Human beings have told stories about violence and victims from our earliest records. In the nineteenth and twentieth centuries, newspapers and magazines flourished on crime coverage. Hollywood has churned out crime movies and TV shows, based both in fiction and non-fiction. But after the incredible success experienced by the podcast Serial in 2014 and the documentary series Making a Murderer in 2015, a new wave of popular media exploring real cases of potential wrongful convictions burst upon the scene.

While Diana Rickard didn’t consider herself a “podcast person,” her interest as an academic was piqued. The criminology professor began listening to Serial, and became fascinated by what she saw as a new expression of the true crime genre, dubbing it the “New True.”

“These series deserve our attention for what they reveal about our societal understanding of crime and punishment,” Rickard writes in her book The New True Crime: How the Rise of Serialized Storytelling Is Transforming Innocence. “Through them, audiences are receiving ideological messages about punishment. They are also sites where inequality, power and racism are openly examined, playing a role in our public conversations about who is and is not deserving of punishment and who is and is not protected by law. In addition, by using the term ‘New True,’ I am also suggesting these series indicate a new way of constructing truth itself. Questioning the finality of verdicts, framing facts as in the eye of the beholder, the new series unmoor our faith in what is knowable.”

In this episode of the Modern Law Library, Rickard explains how she sees the New True podcasts and documentary series as differing from older media. She and the ABA Journal’s Lee Rawles discuss the differences between crime reporting and this serialized storytelling, and whether the New True series are managing to avoid some of the ethical pitfalls of traditional crime reporting. They also delve into whether debunking things like flawed forensic science or false confessions for the general public may have shifted the way people think about wrongful convictions.

Rickard shares what she has heard from legal experts in the innocence community about the benefits—and drawbacks—of cases catching the eyes of New True producers. She also reveals what surprised her most when she researched the Reddit communities that gather to discuss New True cases.

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