Exploring the roots of Black musicians in American music, George Johnson, Ernest Hogan, and Mamie Smith made a lasting impact by pushing back against racist systems. From Blackface Minstrelsy to viral sensations, their work reshaped the music industry and laid the foundation for future musicians.
Black musicians like George Johnson and Ernest Hogan were among the first viral sensations in America, paving the way for future Black recording artists.
Black performers in the minstrel troupes subverted racist stereotypes, showcasing unique identities and challenging white dominant shows.
Deep dives
The Origin of Blackface Minstrelsy
Blackface Minstrelsy emerged in the early 1800s, igniting a wave of popular entertainment. Thomas Dartmouth Rice's 'Jump Jim Crow' performance in the 1820s marked its explosive growth. The racially derogatory act featured white performers in blackface imitating Black enslaved individuals. Despite the art form's success, Black Americans were barred from portraying their own culture on stage, highlighting a deep systemic inequality in the industry.
African American Minstrel Troupes
Post-Emancipation, African American minstrel troupes emerged, demonstrating a shift in representation. Black performers formed their own troupes, using the same racist stereotypes but subverted them, showcasing a unique expression of their identities. These troupes gained popularity, challenging the previously dominant white blackface shows.
Pioneering Black Recording Artists
The rise of Black recording artists like George Johnson and Ernest Hogan signified a groundbreaking era. Johnson's 'Crazy Blues' in 1920, considered the first blues record by a Black artist, revolutionized the music industry. The success of these artists led to the emergence of 'race records' and showcased Black musical talent to a diverse audience.
Impact and Evolution of Black Music
The recording successes of Black artists like Mamie Smith and Bessie Smith paved the way for genres like jazz and gospel to flourish. The popularity of 'race records' challenged industry conventions, highlighting the demand and talent of Black performers. This event catalyzed a pivotal shift in American music history, allowing Black voices to be heard and celebrated.
Today, the U.S. popular music industry is worth billions of dollars. And some of its deepest roots are in blackface minstrelsy and other racist genres. You may not have heard their names, but Black musicians like George Johnson, Ernest Hogan, and Mamie Smith were some of the country's first viral sensations, working within and pushing back against racist systems and tropes. Their work made a lasting imprint on American music — including some of the songs you might have on repeat right now.
Corrections:A previous version of this episode incorrectly stated that Jim Crow was a real-life enslaved person. In fact, Jim Crow was a racist caricature of African Americans. A previous version of this episode incorrectly stated that Thomas Rice, also known as T.D. Rice or Daddy Rice, was the first person to bring blackface characterization to the American stage. In fact, he was one of several performers of this era who popularized and spread the use of blackface. A previous version of this episode incorrectly stated that African American minstrel troupes didn't start to perform until after the U.S. Civil War. In fact, an African American artist named William Henry Lane was performing in the 1840s.