Canadian comedian Steph Tolev discusses her comedic style influenced by Canada, highland dancing, sketch comedy, spite, and Bill Burr. The podcast covers topics like anxiety, encounters with comedians, cultural connections, competitive pressures of dancing, emotional turmoil in the entertainment industry, and humorous anecdotes about flying on planes and selling merchandise as a performer.
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Quick takeaways
Developing a unique comedic style involves influences from Canada, highland dancing, sketch comedy, spite, and Bill Burr.
Moving to Vancouver offers a peaceful contrast to chaotic cities, providing a refreshing outlook on daily life.
Workplace challenges can stem from miscommunication and misunderstandings, necessitating clear boundaries and self-reflection.
The comedy industry is competitive and sensitive, with interactions, jealousy, and missteps influencing relationships and opportunities.
Deep dives
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Transitioning to a New Environment
Adapting to new environments can evoke mixed feelings, as seen when the speaker moved to Vancouver, appreciating its peacefulness compared to the chaos in other cities. Despite initial impressions, the experience of quietude and calmness in the city offers a refreshing perspective on daily life.
Challenges in Work Relationships
Work-related challenges can arise from misunderstandings and miscommunication, as demonstrated by incidents at Comedy Central gatherings leading to feelings of self-reflection and the need for clearer boundaries when interacting with colleagues.
Navigating Comedy Industry Dynamics
The podcast touches on the complexities of the comedy industry, where interactions, jealousy, and missteps can impact relationships and opportunities. Reflecting on personal experiences during comedy shows and festivals highlights the competitive and sensitive nature of the industry.
Audience responses like wooing in comedy shows are disruptive and seek attention
Wooing in comedy shows, a disruptive practice in response to moments of silence or non-comedic content, is a trend Mark Maron finds irritating. He believes that wooing is primarily attention-seeking and not a true reaction to jokes. Maron promptly addresses wooing, seeing laughter and applause as the genuine and appropriate responses to humor.
Comedian handles wooing in the audience by quickly shutting it down
Disapproving of wooing as a distracting tactic at shows, Mark Maron swiftly addresses and suppresses wooing from his audience. He views wooing as seeking attention rather than authentic reactions to humor and aims to maintain a focus on laughter and applause as the appropriate responses to jokes.
Bonus episodes available for Full Maron subscribers
Mark Maron shares his thoughts on audience wooing in comedy shows, emphasizing his proactive stand against it during performances. He directs his attention on maintaining a conducive environment for genuine audience responses like laughter and applause. Mark Maron offers additional content for Full Maron subscribers, delivering an in-depth exploration of various topics through bonus episodes twice a week.
Sign up for Full Maron to access bonus episodes
For Full Maron subscribers, Mark Maron delves into various subjects, including audience behavior like wooing during comedy performances. Mark Maron discusses the disruptive nature of wooing, which he believes is spurred by a desire for attention rather than an authentic reaction to humor. Subscribing to Full Maron allows access to enriched content, providing insights and perspectives beyond standard podcast episodes.
In a role reversal for WTF guests, Steph Tolev thought Marc didn’t like her. And as Marc usually finds out when he assumes another comedian dislikes him, Steph discovered that Marc is actually totally intrigued by who she is and interested in how she developed her unique comedic style. So Steph explains that it has a lot to do with Canada, highland dancing, sketch comedy, spite, pissing off the wrong people, farting, and Bill Burr, roughly in that order.
