Sal Ojeda, a fast-turnaround reality re-recording mixer, and Erik Valenzuela, a veteran multitrack dialogue mixer, share behind-the-scenes audio adventures on RuPaul’s Drag Race. They talk tight six-to-eight day mixing workflows. They dig into Rusical live-vocal challenges and how to capture clean dialogue from many mics. They also unpack signature mixing tricks that shape the show’s sound.
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insights INSIGHT
Show Growth Increased Technical and Artistic Demands
RuPaul's Drag Race has grown technically and artistically since season one with more complex sets, camera work, and contestants showing broader talents.
Erik notes contestants now sing, dance, and even go on to Broadway, raising production demands.
volunteer_activism ADVICE
Handle Buried Mics By Prioritising Tonal Consistency
Stand-up and live-performances are the toughest for consistent dialogue because mics get buried in costumes or taped to chests.
Erik recommends focussing on consistent tonal balance and raising buried speech so nothing needs subtitling.
question_answer ANECDOTE
Rusical Vocals Are Live Stage Recordings
Rusical vocals are recorded on stage in an open room and the polished end stems are produced by the music team.
Sal and Erik leave some live imperfections because recording quality reflects competition authenticity.
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Re-recording mixers Erik Valenzuela & Sal Ojeda join Tonebenders to talk about their wild schedule during audio post on RuPaul's Drag Race. Between them they have combined to work on over 330 episodes of Drag Race, making them experts on reality TV postproduction workflows. Dialog often presents the largest challenges and they have to use every tool they can get their hands on to make the final show sound smooth and clean. We also dig deep into the Rusical (a Rupaul Musical) episodes and the many challenges they present. Los Angeles listeners, make sure you sign up now for SoundDay LA on August 9th https://luma.com/58xnoz87 ____ For full details on how you can take part in this year's Tonebenders Listener Field Recording Stories, go to https://tonebenderspodcast.com/field-recording-story-submissions/ ______ SPONSORS: If summer has your next project heating up, Sound Ideas is making it easier to build up the library you’ll need. During the Sound Ideas Mid Year Sale, you can save 50% on all proprietary items. From impacts and ambiences to vehicles, animals, machinery, production elements, and specialty effects, you can stock up on professional sounds before the next deadline hits. Get ahead of the edit with sounds ready for the scenes, transitions, textures, and surprises still to come. Shop the 50% off, Mid Year Sale now at https://sound-ideas.com/ _____ Big thanks to SoundDay LA’s event sponsor Remoto Playback. Pitch-perfect remote review sessions without a monthly subscription. Go to remotopro.io to learn more
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Episode Notes: https://tonebenderspodcast.com/369-rupauls-drag-race/ Podcast Homepage: https://tonebenderspodcast.com/ This episode is hosted by Timothy Muirhead