Tonebenders Podcast

Join Johnnie Burn, a talented supervising sound editor and re-recording mixer known for his work on major films, as he dives into his busy year. He reveals how he balanced three distinct films: the emotional depths of 'Hamnet', the tension in 'Bugonia', and the thrills of '28 Years Later'. Discover his innovative sound design techniques like using marker tracks and unique ambiences, the art of sonic misdirection, and his creative solutions for capturing the perfect audio landscape. It's a masterclass in film sound!

It seems like Guillermo del Toro's whole career has been leading up to Frankenstein. Part of that progression has been building a great trust with the sound team he has been collaborating with for over a decade. Supervising sound editors Nathan Robitaille & Nelson Ferreira, Re-recording Mixer Brad Zoern and foley artist Goro Koyama join me for this episode to discuss working on their biggest del Toro film yet. From designing the voice of the creature, to making all the guns sound huge (but certain ones sound even bigger!?) to the difficulty of making chains sound heavy, they discuss how challenging this film was. Including creating the sounds for their version of the iconic scene where the creature comes to life.__________ SPONSORS: This Cyber Monday, Sound Ideas is offering an incredible opportunity for audio professionals. You can take 50% off all proprietary sound libraries, including some of the most trusted effects in post-production. And for creators looking to expand fast, the General HD Collection is on flash sale at $750, down from $2,995. This is your chance to grab pro-quality sounds for a fraction of the price. Visit https://www.sound-ideas.com/ and upgrade your sound library today. __________ The Cargo Cult’s Matchbox 2 is a change management tool that is invaluable when doing comforms. It reveals the differences, reports on the damage, and then re-times your sound mix, saving you incalculable amounts of time. To Learn all about the new features in Matchbox 2, head over to https://www.thecargocult.nz/ , to learn more about Matchbox 2 and pulldown the free 15 day trial.   Matchbox 2 is exactly what you have been waiting for.  Spend your time being creative and let Matchbox handle the conforming.___________ Episode Notes: https://tonebenderspodcast.com/338-frankenstein/ Podcast Homepage: https://tonebenderspodcast.com This episode is hosted by Timothy Muirhead

Gisle Tveito has been dreaming up the sounds in director Joachim Trier's films since 2006 and the two have collaborated again on the wonderful new film Sentimental Value. Gisle joins me to talk about the challenges of working on the sound for quiet, internal films. Including building an emotional map of the entire movie to determine where the sonic focus changes occur. He also discusses how he attacks a project where he is the dialog editor, sound effects editor, music editor, voice over director and re-recording mixer. Is wearing this many hats an an indie/punk rock approach or madness?!________ Sponsors: This Black Friday, Sound Ideas is offering its biggest savings of the year! Enjoy 50% off all proprietary sound libraries and memberships: our best deal yet on world-class audio collections. But that’s just the beginning. Each week, we’ll spotlight one of our most popular libraries with an exclusive, limited-time discount. Visit https://www.sound-ideas.com/ regularly to discover which library is featured and grab these weekly sound specials before they’re gone!_______ Episode Notes: https://tonebenderspodcast.com/337-sentimental-value-with-gisle-tveito/ Podcast Homepage: https://tonebenderspodcast.com This episode is hosted by Timothy Muirhead

At this years Toronto International Film Festival I got to interview a bunch of sound people in town to support films screening at TIFF. This episode collects 3 of those interviews, covering some of the international films that I saw during the festival. First up I talk with Oscar winning sound supervisor, Sylvain Bellmare, about the Quebecois film Mille secrets mille dangers (Lovely Day). Then Therese Gylfe & Tove Lidman discuss their work on the Swedish/Spainish film Forestera, which won a major award at TIFF. The final interview of this episode is with María Alejandra Rojas & Arturo Salazar about the really cool Brazilian/Mexican film The Blue Trail. The is movie is a futuristic science fiction film covering the unique ways technology will affect third world countries. __________ Sponsors: This Black Friday, Sound Ideas is offering its biggest savings of the year! Enjoy 50% off all proprietary sound libraries and memberships: our best deal yet on world-class audio collections. But that’s just the beginning. Each week, we’ll spotlight one of our most popular libraries with an exclusive, limited-time discount. Visit https://www.sound-ideas.com/ regularly to discover which library is featured and grab these weekly sound specials before they’re gone!_______ Have you been using Subquake by The Cargo Cult? Get the low end to cut through in your mixes, in ways you were never able to achieve before. We have all used many different low frequency generator plugins over the years, but Subquake is an entirely different beast. Don’t fall into the trap of delivering boring, ho hum sub. Add character and shape to your mixes by having more impact from less signal. Get Subquake, and shake the plaster right off the walls. Head to https://www.thecargocult.nz/ to learn more _______ If you are interested in field recording, you should know about the O-Mini P48 and the brand new O-Mini PIP miniature omni-directional electret microphones. Each one is hand made by Chris Trevino, a practicing field recordist, and a really engaged member of the sound community. He puts a lot of work into making and testing each mic to ensure they live up to his high standards. They are ultra-sonic capable, which makes manipulating your recordings with them a lot of fun. They are also extremely affordable. At $150us for the P48 & $130 for the PIP, they offer a lot of value for a stereo matched pair. Go to https://www.chrisatrevino.com/store to get more information.________ Episode Notes: https://tonebenderspodcast.com/336-tonebenders-at-tiff-2025/ Podcast Homepage: https://tonebenderspodcast.com This episode is hosted by Timothy Muirhead

Sinners was a massive critical and box office hit earlier this year. The sound work was a major reason audiences flocked to see it. Part Vampire/Horror, part period gangster and part full blown musical, Sinners is not a film that needed a standard approach to it's sound design and mix. Re-recording mixer Brandon Proctor, Supervising Sound Editor Benny Burtt, Supervising Dialogue & ADR Editor David Butler, Music Editor Felipe Pacheco and Production Sound Mixer Chris Welker talk us through how the sound track was built. Topics range from capturing the the voices and live music on set, to designing the sound of the Mississippi Delta in the 1930s, to mixing everything together to feel real on the mix stage. Finally Re-Recording Mixer/Sound Designer, Steve Boeddeker, joins us to lead an in depth discussion on how long is the perfect amount of time for a blood curdling scream to last? __________ Sponsors: This Black Friday, Sound Ideas is offering its biggest savings of the year! Enjoy 50% off all proprietary sound libraries and memberships: our best deal yet on world-class audio collections. But that’s just the beginning. Each week, we’ll spotlight one of our most popular libraries with an exclusive, limited-time discount. Visit https://www.sound-ideas.com/ regularly to discover which library is featured and grab these weekly sound specials before they’re gone!_______ Have you been using Subquake by The Cargo Cult? Get the low end to cut through in your mixes, in ways you were never able to achieve before. We have all used many different low frequency generator plugins over the years, but Subquake is an entirely different beast. Don’t fall into the trap of delivering boring, ho hum sub. Add character and shape to your mixes by having more impact from less signal. Get Subquake, and shake the plaster right off the walls. Head to https://www.thecargocult.nz/ to learn more _______ The Toucan, by Soundwich, is an omni-directional, ultrasonic microphone that can record up to 100k.  Designed from the ground up with an extremely unique look, the Toucan wants to make ultrasonic recording available for those on a budget, with an eye catching price of $185 US dollars  This is the perfect time to buy because, for Black Friday, Soundwich is offering 15 percent off everything.  Starting now and running until Nov 30th, 2025, only while supplies last.  Head over to https://soundwichartist.com/pages/all-products to learn more and order a Toucan for yourself. Episode Notes: https://tonebenderspodcast.com/335-sinners/ Podcast Homepage: https://tonebenderspodcast.com This episode is hosted by Timothy Muirhead

Listeners of Tonebenders sent in their favourite stories of their adventures recording sounds out in the world. This is part one, of two, featuring these amazing soundscapes from all over the world. Recordings were sent in of sounds from Kenya, Zimbabwe, Australia, England, Palau, Laos, Poland, Botswana, Germany, Albania, Switzerland, Canada and The USA. So get ready for a sonic trip around the world! This episode features contributions from Nathan Moody, Simon Panayi, Tim Kahn, Chris Bolte, Andrew Dawson, JååN Verschoren, David Thomas, Philipp Feit,  Diego Lukumy and Lamar Samuels. Stay tuned in the coming weeks for Part 2. Congrats to Diego Lukumy and Lamar Samuels for winning the draw to receive a free pair of O-Mini high-sensitivity, miniature omnidirectional electret microphones, kindly donated by Chris Trevino. Sponsors: This Black Friday, Sound Ideas is offering its biggest savings of the year! Enjoy 50% off all proprietary sound libraries and memberships: our best deal yet on world-class audio collections. But that’s just the beginning. Each week, we’ll spotlight one of our most popular libraries with an exclusive, limited-time discount. Visit https://www.sound-ideas.com/ regularly to discover which library is featured and grab these weekly sound specials before they’re gone!_______ If you are interested in field recording, you should know about the O-Mini P48 and the brand new O-Mini PIP miniature omni-directional electret microphones. Each one is hand made by Chris Trevino, a practicing field recordist, and a really engaged member of the sound community. He puts a lot of work into making and testing each mic to ensure they live up to his high standards. They are ultra-sonic capable, which makes manipulating your recordings with them a lot of fun. They are also extremely affordable. At $150us for the P48 & $130 for the PIP, they offer a lot of value for a stereo matched pair. Go to https://www.chrisatrevino.com/store to get more information.________ Have you been using Subquake by The Cargo Cult? Get the low end to cut through in your mixes, in ways you were never able to achieve before. We have all used many different low frequency generator plugins over the years, but Subquake is an entirely different beast. Don’t fall into the trap of delivering boring, ho hum sub. Add character and shape to your mixes by having more impact from less signal. Get Subquake, and shake the plaster right off the walls. Head to https://www.thecargocult.nz/ to learn more _______ Episode Notes: https://tonebenderspodcast.com/334-2025-listener-field-recording-stories-pt-1/ Podcast Homepage: https://tonebenderspodcast.com This episode is hosted by Timothy Muirhead

Viktor is an impressive documentary that relies on sound to tell it’s story. The film’s protagonist is a deaf photographer living in Ukraine, documenting the Russian invasion of of his country after he finds out he is not allowed to sign up as a soldier. Using innovative sound design to immerse the audience in Viktor’s POV (or more accurately POH, point of hearing), the film focuses on his frustration at being unable to fight in the traditional sense and his passion for photography, as a way to serve his country. This spoiler free conversation with Sound Designer Peter Albrechtsen, Sound Designer/Foley Artist Heikki Kossi and Re-recording Mixer Tim Nielsen, discusses how they manipulated the sound in the film to approximate how Viktor hears and just as importantly, when to employ these techniques. The sound design for Viktor evolved drastically from the start of postproduction to the final mix. They began with hard rules for when and how to twist the audio. Yet for the final version, all those rules were thrown out the door. It is an interesting case study following the journey a soundtrack to find a film's “voice”. The sound team interview is followed up with a one on one talk with Viktor's director Olivier Sarbil. Olivier is an impressive man with a very unique relationship to the audio postproduction phase of film making. SPONSORS: This Black Friday, Sound Ideas is offering its biggest savings of the year! Enjoy 50% off all proprietary sound libraries and memberships: our best deal yet on world-class audio collections. But that’s just the beginning. Each week, we’ll spotlight one of our most popular libraries with an exclusive, limited-time discount. Visit https://www.sound-ideas.com/ regularly to discover which library is featured and grab these weekly sound specials before they’re gone! Have you been using Subquake by The Cargo Cult? Get the low end to cut through in your mixes, in ways you were never able to achieve before. We have all used many different low frequency generator plugins over the years, but Subquake is an entirely different beast. Don’t fall into the trap of delivering boring, ho hum sub.  Add character and shape to your mixes by having more impact from less signal. Get Subquake, and shake the plaster right off the walls.  Head to https://www.thecargocult.nz/ to learn more  Episode Notes: https://tonebenderspodcast.com/333-the-unique-sound-of-viktor-with-the-sound-team-director/ Podcast Homepage: https://tonebenderspodcast.com This episode is hosted by Timothy Muirhead

In Part 2 of this in-depth interview with James Mather we talk more about his work as Supervising Sound Editor on the final 4 Harry Potter films (Order of The Phoenix, Half Blood Prince, Deathly Hollows Pt 1&2). James digs into the sound of the horcrux and how the overall sound design was able to become more complex/scary as the main characters grew up. There is also an added bonus of a mini interview with Gillian Dodders, Ben Barker & Glenn Freemantle about their work on The Fantastic Beast Trilogy. All of that is proceeded by Tim's run down of his trip to Mexico City for a recent Tonebenders/MPSE/SAE Institute event, including his adventure being detained by police at the airport on his way home?! SPONSOR: Take your sound design to the next level with the Creator Access Plan from Sound Ideas. This membership puts 100 downloads a year from over 630,000 world-class sounds right at your fingertips: easy to search, simple to use, and built for creators. Power your next project with the sounds pros trust at Sound Ideas. Go to https://www.sound-ideas.com/ to learn more. Episode Notes: https://tonebenderspodcast.com/332-the-sound-legacy-of-harry-potter-with-james-mather-pt-2/ Podcast Homepage: https://tonebenderspodcast.com This episode is hosted by Timothy Muirhead

In this engaging discussion, James Mather, the Supervising Sound Editor for the latter Harry Potter films, shares his journey into the magical world. He reveals how he used the books as a sonic bible to create unique sounds for spells and creatures. James emphasizes the evolution of sound alongside character development, making it richer and darker as the series progressed. He also touches on the importance of continuity with previous films, collaborating with his dedicated team, and crafting pivotal moments like the Dumbledore-Voldemort battle.

Last year I got to go to the Sonic Days Conference in Denmark, to do a bunch of interviews with the various people doing presentations about their sound work. With the schedule and presenters for the 2025 edition of the conference now announced, these interviews can give you an idea of what to expect. First up is Shelley Roden, foley artist from Skywalker Sound. Next, game Sound Designer, Katrine Amsler talks about her desire for everyone to find bespoke workflows that meet their own needs. The organizer of the conference, Lars Tirsbæk then gives us a quick history of Sonic Days and Sonic College where the conference resides. Leslie Gaston-Bird talks about the need for skill diversification to make a career in audio and all the different roles she is performing. Finally Sound Designer Peter Storm Wich and picture editor Anne Østerud discuss their collaboration on director Thomas Vinterberg's "Families Like Ours". Head to www.sonicdays.com to see the 2025 schedule and who will be presenting this year. SPONSOR: After over a year of dedicated work, the entire Sound Ideas sound effects collection, over 500,000 individual files, has been upgraded to the Universal Category System’s, filename and metadata standards. With this enhancement, sounds are now more organized, searchable, and ready for seamless integration into your workflow. Head over to https://www.sound-ideas.com/Page/ucs-data-upgrade to learn more. Episode Notes: https://tonebenderspodcast.com/330-sonic-days-interviews/ Podcast Homepage: https://tonebenderspodcast.com This episode is hosted by Timothy Muirhead