In March, a comic by Eli Valley landed him on the radar of Meghan McCain. There was nothing extraordinaire about the piece from a cartoonist who has long wading into the divisive world of U.S.-Israeli relations, but the commentary about the American right’s relationship with the country caused The View cohost to lash out on Twitter. That, in term, put a relatively unknown cartoonist in the national spotlight. But in spite of the conversations it provoked, Valley explains that publicity doesn’t always equate to income. He’s quick to plug his recently opened Patreon account in hopes of making a living at his art. Valley’s work is part commentary, part personal catharsis, exorcising the demons of the most politically charged era of most of our lifetimes. In deals in politics and identity through a lens of grotesqueries inspired by humor cartoonists like Basil Wolverton. It doesn’t avert its gauze from the subject matter — a fact that makes for better work, but not always financial gain.
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