Exploring Hunter S. Thompson's wild life, drug habits, and journalistic work during the Long Seventies. Discussing his interactions with Hells Angels, counterculture, and iconic logo symbolism. Delving into his drug-fueled creative process and impact on society.
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Quick takeaways
Hunter S. Thompson introduced gonzo journalism, focusing on the subjective experience over events.
Thompson's use of amphetamines in the '60s influenced his work and societal norms.
Deep dives
Key Insights From Fear and Loathing in Las Vegas
Fear and Loathing in Las Vegas, by Hunter S. Thompson, introduces the concept of gonzo journalism, focusing on the subjective experience at events rather than the actual event itself. Thompson and artist Ralph Steadman embark on a drug-fueled adventure at the Kentucky Derby, portraying a surreal look at the audience and counterculture figures.
Thompson's Drug and Writing Routine
Thompson's extravagant daily routine reportedly involved a mixture of alcohol, cocaine, cigarettes, and other substances to fuel his writing process. His use of amphetamines in the '60s heavily influenced his work, showcasing a lifestyle surrounded by drugs and a culture shift towards cocaine later in the 1970s.
Impact of Drugs on Society and Music
Amphetamines and cocaine played a significant role in shaping societal norms and creativity during the '60s and '70s. From the beat generation's reliance on amphetamines to the rise of cocaine's glamorous allure in music and writing, these drugs had a profound impact on popular culture.
Gonzo Journalism at Political Campaigns
In '72, Thompson's work extended into political journalism with 'Fear and Loathing on the Campaign Trail', following George McGovern's presidential campaign. Thompson's ability to navigate the political trail while indulging in substances set him apart, showcasing a unique style of reporting amid traditional journalistic practices.
We talk about journalist, provocateur, political analyst, wildman & drug aficionado Hunter S. Thompson and discuss why he is the perfect avatar for The Long Seventies. Part one works its way from his earliest years to right before the publication of Fear & Loathing in Las Vegas.
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