RiYL

Bursting with the vitality of NYC's outer-boroughs, Laveda returned in September with Love, Darla. The Brooklyn by way of Albany harkens back to the heyday of noisy indie, while forging its own playful path. Hosted on Acast. See acast.com/privacy for more information.

A radical departure in a music career defined by them, Jamie Lidell's first full length in nearly a decade finds the artist exploring a new instrument, genre, tones, and collaborators. Born of the pandemic, Places of Unknowing is a work of ambient neoclassical piano music with no clear common sonic connections to the electronic-turned-soul musician's earlier work, beyond pervasive and deep emotional resonance. Hosted on Acast. See acast.com/privacy for more information.

Debi Derryberry's fifth album, Go to Sleep, combines longstanding loves of music making and animation into a single YouTube project, pulling together nine tracks aimed at lulling kids to bed. The work is a labor of love for a voice actress with somewhere in the neighborhood of 400 IMDB credits to her name. Along with playing the title character in the long running Jimmy Neutron franchise, the actress has voiced iconic roles ranging from the Toy Story aliens to the animated Wednesday Addams. We also dig into some fascinating early work with Jim Varney and a roller skating seal on the Chris Elliott masterpiece, Get a Life. Hosted on Acast. See acast.com/privacy for more information.

Note: The interview was cut short and kind of sputters out at the end for weather related reasons I won’t go into here. We’ll have to get the band back on for a followup.Periscope at Midnight finds doubleVee plumbing familiar depths, as Barbara and Allan Vest revisit the latter’s previous band, The Starlight Mints, to put a spin on a pair of old tracks. Notes of the earlier baroque indie-pop act can be heard throughout, but the duo has forged its own oblique path to the genre after more than a decade of playing music together. Hosted on Acast. See acast.com/privacy for more information.

Earlier songs were political, but never as overtly so. There isn’t much value left to wring from subtlety these days.Battlewear is, fittingly, angry. It’s the product of navigating an unpredictable – and increasingly bleak – landscape. An hour before we hop on the call, a right wing reactionary is murdered in broad daylight.Kadhja Bonet believes in the power of art and community. And while they’ve never been particularly fond of performing live, busking holds a certain appeal, in its immediate and unfiltered connection between artist and audience. Hosted on Acast. See acast.com/privacy for more information.

Ahead of their upcoming Image series, Death to Pachuco, artist Rachel Merrill and author Henry Barajas discuss the process of bringing the historical fiction to life. Set against the backdrop of the Sleepy Lagoon Case and Zoot Suit Riots, the book explores themes of racial tension through a lens of hard boiled detective fiction. The pair also talk about picking up the mantle for long running newspaper strip, Gil Thorp. Hosted on Acast. See acast.com/privacy for more information.

SunYears felt like starting over, in a very real sense. Peter Bjorn and John were on the backburner, and Peter Morén earlier solo work was decidedly more self-selecting, with Swedish lyrics touching on more experimental soundscapes. There was also a global pandemic to contend with. The Song Forlorn finds Moren happily reembracing his love of pop rock songwriting, with help from stalwarts like Ron Sexsmith, Jess Williamson and Eric D. Johnson Hosted on Acast. See acast.com/privacy for more information.

Celebrating its 40th birthday exactly one month ago, Rum Sodomy & the Lash requires no introduction. As epilogues go, however, one could do far worse than the alternately raucous and sublime tour pieced together by surviving members, Spider Stacy, Jem Finer, and James Fearnley. Stacy joins us to discuss the anniversary, the recent loss of frontman, Shane MacGowan, and his own fascinating musical history. Hosted on Acast. See acast.com/privacy for more information.

He may have had something to prove early on, leaving the relative comfort of a rocket ship success like Nine Inch Nails, but it didn’t take Richard Patrick long. Filter’s first album went platinum on the strength of its first single, and the band was off to the proverbial races. Its follow up was slow to surface, courtesy of inner turmoil, but it eventually emerged five years later, with an even bigger hit, putting some of Patrick’s own personal demons on display. Thirty years after Filter’s debut, Patrick has mellowed considerably – partially out of necessity for a family man with a bad back. The result is some of his most thoughtful work to date. Hosted on Acast. See acast.com/privacy for more information.

Thirty-three years, 10+ members, and a dozen albums later, Comet Gain hasn’t lost its step. Released in June, Letters to Ordinary Outsiders maintains the magic, once again. The group’s work is perpetually tied to the pop sensibilities of David Christian (née Feck), who joins us on a questionable WiFi connection from rural France. Hosted on Acast. See acast.com/privacy for more information.