Film critic Darcy Paquet and series co-curators, Korean Film Archive's Young Jin Eric Choi and Subway Cinema's Goran Topalovic, discuss the scathing critique of postwar reconstruction in the South Korean classic film Aimless Bullet from 1961. They also explore the challenges faced by filmmakers and the newfound freedom of speech in 1960s Korean cinema. The speakers delve into the regulations imposed by the government in the 1960s and the diverse genres in Korean cinema during that period. They also highlight the historical significance of 'A Woman Judge' directed by Holan Wan.