Clare and Yves are joined by Jazz Money, a queer Wiradjuri filmmaker, poet and artist whose debut feature film WINHANGANHA (2023) uses archival footage by or about First Nations people from the National Film and Sound Archive to ‘make sense of the archival inheritances that shape our present realities’. What does it mean for First Nations creators to speak back to the colonial archive? How can we honour the archive of the body? And why is it essential to foreground love and joy and sexiness and strength, alongside violence and suffering?
