HoP 427 - Brave New World - Shakespeare’s Tempest and Colonialism
Sep 3, 2023
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Exploring the motives behind English colonization efforts and the perception of native populations. Examining Shakespeare's play 'The Tempest' as a reflection on colonialism. Analyzing the connection between Montaigne's essay 'On Cannibals' and Shakespeare's play. Challenging the idea of Shakespeare as a colonizer.
The play The Tempest explores power dynamics, servitude, and cultural clashes in the context of colonialism.
Shakespeare's representation of colonialism in The Tempest remains ambiguous, raising questions about European cruelty, colonization, and power.
Deep dives
Economic expansion and trade in the 16th century
During Queen Elizabeth's reign, the ruling class aimed for economic expansion and trade to solve economic problems caused by population growth. The cloth industry was crucial, and the idea of seeking land and resources abroad emerged as a solution. Trade links were established with various European nations, and colonizing Ireland and the Americas became strategies to catch up with the Spanish and Portuguese. Travel writers and anti-travel writers expressed contrasting views on foreign lands, while the English aristocracy considered the Native Americans similar to laboring classes and the Irish.
The Tempest and colonialism
Shakespeare's play, The Tempest, has been interpreted as a reflection on colonialism. The central character, Prospero, represents a ruling figure with sovereignty over the island. The character of Caliban has been associated with victims of colonialism, but the play's portrayal is more complex. The parallel between Caliban and Ariel, another servant character, suggests a focus on lordship and servitude rather than specifically colonial dynamics. Gonzalo's utopian vision in the play and references to Montaigne's essays on cannibals add layers to the exploration of power dynamics and the treatment of newly contacted peoples.
Ambiguity and perspectives on colonialism
Shakespeare's representation of colonialism in The Tempest remains ambiguous. While there are indications of European cruelty and criticism of colonization, Shakespeare's own stance is not clear. The identification of Prospero with Shakespeare himself is debated, but if Prospero represents Shakespeare, a nuanced reading of Caliban's role would challenge the admiration for Prospero as the colonizer. The play connects to Montaigne's perspectives on natives of the Americas and raises questions about power, language, and cultural clashes in the colonial context.