One of the first places voice actors often look for auditions is on Pay to Play sites. For a fee, these sites let you audition for jobs from potential clients all over the world. But these sites can have downsides, including unethical business practices. Controversy over these sites has been highlighted at voiceover conferences and throughout social media. In this episode, the BOSSES delve into navigating online casting platforms and cultivating loyal client relationships outside of these sites. We discuss the investment of time and resources needed to be successful and the importance of evolving with the industry to avoid getting left behind. Ever-evolving AI technology challenges us to redefine our roles and strategies, and we tackle this head-on sharing insights into how we can adapt to remain indispensable.
00:00 - Anne Ganguzza (Host) Hey VO Bosses. Ann Ganguzza here. Are you struggling to market that boss voice of yours? Well, let me tell you about the VO Boss Blast. With a custom vetted list and personalized emails, we can help you get your marketing message out to those who hire. Find out more at vobosscom and let's blast off together.
00:24 - Intro (Announcement) It's time to take your business to the next level, the boss level. These are the premier business owner strategies and successes being utilized by the industry's top talent today. Rock your business like a boss a VO boss. Now let's welcome your host, Anne Ganguzza.
00:43 - Anne Ganguzza (Host) Hey, everyone welcome to the VO Boss Podcast. I'm your host, Anne Ganguzza. Hey everyone, welcome to the VO Boss Podcast. I'm your host, Anne Ganguzza, and we are here with the Real Boss series with my good friend and guest co-host, Tom Dheere. Hey, Tom Dheere.
00:55 - Tom Dheere (Co-host) Hello Anne Ganguza.
00:57 - Anne Ganguzza (Host) Tom Dheere, it was so awesome to see you at VO Atlanta. I have to say.
01:01 - Tom Dheere (Co-host) Yes, the drive-by hug Right.
01:03 - Anne Ganguzza (Host) I know and I saw you for like a split second, but still it was good for that split second to get the hug in. Absolutely, I know the two of us were insanely busy but getting back together since VO Atlanta. There was a big bomb dropped at VO Atlanta with the Drama, bomb.
01:17 Yeah, with the online casting panel, which began with an apology from the CEO of Voicescom. And so, hmm, let's talk, shall we? Let's dish, let's dish, let's, let's, let's fill some tea. So what were your initial? Were you surprised and what were your initial thoughts? And actually we should just recount for the bosses who were not there at VO Atlanta, the very first thing, on a panel of online casting with J Michael Collins, j Michael asked the acting CEO of Voicescom was he prepared to apologize to the voiceover community for the actions on behalf of Voicescom in the past few years, now that David Cicerelli has stepped down and indeed there was an apology. So, tom, were you there, present in the audience?
02:07 - Tom Dheere (Co-host) Well, yes, I was there. I was asked to be there actually. Me too, me too Okay so you were part of that little group of people that were asked to make sure that we would be present at the online casting. Because then we could talk about it like this so then we could talk about it, or we could step up to the mic and ask some pointed questions.
02:23 But to give everybody a little bit of background is that Voicescom has had a pretty bad reputation for a good 10 years, Because I think the first great resignation was in 2014, which is when the interview with Graham Spicer came out and the article that somebody wrote showing how, you know, the same casting notice was posted on Voice123 and Voicescom, but the Voicescom was thousands of dollars lower. So they were caught kind of red-handed doing what many would consider some unethical practices.
02:53 Double-dipping, triple-dipping, Right so Jay O'Connor, who is the acting CEO of Voicescom, is also the son of the recently deceased Supreme Court Justice, sandra Day O'Connor, and he also works for Morgan Stanley.
03:10 - Anne Ganguzza (Host) And Morgan Stanley was the company that put $17 million investment into Voicescom, not a voiceover company.
03:13 - Tom Dheere (Co-host) Not a voiceover company. They invested that roughly six, seven years ago. So I'm assuming that David Cicerelli stepped down because he didn't come through on his promise to make their money back. So that's why they put one of their own people in there. So I'm assuming Jay's job is very simple make their money back. So that's just kind of the background. And JMC who I just had him on my Ask Me Anything said that one of the conditions of Jay appearing at VO Atlanta was that he apologized for the past business practices and behaviors. So it made me think about the word responsible. Jay was not CEO of Voicescom when all the interesting stuff happened. However, if you break down the word responsible, it's response able able to respond.
03:57 Oh, I like that Well yeah because, if you think about it, Jay is not guilty of the stuff that Voicescom did under their previous administration, but now he is able to respond to all of that stuff. So you know that late last year Voicescom signed the Fair Voices Pledge and altered their terms of service, the Fair AI.
04:19 Thank you Nava and Tim Freelander and Karin and all those wonderful people there. So what was extra funny is I was sitting next to Miranda Ellis, who's our buddy, who helps run VA for VO, and we were talking about it. We're wondering who's that guy up there? And then I was telling her about the whole Jay O'Connor thing and then JMC said and here is CEO of Voicescom, jay O'Connor, and we're like oh okay, there he is.
04:47 And yes, he did apologize. He gave them an F for how they handled the situation, but they said they're going to be working on moving forward and a lot of pointed questions were asked. I was surprised that he was there. I was surprised at the apology. I think he handled most of the questions from the audience pretty well, pretty professionally.
05:03 - Anne Ganguzza (Host) I wasn't surprised at the apology. I mean, j Michael basically said are you prepared to apologize? And when you are a CEO of a company, I mean at some point, like I imagine, you're going to work that out politically correctly in front of an audience of thousands, knowing that we would be talking about this. What was he going to say? To be quite honest, I mean, I wasn't surprised that he apologized. I wasn't surprised that he took Jay Michael on it, because, guess what, there's business for him sitting there in the audience.
05:33 - Tom Dheere (Co-host) Oh yeah, potential customers. There was a sea of potential customers in there and ones who had left the platform who now could be persuaded to return to the platform as well. I did make it a point to talk to him afterwards. I as well. I did make it a point to talk to him afterwards. I first said I'm sorry about your mother's recent passing.
05:46 - Anne Ganguzza (Host) Oh, thank you.
05:47 - Tom Dheere (Co-host) I say thank you on behalf of I know he's a person.
05:50 - Anne Ganguzza (Host) He is a person, yeah, Like he's just a guy.
05:52 - Tom Dheere (Co-host) He probably didn't know Voicescom existed, right? So, like he doesn't know about this stuff and we have to give him the benefit of the doubt, of course of the doubt, we have to assume he's an ethical, response-able person and I said hey, if you need some insight from boots-on-the-ground people, let me know. I gave him my card. He said thank you, he was very kind. So am I optimistic about Voicescom? Cautiously pessimistic? No, yeah, cautiously optimistic. So I'll say cautiously pessimistic. But you know what? I'll tell you something, anne. I rejoined in September of 2023 because they did change their terms of service, they did sign the Fair Voices Pledge and also, as the VO strategist, I have students who want to understand what's going on and if it should be used and how it should be used Yep.
06:37 - Anne Ganguzza (Host) completely agree with that. So if nothing else.
06:39 - Tom Dheere (Co-host) I wanted to create an account to understand how the platform functions, how to feed the algorithm.
06:44 - Anne Ganguzza (Host) If we are going to be working with students I mean myself included. I mean honestly. I mean we have to know about these platforms so that we can talk about them and recommend them or not to our students. So I feel like I'm a member of Voice123. Now I will say that I was not able to stay for the full session at VO Atlanta because literally they scheduled that right in the middle of my X session, so after 20 minutes I had to leave and so I did not get a chance to speak to him myself personally. But I know a lot of people that I've talked to did, and Mark Scott also did a nice recap on his podcast about the conversation and his conversation with him as well, and myself and Law had a discussion about it as well on a podcast. So I think it's good that we're talking about it. But I'd like to go further, tom. I'd like to talk to you about pay-to-plays in general, what part they play now in the voiceover industry and where you might see them going in the future.
07:36 - Tom Dheere (Co-host) It's funny because maybe 15 years ago they were a disruptive force in the voiceover industry, not unlike AI right now, which is currently a disruptive force in the voiceover industry. And, like I've said about AI and you and I talked about this a couple of episodes ago when it comes to disruptive technologies or business models, you can fight it, you can ignore it, you can adapt to it or you can embrace it. So everybody has their own journey and their own path on how to define success as a voice actor and what they need to do. You want to do all high-end cartoons and video games. You need representation. You need to join SAG-AFTRA. You may need to move to LA or New York or Dallas and do a boots-on-the-ground thing. If you want to narrate audiobooks, that's a different track. If you want to narrate e-learning modules, that's a different track. The best way that I can illustrate this is talking about my journey on Voice123. I joined Voice123 in 2006.
08:47 - Anne Ganguzza (Host) no-transcript.
08:49 - Tom Dheere (Co-host) Yeah, I joined it the first year that I went full-time as a voice actor. I learned a lot on there.
08:56 - Anne Ganguzza (Host) It wasn't my first year as a voice actor, but it might've been my second or third, and it was an opportunity. It was a new opportunity to get work, and I remember at the time. How else did you get work outside of if you had an agent? I did not have an agent at the time. I was working on the online platforms like Freelancer back in the day I mean, it was Freelancer, I don't know if it was Odesk.
09:18 - Tom Dheere (Co-host) Odesk Elance, Elance.
09:23 - Intro (Announcement) I was on all those too.
09:24 - Anne Ganguzza (Host) I was on all of those too, and then Voice123 came out and I joined in 2006 as well, and actually it worked well for me Although you have actually created a record of how well you've done on that platform throughout the years, and so I'm eager to hear about that.
09:42 - Tom Dheere (Co-host) Sure. So for those of you who are listening to this, I'll just read this to you as best I can, but I've got a little slide up here. So I joined in 2006. There was only one tier, it was $200. That first year, I made $1,100. So a great return on investment. Next year, rejoined, made $2,750. So that was great. 2008, it went up to $300. I made $2,650. 2009, made $1,. I made $2650,. 2009, made $1950,. 2010, I made $13,000.
10:08 - Anne Ganguzza (Host) What changed.
10:09 - Tom Dheere (Co-host) I got better at auditioning and I also landed a big textbook like a science textbook. So that was a big chunk of that $13,000.
10:17 - Anne Ganguzza (Host) So let me ask you, in those years, in those early years, how many auditions were you doing? Were you doing 10 a day, 20 a day, as many as possible?
10:26 - Tom Dheere (Co-host) I was doing a lot less than that. I was doing a handful a day, but also my direct marketing strategies were working pretty well, so it was complementing. So I was blogging and doing social media and posting on Facebook and Twitter and stuff like that, so it was part of a balanced breakfast, absolutely. 2011, made almost $8,000. 2012, I renewed, but I only made $350. Now what happened in 2012 is that my voiceover career turned the corner. I went full-time in 2006, but late 2011, all the seeds I'd been planting for all those years started to bloom. So I found myself auditioning a lot less because I was just booking a lot more as a result of my direct marketing strategy.
11:08 - Anne Ganguzza (Host) Right and then also probably repeat clients at that time were starting. I was also getting repeat clients.
11:13 - Tom Dheere (Co-host) So yeah, so that was happening too. Now, in 2013, I did not renew. I made only $300 just from a legacy client. But the main reason I didn't renew is because there was a cultural thing going on in voiceover where a lot of voice actors were saying that if you are on a pay-to-play site, you are contributing to the lowering of rates, you are a bottom feeder, you're enabling predatory practices, and I made the dumbest decision in my voiceover career, which was I stopped auditioning on Voice123. It was a huge mistake. So, 2014, 15, 16, 17, 18, 19, I made virtually nothing because I didn't have a paid account.
11:50 - Anne Ganguzza (Host) But also what happened in those years. Had you gone more to direct methods of marketing? Yes, okay.
11:57 - Tom Dheere (Co-host) Yes, direct marketing was my main jam. 2014 was, to be totally honest, and that was the year I made the most money as a voice actor. And then in 2015, 16, 17, 18, my income started fluctuating wildly $20,000, $30,000 rises and falls year over year. One of my top 10 clients replaced me with AI back then too.
12:17 - Anne Ganguzza (Host) In what year was that?
12:18 - Tom Dheere (Co-host) That was 2018, I think, A top 10 client. I was replaced by AI and then 2019, I made nothing. 2019 also, there was like a major downshift in my voiceover revenue because I noticed almost all of my direct marketing strategy stopped working. So did I all of a sudden become a lousy voice actor? Maybe Did industry trends change and my voice was out of fashion? Definitely not. It was becoming even more in fashion more young, energetic, friendly guy next door sound, which is still in demand. So, after contemplation and talking to friends and professionals, I rejoined for $888 in 2020. And now there was a tiered plan.
12:59 - Anne Ganguzza (Host) Yeah, exactly I was going to say at this point bosses, pay-to-plays evolved. They used to be just one fee and it was usually around $200 to $300. I remember when Voicescom came on the scene it was the cheaper of the two, for $200, when Voice 123 was at $295, I believe, or something like that. And so then there was a bunch of people that joined Voicescom because they kind of undercut the competition, so to speak, which maybe we should have looked at that in the beginning and said, oh, look at that Now there's competition in the online community and online casting community because Voicescom was the second, I would say, largest platform to come out and they grew fairly quickly, I think because of that lower price point.
13:42 And they also did a bunch of good marketing, I would say, on Google. I think they did a bunch of Google ads and they had a bunch of. Seo that they were working on, and so they became really, really popular around that time.
13:58 - Tom Dheere (Co-host) So what happened in 2020 when I rejoined? So I rejoined like it was a Black Friday sale. Basically, I had one month and in one month I made $1,300. But here's what I noticed. Well, I made my money back immediately. But the other thing I noticed is that when you're on Voice123 and you can click on the client number, sometimes you can see an email address associated with that client profile and often it's the extension of productioncompanycom and I started noticing production companies that I used to work with or that on Voice123. So I was like oh, interesting. So apparently there has been a migration of ethical, well-paying production companies making quality content that had been slowly making their way to Voice123 and probably Voicescom too, because it's easier to curate a roster, it's easier to post an audition.
14:51 - Anne Ganguzza (Host) Oh my gosh, yeah, you have hundreds and thousands of people of different voices on these platforms and it can be a little bit cheaper. I know that was the whole thing, because here you're not necessarily saying how much will it cost, right, when you have a direct contact, versus specify your budget, right? A lot of these pay-to-plays asked you to specify a budget and so if you specified a lower budget, you could still have hundreds of people responding to this, because it was like freelancer Odesk. It started to become the lowest bid, wins almost.
15:23 - Intro (Announcement) Yes.
15:24 - Anne Ganguzza (Host) Like kind of thought, and especially when you're talking after the many years of online casting, it just then became a thing where, oh, I can get cheaper voiceover, and for a business, right, I can have lots of different voices I can choose from and it's probably cheaper. And so for a business, I mean really, where's that business decision, unless you've caught them right and you've become like a valued voiceover actor for them, that you've given them value over and over and over again. Now, all of a sudden, they have hundreds of thousands of people they can choose from that are credible, right, and they're cheaper. So business decision, tom?
16:00 - Tom Dheere (Co-host) Yeah, here's the thing about that too is like since 2020, since I rejoined, my gigs aren't $100 or $200. They're $4, $5, $6, over $1,000.
16:08 - Anne Ganguzza (Host) Because you can specify that.
16:15 - Tom Dheere (Co-host) Because I can specify that and that also tells me that there are ethical, well-paying production companies on Voice123 in addition to bottom feeders. So in spring of 2021, the algorithm changed All of a sudden. The auditions there was a lot less and they were a lot lower paying, so I didn't renew.
16:27 - Anne Ganguzza (Host) Well, they redid their platform a couple of times completely. So that caused a lot of commotion in the voiceover world.
16:35 And, interestingly enough, tom, I just want to bring this up who else was sitting on that stage at VO Atlanta but Rolf Veldman, who was always the one from Voice123 that got a lot of heat from these conferences. But I love Rolf. I think, rolf, he took it year after year after year right as a person who was not necessarily in the voiceover business either, but he would show up and he would respond and he was, I believe, transparent, which then I gave him my respect for that Because, if nothing else, he was transparent.
17:11 He finally was on the stage and probably going wow, the guy from Voicescom is getting all the heat this year.
17:18 - Tom Dheere (Co-host) Oh, he was grinning from ear to ear. He was eating it with a spoon. He loved it. So 2022, I rejoined again, but this time I joined on the $2,200 tier. So this was late March 2022. In that year, I made $12,000. And then 2023, which is my first full calendar year of being under the $2,200 tier, I made almost $19,000.
17:39 - Anne Ganguzza (Host) That's a definite return on investment. So.
17:42 - Tom Dheere (Co-host) Yeah, and as of this year, 2022, and today, as of literally today, April, I have made $6,200.
17:50 - Anne Ganguzza (Host) Now is the majority of that from new clients or clients that are coming back to you.
17:55 - Tom Dheere (Co-host) Well, that's the thing, it's a combination. So there's two sets of clients, you know, there's your audition and pray clients, and then there's your legacy clients.
18:05 - Anne Ganguzza (Host) Audition and pray Yep, absolutely Right.
18:06 - Tom Dheere (Co-host) Commercials tend to be audition and pray. Cartoons, video games tend to be audition and pray. E-learning, corporate explainer, more of the audio book. Often those tend to be non-audition and pray because often you join an e-learning roster or you join a telephony roster and you don't audition, they just send you work. So with Voice123, there's a lot of them. One particular one comes to mind I auditioned for a corporate, short, three-minute, corporate industrial about bananas in a grocery store. If you work in the produce department, how do you handle the bananas to make sure they don't bruise, how to display them properly, quality check and all that stuff. It was a gig. Three minutes directed session, $550. So I'm like okay, that's like right in the sweet spot for that. That's like perfectly fine For three minutes directed session, great. And then they sent me nine more without auditioning.
18:59 - Anne Ganguzza (Host) Yeah, yeah, yeah, absolutely.
19:00 - Tom Dheere (Co-host) So an audition in Prey see, that's what people think about Voice123 is that it's an audition in Prey machine. It is if you suck, and it is if you can't audition well, and it is if you can't deliver the goods once you audition and book the spot. So I do have a lot of new clients, but a lot of them, a lot of them, have come back for more.
19:18 - Anne Ganguzza (Host) And with Voice123,. One of the big differences of the platforms is that you can take the client off the platform. They have never intercepted and I don't believe that they will, because I think that's Rolf's claim to fame and how they lasted right through the turmoil of people being angry at them was that you could always take the client off the platform. Now, voicescom does everything in their power to make you not take the client off the platform, and that is where they get into people labeling them as double and triple dippers.
19:50 So not only are you paying for that yearly membership fee and they also have different levels. But when you have a managed job or any job you cannot disclose, you won't know their email address, you cannot work with them off platform and people have been threatened if it's found out that they're working with them off platform. So thoughts on that business policy. Tom, what do you think about that?
20:17 - Tom Dheere (Co-host) I'm going to answer that question with a question. Do you think voice actors should pay to audition for anything?
20:22 - Anne Ganguzza (Host) Well, you know, yeah, that's a really, really good question. I mean, I don't think so.
20:27 - Tom Dheere (Co-host) I don't think so to a point.
20:29 - Anne Ganguzza (Host) I think they should pay for a platform that gives them opportunities. So that's a tough one, right? I mean should they pay to audition.
20:38 - Tom Dheere (Co-host) Well, I think of it this way If you told me 20, 25 years ago that I would have to pay to watch a Yankee game on television, I would have said you're out of your mind. And now they have the yes Network, where you have to pay to have access to get the quality content that you want. That being a Yankee game and auditions are quality content and that's a subscription model of a lot of businesses today.
21:02 - Anne Ganguzza (Host) Right, and even I've considered it for this podcast, right, all right, so you can get a certain amount of listens free, but there is quality content or maybe more in-depth content that you would subscribe to.
21:13 - Tom Dheere (Co-host) And you do keep it with subscriptions, like Patreon pages do, and things like that. Yes, it's a common business model. Here's another question Do you think voice actors should get paid to do auditions?
21:24 - Anne Ganguzza (Host) Well, that's a good question. Not necessarily. It depends on if that gets used right, If their audition gets used for the job, if you're getting paid.
21:32 - Tom Dheere (Co-host) Is it a demo or a scratch track?
21:34 - Anne Ganguzza (Host) Yeah, yeah, yeah, yeah, I think so. But now, okay, let's just say you pay for the option or you pay for the opportunity to get auditions. Should then there be an escrow fee? Right, and that's what a lot of people have the problem with an escrow fee. And should there be a managed services fee? And should there be a managed services fee? Now, anybody that manages a job, right that project, manages the job. A manager takes a percentage, an agent takes a percentage, but then on top of an annual fee right to audition, plus an escrow fee. Now, if you remember, tom, in the beginning Voicescom's escrow fee was an option and I believe is it still an option. If you want to do, because escrow was an option back in the early days, you could choose to have them hold the money or say I'm going to get my money guaranteed if I put it in escrow, and then you paid a fee for that.
22:27 - Tom Dheere (Co-host) I think it's mandatory now.
22:29 - Anne Ganguzza (Host) Yeah, yeah, so that's triple dipping to a lot of people right, Get rid of one of those fees, I mean do you feel that's right.
22:40 - Intro (Announcement) I mean, I think it's fair that it's either you pay to be on the site and there's no additional fees or being on the website is free and then they're taking a percentage of it, not both.
22:48 - Tom Dheere (Co-host) Now, you weren't there for the Q&A. Our friend, miranda Ellis, who I was sitting next to in the audience, got up and she said I have a problem with the fact that one of the casting spec options is broadcast in perpetuity. And she said that's a big problem for a lot of voice actors because that can create permanent conflicts. She asked are you going to get rid of that? And he said no, because we would lose a lot of business that way. That's not a good answer. That's the only thing I was truly unhappy about with his answers, but he owned it.
23:17 - Anne Ganguzza (Host) Yeah, honestly, I think that it's a responsible action for an online platform like that to like lead the way. Right, because here's the deal. Right, you're talking about consumer mentality. I mean in voiceover jobs, I mean if people are not used to. If you're a small company, you're not used to hiring a voice artist and you're not sure, like, how does that work? Right, I mean in perpetuity. I mean if you work for a company, right, and they hire you, you sign a contract, you're working full-time, everything you do for that company is property of the company, and that just became that same mentality. Right for the freelancers Okay, I'm going to pay you.
23:53 Work for hire yeah work for hire and I pay you and that's it, and that's where the mentality stayed for a lot of companies. I think if you are a large service provider to a voiceover, you should take the lead and do what's right and do what's ethical, and that to me would be like start it and say no in perpetuity. There's not an option for in perpetuity.
24:14 - Tom Dheere (Co-host) Right.
24:14 - Anne Ganguzza (Host) And that would be a nice thing. Otherwise we sit here and we fight, and we fight, and we fight like we've always fought right To get rid of in perpetuity. Do you think in perpetuity will ever go away, tom?
24:24 - Tom Dheere (Co-host) I think it will always exist in some form yeah, I agree.
24:30 The thing that concerns me the most about it is that, like, if there's a casting notice and it says erotic, there is explicit sexual content. Everybody knows what that means. They know what they're getting into. If it's a casting notice for a political ad Democrat, republican or whatever you look at the script and you go oh okay, do I feel comfortable with this? You know what you're getting into. You can make a value decision. If it's these text-to-speech things, some of these casting notices, or if it's an online perpetuity, a lot of the voice actors don't know what that means. They don't know what they're getting into, and that's where SAG-AFTRA, nava and other organizations that's where the onus is on them to educate, to make sure that people are aware of what these things mean. That should not be the case. Voicescom should not have that option or the ability to modify the option.
25:16 - Anne Ganguzza (Host) Exactly. You know what I mean Exactly.
25:17 - Tom Dheere (Co-host) Because there's genres and sub-genres. You know like, if you want a public service announcement forever to technically broadcast and have that be in perpetuity, you can make a case for that.
25:26 - Anne Ganguzza (Host) You know what I mean.
25:27 - Tom Dheere (Co-host) But it's too broad and it isn't explained. There should be like a little button or a little like question mark or a little thing next to it. You click on that and it's like this is what this means.
25:37 - Anne Ganguzza (Host) And voice actors should have been educated many, many, many years ago, right? And what does it mean when you deliver an audio file, right? This is where, okay, we're creatives, we're good at what we do, but we also this is where the business sense comes in. Right, here, have my audio.
25:53 And usually what happens is something bad has to happen for us to like say, oh shoot, I probably should have a terms of service or a statement of work or a contract for all our non-broadcast stuff. So all our non-broadcast people are like, yeah, sure, give me a hundred dollars or give me $500, give me a thousand, that's perfect. And then all of a sudden, they find that their voice is out there on TikTok, you know, I mean, I'm not saying that that was Bev, but things like that happen, right. Or it even happens today with agents that are looking after our best interests, where sometimes you'll find a commercial that was supposed to only be regional which is now in a different place. And how do we know about it? Not until somebody tells us about it. And so we should. Now, with the technology, there should be a way to voice print and tag our audio so that we know if it's not where it should be, and it's being used.
26:41 - Tom Dheere (Co-host) And they're working on that? Yeah, exactly, they are working on that, exactly.
26:44 - Anne Ganguzza (Host) Wow, I really feel as though we should have a part two and a part three and a part four with this conversation. But wow, tom, good stuff. Thank you so much for sharing. I love that you shared the real numbers. I mean, anybody that knows me knows how much I love talking numbers because it really brings a level of realism to the bosses and I think that we all need to really see those numbers and it really helps to educate us on making good decisions for our businesses. So, thank you, tom, it was wonderful talking to you again and I look forward to the next podcast. Bosses, I'm going to give a great big shout out to our sponsor, ipdtl. You, too, can connect and network like bosses real bosses like Tom and myself. Find out more at IPDTLcom. All right, have an amazing week, guys, and we'll see you next week. Bye.
27:33 - Intro (Announcement) Join us next week for another edition of VO Boss with your host, Anne Ganguza, and take your business to the next level. Sign up for our mailing list at vobosscom and receive exclusive content, industry revolutionizing tips and strategies and new ways to rock your business like a boss. Redistribution with permission. Coast to coast connectivity via IPDTL.