Brian Hioe, a Taipei-based writer, editor, and activist, delves into his debut novel, 'Taipei at Daybreak.' He shares his journey from journalism to fiction, inspired by Taiwan’s 2014 Sunflower Movement and global protests like Occupy Wall Street. The discussion highlights the emotional landscape of activism and its representation in media. Hioe also reflects on the intricacies of sharing personal stories while educating readers about Taiwan’s political history. Future literary projects, including a nonfiction book on Asian protest movements, are also on the horizon.
Brian Hioe's novel 'Taipei at Daybreak' intertwines personal narratives with historical activism, reflecting on Taiwan's pivotal social movements like the Sunflower Movement.
The podcast discusses the genre of autofiction, highlighting its ability to express youthful activist emotions while providing a broader social commentary.
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The Turbulent US-China Relationship
The podcast delves into the complex and often fraught relationship between the United States and China, particularly in light of the contrasting leadership of Donald Trump and Xi Jinping. Central themes include the potential for tolerance or escalation towards conflict between the two nations, especially regarding issues such as artificial intelligence leadership. The discussion sheds light on cultural exchanges, highlighting how Hollywood movies have lost popularity in China, and examines the broader implications of such dynamics. This relationship is framed against the backdrop of potential alliances with Russia and the future of global governance.
Brian Hyo's Perspective on Taiwanese Activism
Brian Hyo reflects on his experiences within Taiwan’s activist circles, particularly during the Sunflower Student Movement, which he uses as a backdrop for his novel, 'Taipei at Daybreak.' The novel intertwines themes of personal and political activism, drawing parallels with other global movements like Occupy Wall Street and the anti-nuclear protests in Japan. Hyo expresses a desire for the novel to serve as a historical snapshot that captures the psyche of activists during a pivotal moment in Taiwan's history. He emphasizes the challenge of portraying the urgent emotions and motivations behind such movements while navigating the complexities of historical narrative.
The Intersection of Autobiography and Fiction
The conversation highlights the genre of autofiction, which Brian Hyo employs in 'Taipei at Daybreak' to weave personal narratives with broader social themes. Hyo contrasts autofiction with traditional memoirs, noting that the novel form allows for greater exploration of historical context without centering the author’s ego. He reflects on the significance of representing youthful activist experiences in literature, aiming to bridge the generational gap and provide insight into ongoing struggles. The discussion raises questions about the reception of Asian American literature, as Hyo seeks to engage directly with Taiwan's political realities despite the common burdens of identity framing.
Brian Hioe is a Taipei-based writer, editor, translator, activist, and DJ who is best known for his journalism regarding Taiwan’s social and political landscape. Much of his work appears in New Bloom Magazine, an online magazine that he helped establish in 2014 to cover activism and youth politics in Taiwan and the Asia Pacific at large.
In this episode of the New Books Network, we talk with Brian about his debut fictional novel, Taipei at Daybreak(Repeater Books, 2025).
Taipei at Daybreak is a work of autofiction that draws heavy inspiration from Brian’s experiences with activist movements including not just Taiwan’s Sunflower Movement, but also Occupy Wall Street in the US and post-Fukushima disaster anti-nuclear protests in Japan.
Atop this undercurrent of activism, the novel dives into its protagonist's inner turmoil and coming-of-age, giving readers a highly personal insight into the nature of 2010s-era social movements.
Anthony Kao is a writer who intersects international affairs and cultural criticism. He founded/edits Cinema Escapist—a publication exploring the sociopolitical context behind global film and television—and also writes for outlets like The Guardian, Al Jazeera, The Diplomat, and Eater.