Bruce Gordon has written a biography of the Bible that focuses on its flow from the eastern Mediterranean into the farthest corners of the world, writing what he calls “the story of humanity’s grasp for the impossible: the perfect Bible.” A native of Canada, Bruce Gordon is the Titus Street Professor of Ecclesiastical History at Yale Divinity School. Among his many publications are biographies of the Zurich reformer Huldrych Zwingli, and of the Genevan reformer John Calvin, as well as a “biography” of the life of Calvin’s most important production, the Institutes of the Christian Religion. His most recent book is The Bible: A Global History, which is the subject of our conversation today.

In his long short story or very short novella entitled “The Man Without a Country,” Edward Everett Hale describes his protagonist Philip Nolan as a young man from the Mississippi Valley who “had grown up in the West of those days, in the midst of ‘Spanish plot’, ‘Orleans plot’, and all the rest. He had been educated on a plantation where the finest company was a Spanish officer or a French merchant from Orleans.” Nolan was, in other words, a young man who was used to foreign serpents in the western Eden. Little wonder, then, that in the story he participated in a conspiracy against a United States that he barely knew. In his new book Serpent in Eden: Foreign Meddling and Partisan Politics in James Madison's America,  Tyson Reeder shows the reality behind a story published in 1863. For over forty years, James Madison was near the heart of American politics, perhaps entitled to be called the chief architect of both the Constitutional system and then of the party system that he had just a few years before decried. Intimately linked with both of these innovations were the influences of Spain, Great Britain and France, all eager to direct the young republic in ways that would benefit their interests in the Americas.  Tyson Reeder is Assistant Professor of History at Brigham Young University. He was previously  an editor of the Papers of James Madison at the University of Virginia, and author of Smugglers, Pirates, and Patriots: Free Trade in the Age of Revolution (2019). For Further Investigation This episode is connected to a great many other episodes in the last year, in one way or another. See Episode 366 with Andrew Burstein; Episode 352, on Tecumseh as a great American strategist; and Episode 344, on America's founding scoundrels

In Early Modern Europe, spying was not really a profession but it certainly was a verb. At times it would seem, from the dark suspicious years at the end of Henry VII’s life, to Cromwell’s protectorate and the restoration of the Stuart monarchy, that it was a game that everyone was playing. And in an era in which anyone with a modicum of political power was, figuratively speaking, always looking over their shoulders for rivals, they were literally driven to read each other’s mail. But reading the mail has its difficulties. How to unseal and reseal a letter so that no one knows that you have opened it? And when you discover the letter is encoded, how to decipher it? And so the game of spy vs. spy went on in the seventeenth century, pretty much as it does now, save for a few technological developments.  With me to discuss the world of early modern spycraft, mostly in Britain, are Nadine Akkerman and Pete Langman, coauthors of Spycraft: Tricks and Tools of the Dangerous Trade from Elizabeth I to the Restoration. Nadine Akkerman is professor of early modern literature and culture at Leiden University,  and author of the acclaimed Invisible Agents. Pete Langman is an Oxford English Dictionary bibliographer, author of Killing Beauties, and a cricketer. For Further Investigation For more on early modern espionage, but conducted on highly professional basis, see my conversation with Ioanna Iordanou in Episode 142 Letterlocking How to open a locked letter without opening it How to hide a message in an egg "Making a wax seal, how hard can it be?" Cryptiana: Articles on Historical Cryptography

Colonel John Trumbull, Artist John Trumbull must be one of the only artists in the history of American art to insist upon being addressed by his military rank; he was Colonel Trumbull until he died. But it was not John Trumbull’s feats in battle or in managing administrative correspondence that won him fame among his contemporaries, but what he painted on canvas. Hanging in the rotunda of the US Capitol are four of the paintings in which he sought to preserve memories and paint a history of the American Revolution, but also teach something of the ethics appropriate to war; of democratic and republican virtue; of political  power flowing from a sovereign people; and of the need to relinquish that power when called to do so. To this day some of the most recognizable images of the Revolution are almost certainly something painted by Trumbull–most likely either The Death of General Warren at the Battle of Bunker’s Hill, or the painting known simply as The Declaration of Independence. If occupying space rent-free in posterity's imagination is ever the ambition of an artist, then Trumbull succeeded, and then some.  With me today to discuss the life, art, and civic teaching of John Trumbull is Richard Brookhiser. Beginning with his 1997 book Founding Father: Rediscovering George Washington, Richard Brookhiser has written a shelf of books on the American founders, the most recent of which is Glorious Lessons: John Trumbull, Painter of the American Revolution.  For Further Investigation Highly recommended: "Let This Be a Lesson: Heroes, Heroines, and Narrative in Paintings at Yale," a brilliant series of lectures on history painting by John Walsh, from which I've learned a lot. See particularly Lecture 7, on Benjamin West, and Lecture 8, on John Trumbull, focusing on his painting of the Battle of Bunker Hill. There are many HT episodes on related issues. You might be interested in Episode 163, on Joseph Warren, the first martyr of the American Revolution, whose death is the focus of Trumbull's first history painting; or Episode 176, which focuses heavily on the images of revolutionary victors created by Trumbull and his contemporaries (some of whom were his friends and acquaintances)

Richard Blakemore, an Associate Professor of Social and Maritime History at the University of Reading, delves into the fascinating world of piracy in his latest book. He explores why the late 17th and early 18th centuries became the iconic period for piracy. The discussion covers the complex dynamics of Caribbean piracy, including the blurring lines between piracy and privateering, and how politics shaped figures like William Kidd. Blakemore emphasizes the intricate relationship between piracy, colonial politics, and the legal perceptions that emerged during this turbulent time.

How can a new nation establish itself amidst the networks and intrigues of a very old part of the world, while at the same time trying to be different from everyone else? Are these inherently contradictory aims? And how can either–or none–of these objectives be achieved by civil servants who are engaging in, at best, on the job training?  These are some of the questions that are prompted by studying the First Barbary War, fought by the young United States from 1801 to 1805 along the coast of North Africa. Far from being a story simply of simple and straightforward naval derring-do, it is one of strategic ambiguity, diplomatic finesse, and the ideological aspirations of a new nation set against the backdrop of world war and millennia old customs.  With me to discuss the First Barbary War is Abby Mullen, Assistant Professor of History at the United States Naval Academy. She is also the impresario of not one but two podcasts: Consultation Prize, a limited run series about US diplomacy from the ground-eye viewpoint of American consuls, and Big If True, a podcast for kids which is co-hosted with her daughter. But today we are (mostly) talking about her new book To Fix a National Character: The United States in the First Barbary War, 1800–1805. For Further Information William Eaton is the subject of the portrait above; for a little something about the "Burr Conspiracy", in which Eaton may have participated and against which he then gave evidence, see Episode 344  As mentioned in the podcast, Daniel Herschenzohn in Episode 95 explained the complex economy in the Mediterranean that centered on the redemption of prisoners. But the only time that consuls have shown up was very recently, in Episode 359.  Here's a link to Abby Mullen's Consolation Prize, a limited series podcast "about the history of the United States in the world through the eyes of its consuls." And one to Big If True,  "a podcast for kids exploring the truth about big things" co-hosted with her daughter, but which is now alas lapsed into a podcast doze. For on the American wars on the Barbary coast, see Frank Lambert's The Barbary Wars: American Independence in the Atlantic World; for a now very old book full of swashbuckling derring-do, and not very many strategic complications, see Fletcher Pratt, Preble's Boys: Commodore Preble and the Birth of American Sea Power.

More than any other creature, it has proven itself over millennia to be man’s best and most useful  friend. At first it was just another prey animal, but eventually it became such a close companion and coworker that it seems impossible for many of us to imagine ever eating one–although probably a billion people around the world do so on a regular basis. For thousands of years it remade cultures and societies, even creating new languages. Then, at the moment of its greatest societal impact, it was quickly replaced by the internal combustion engine. I am of course referring to the horse. And with me to talk about the immense importance of the horse in human history is Timothy Winegard, heard last week explaining the horrible effects of the mosquito in human history. He is Associate Professor of History at Colorado Mesa University, where as a Canadian expat he is by Colorado law also required to coach the college hockey team–which he does. More importantly for our purposes today he is author of The Horse: A Galloping History of Humanity.

It is without question the most lethal predator in the history of the planet.  It has killed more humans than any other single cause of death—something around 52 billion over the course of 200,000 years of human history. In 2022 alone, it probably killed 680,000 people—a number much reduced from the carnage it has caused in past centuries. This super-predator is the mosquito, which has since the time of the dinosaurs carried diseases in its tiny body that have destroyed nations and cultures, and altered the destinies of those who survived. With me to describe the immense historical impact of the mosquito is Timothy C. Winegard.  He is Associate Professor of History at Colorado Mesa University, and author of the 2019 bestselling book The Mosquito: A Human History of Our Deadliest Predator. For Further Investigation A review of The Mosquito in Emerging Infectious Diseases The CDC Guide to Mosquitoes One of the earliest works of animation: How a Mosquito Operates, from 1912 Two videos related to William Crawford Gorgas: one, from the Gorgas House Museum in Alabama, highlights his contribution to the building of the Panama Canal; the other is a one minute clip of a silent movie of Gorgas traveling on a train through the Canal Zone.

Just before 10 AM on Tuesday, June 9th, 1964, in Tuscaloosa, Alabama, hundreds of people were gathered in First African Baptist, prepared to march to the new Tuscaloosa County Courthouse where they planned to drink from water fountains and use restroom facilities that were supposed to be only used by whites. Around the church were gathered hundreds of police, members of the Ku Klux Klan, and other deputized whites. At 10:15 AM, after the arrest of Reverend T.Y. Rogers, the pastor of First African Baptist, the police attacked the church. They beat those who attempted to leave with clubs and cattle prods. Then, the door being closed and locked, they brought up a fire truck, and blasted away the stained glass windows, filling the sanctuary in some places ankle-deep with water. Then they fired tear gas canisters through the windows, driving those within outside, where they were beaten, and over a hundred were hauled off to jail.  This was Bloody Tuesday, now a nearly forgotten inflection point in the Civil Rights struggle, overshadowed by the concurrent campaign then ongoing in St. Augustine, by national events in the weeks to come, and by the violence of Selma in 1965. John M. Giggie had preserved the memories of Bloody Tuesday, and complex struggle of justice in Tuscaloosa in his new book Bloody Tuesday: The Untold Story of the Struggle for Civil Rights in Tuscaloosa.  John M. Giggie is Associate Professor of History and Director of the Summersell Center for the Study of the South at the University of Alabama. He is creator of "History of Us," the first Black history class taught daily in a public school in Alabama. Giggie is also director of the Alabama Memory Project, which seeks to recapture and memorialize the over 650 lives lost to lynching in Alabama, and a founding member of the Tuscaloosa Civil Rights History and Reconciliation Foundation.   For Further Investigation Three short essays on Bloody Tuesday by John Giggie: “How Tuscaloosa’s Bloody Tuesday Changed the Course of History,” Time.com, June 7, 2024 Remembering Bloody Tuesday, Alabama Heritage, June 2024 The Tuscaloosa Campaign and Bloody Tuesday, Encyclopedia of Alabama Books on the Civil Rights movement on Tuscaloosa, related to subjects in the podcast, or mentioned in the podcast: Clark, E. Culpepper. The Schoolhouse Door: Segregation’s Last Stand at The University of Alabama. Tuscaloosa: University of Alabama Press, 1995. Hollars, B.J. Opening the Doors: The Desegregation of the University of Alabama and the Fight for Civil Rights in Tuscaloosa. Tuscaloosa: University of Alabama Press, 2013. Wendt, Simon. The Spirit and the Shotgun: Armed Resistance and the Struggle for Civil Rights. Gainesville: The University Press of Florida, 2007. Cobb, Charles E. Jr. This Nonviolent Stuff'll Get You Killed: How Guns Made the Civil Rights Movement Possible. Durham: Duke University Press, 2015. Marsh, Charles. God's Long Summer: Stories of Faith and Civil Rights. Princeton: Princeton University Press, 2008. Chappell, David L. A Stone of Hope: Prophetic Religion and the Death of Jim Crow. Chapel Hill and London: University of North Carolina Press, 2005.

Does knowing a lot of facts about the historical past – say, of early America – make us feel closer to it? Or is something else required? How can we–as my guest puts it, “appreciate a bit better what it felt like to be alive then. Naturally,” he continues  “we can’t teach emotions to any who weren’t alive to experience them how Pearl Harbor felt in real time – let alone Fort Sumter or Lincoln‘s assassination – is not transmissible. The historian can only do so much.“ But how to convey not merely the intellectual weight but the emotional burdens that humans once carried–and that we might no longer understand? My guest Andrew Burstein has done what he can to credibly bring early America closer to us in his new book Longing for Connection: Entangled Memories, and Emotional Loss in Early America. It is a work of history that is intricately plotted, connecting personalities and themes in a sort of great circular panopticon of early America, in which the reader sits at the orbital center of continual swirl and movement.   Andrew Burstein is the Charles Phelps Manship Emeritus Professor in the Department of History at Louisiana State University. Longing for Connection is the latest member of a large-and hopefully happy- family of books.   For Further Investigation You really should read some Alexander Pope. Find more about him, and some of his poems here. Poor Edward Everett. No one ever reads his Gettysburg address.  Some of the more closely related members of the Burstein family of books, many of them mentioned in the conversation, listed in order of publication: The Inner Jefferson: Portrait of a Grieving Optimist; Sentimental Democracy: The Evolution of America's Romantic Self-Image; The Original Knickerbocker: The Life of Washington Irving; and Lincoln Dreamt He Died: The Midnight Visions of Remarkable Americans from Colonial Times to Freud For an intro to cultural history, you should listen to Episode 32 Past episodes with a connection to this one are Episode 163: The First Martyr of the American Revolution; and Episode 344: Founding Scoundrels