Scaachi Koul, a senior writer for Slate and author of 'Sucker Punch', shares her insights on marriage, divorce, and identity. She discusses how marriage can overshadow personal identity and argues that everyone should experience divorce. With humor, she explores the cultural pressures surrounding marriage in Indian communities and the challenging transition to singlehood, especially for women. Koul highlights the importance of reclaiming identity post-divorce and the evolving expectations of relationships in today's society.

Scaachi Koul, a senior writer and author of "Sucker Punch: Essays," and Haley Mlotek, a noted writer whose work appears in The New Yorker, dive into the emotional rollercoaster of divorce. They share personal experiences, shedding light on the millennial perspective of navigating separation. Their conversation touches on the emotional labor of writing personal narratives, the influence of art on their craft, and the societal implications of being a divorcee. The blend of humor and reflection adds depth to their discussion about identity and relationships.

Slate senior writer Scaachi Koul discusses Kamala Harris's transition from meme icon to presidential candidate, exploring her balance of seriousness and humor, controversies, communication style, and campaign challenges. The podcast delves into Harris's evolution in the political landscape, addressing her biracial heritage, mixed record on criminal justice reform, and the impact of meme culture on her public image.

Scaachi Koul, Slate senior writer, explores Kamala Harris's internet meme popularity and serious political platform questions. They discuss Harris's comedic moments, diverse heritage, centrist political history, communication style, and image evolution. The podcast delves into Harris navigating challenges, criticisms, and meme culture while aiming for a presidential image.

Scaachi Koul and Kathleen Newman-Bremang discuss Tory Lanez's sentencing for shooting Megan Thee Stallion and the backlash. They delve into the concept of 'Toronto Mans' crossing American borders through Drake and The Weeknd. Intersectionality of sexism and racism, systemic oppression in the justice system, and misogynoir towards black women artists in hip-hop are explored.