Geoff Shullenberger

Geoff Shullenberger discusses 'The Dawn of Everything' book, challenging assumptions on civilization rise, rejecting Marxism, emphasizing human imagination. Weaknesses include over-emphasis on personal freedom, inaccuracy in the 18th century, and blindspot on myth, ritual, environment shaping societies.

Sohrab Ahmari, a cultural commentator, and Geoff Shullenberger, a journalist focused on social issues, dive into the highs and lows of the Democratic National Convention. They discuss RFK Jr.'s unexpected dropout from the race and analyze shifting political strategies, highlighting the contrast between Democrat and Republican approaches to healthcare and entitlements. The conversation touches on protest politics, rural voter dynamics, and the evolving definitions of freedom, especially in light of recent Supreme Court rulings.

Sohrab Ahmari, a sharp commentator on political issues, and Geoff Shullenberger, a keen cultural critic, join the discussion with Matthew Schmitz. They dissect Kamala Harris's controversial ties with Silicon Valley donors and the electoral risks involved. The conversation dives into the Venezuelan crisis, highlighting its implications for Latino leadership. The trio also tackles the evolution of identity politics and allyship, questioning the genuine support behind public endorsements and examining the complexities of race in contemporary political discourse.

Geoff Shullenberger discusses the impact of Bronze Age Pervert on sexual politics, race, intelligence, and aristocratic virtues. They delve into BAP's philosophy, aesthetics, defense of beauty, and the appeal of his political ideology for young men. The conversation also touches on ambivalence towards fatherhood, self-help culture for men online, and the complex nature of masculinity in society.

Author Sohrab Ahmari discusses his new book 'Tyranny, Inc.' with guests Nina Power and Geoff Shullenberger. Topics range from power asymmetry in employment agreements to the political nature of Trump's prosecution. They also explore Russia's media strategy and delve into the significance of The Exorcist as a film about faith and declining quality of cinema.